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Foxy Limbo
Show Parameters
- Original Prompt
- A black stickman searching the room, finding an old lighter and a pile of dry newspapers and cardboard. Floating glowing gear icons for a crafting process, 2D minimalist style
- Mode
- flash
- Size
- 1472 x 832
Prompt Helper
Model & LoRA used
Similar Images
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fl
1 stickman, black stickman, solid black circular head, thin black line limbs, simple round joint dots, full body, crouched low, kneeling on one knee, leaning forward, reaching down, one hand hovering over an old lighter, head tilted down, looking at object, searching, minimalist room interior, sparse line furniture, cardboard box, corrugated cardboard sheets, pile of dry yellowed newspapers, stacked newsprint, old metallic lighter, small chrome lighter, floating glowing gear icons, gear symbols hovering in air, crafting process, hover UI, 2D minimalist style, flat color, clean vector lines, limited palette, from side, wide shot, dutch angle, negative space, off-white ground, no text
Seen from a low three-quarter side angle, the black stickman crouches deep on his right knee at the center-right of the frame, left foot planted flat, his torso pitched far forward over the floor so his weight rides on the forward knee and his left arm hangs down, fingertips brushing the air an inch above a small old chrome lighter that lies on its side on bare floorboards. His solid black circular head tips down and to the left, and his whole attention is pinned on that lighter -- his other arm is braced back behind him, knuckles grazing the floor, counterbalancing the lean. Behind his hip and slightly left stands a leaning stack of brown corrugated cardboard sheets and a flattened cardboard box, its flap folded open, edges sharp and slightly ragged; directly right of it a loose pile of dry newspapers slumps with yellowed pages fanned and one brittle corner curling up off the floor, the topmost sheet skewed off-centre. All of this sits in a near-empty room drawn with a few thin straight lines -- a skirting rail, one bare vertical wall seam, a doorframe edge cropped by the left frame border -- on a flat off-white ground with wide empty space above the figure. Above and around his bowed head, four or five outlined gear icons float in a loose arc, glowing a single warm amber, their light spilling a soft halo onto the top of his round head and the tops of the cardboard and newsprint, casting small amber pools on the flat floor while thin unlit outlines of a few more gears drift faintly toward the upper right, half-transparent. The palette stays strict: pure black for the stickman, off-white for the ground and walls, two browns for cardboard and dry newsprint, and amber only for the glowing gears and their spill; no other hue enters. A single sheet of newspaper lies curled against the skirting where the air has lifted it, its shadow sharp and short on the floor. Cool, focused, quietly industrious.
Foxy Limbo
fl
1 stickman, black stickman, solid black circular head, thin black line limbs, simple round joint dots, full body, crouched low, kneeling on one knee, leaning forward, reaching down, one hand hovering over an old lighter, head tilted down, looking at object, searching, minimalist room interior, sparse line furniture, cardboard box, corrugated cardboard sheets, pile of dry yellowed newspapers, stacked newsprint, old metallic lighter, small chrome lighter, floating glowing gear icons, gear symbols hovering in air, crafting process, hover UI, 2D minimalist style, flat color, clean vector lines, limited palette, from side, wide shot, dutch angle, negative space, off-white ground, no text
Seen from a low three-quarter side angle, the black stickman crouches deep on his right knee at the center-right of the frame, left foot planted flat, his torso pitched far forward over the floor so his weight rides on the forward knee and his left arm hangs down, fingertips brushing the air an inch above a small old chrome lighter that lies on its side on bare floorboards. His solid black circular head tips down and to the left, and his whole attention is pinned on that lighter -- his other arm is braced back behind him, knuckles grazing the floor, counterbalancing the lean. Behind his hip and slightly left stands a leaning stack of brown corrugated cardboard sheets and a flattened cardboard box, its flap folded open, edges sharp and slightly ragged; directly right of it a loose pile of dry newspapers slumps with yellowed pages fanned and one brittle corner curling up off the floor, the topmost sheet skewed off-centre. All of this sits in a near-empty room drawn with a few thin straight lines -- a skirting rail, one bare vertical wall seam, a doorframe edge cropped by the left frame border -- on a flat off-white ground with wide empty space above the figure. Above and around his bowed head, four or five outlined gear icons float in a loose arc, glowing a single warm amber, their light spilling a soft halo onto the top of his round head and the tops of the cardboard and newsprint, casting small amber pools on the flat floor while thin unlit outlines of a few more gears drift faintly toward the upper right, half-transparent. The palette stays strict: pure black for the stickman, off-white for the ground and walls, two browns for cardboard and dry newsprint, and amber only for the glowing gears and their spill; no other hue enters. A single sheet of newspaper lies curled against the skirting where the air has lifted it, its shadow sharp and short on the floor. Cool, focused, quietly industrious.
Foxy Limbo
fl
1 stickman, black stickman, solid black circular head, thin black line limbs, simple round joint dots, full body, crouched low, kneeling on one knee, leaning forward, reaching down, one hand hovering over an old lighter, head tilted down, looking at object, searching, minimalist room interior, sparse line furniture, cardboard box, corrugated cardboard sheets, pile of dry yellowed newspapers, stacked newsprint, old metallic lighter, small chrome lighter, floating glowing gear icons, gear symbols hovering in air, crafting process, hover UI, 2D minimalist style, flat color, clean vector lines, limited palette, from side, wide shot, dutch angle, negative space, off-white ground, no text
Seen from a low three-quarter side angle, the black stickman crouches deep on his right knee at the center-right of the frame, left foot planted flat, his torso pitched far forward over the floor so his weight rides on the forward knee and his left arm hangs down, fingertips brushing the air an inch above a small old chrome lighter that lies on its side on bare floorboards. His solid black circular head tips down and to the left, and his whole attention is pinned on that lighter -- his other arm is braced back behind him, knuckles grazing the floor, counterbalancing the lean. Behind his hip and slightly left stands a leaning stack of brown corrugated cardboard sheets and a flattened cardboard box, its flap folded open, edges sharp and slightly ragged; directly right of it a loose pile of dry newspapers slumps with yellowed pages fanned and one brittle corner curling up off the floor, the topmost sheet skewed off-centre. All of this sits in a near-empty room drawn with a few thin straight lines -- a skirting rail, one bare vertical wall seam, a doorframe edge cropped by the left frame border -- on a flat off-white ground with wide empty space above the figure. Above and around his bowed head, four or five outlined gear icons float in a loose arc, glowing a single warm amber, their light spilling a soft halo onto the top of his round head and the tops of the cardboard and newsprint, casting small amber pools on the flat floor while thin unlit outlines of a few more gears drift faintly toward the upper right, half-transparent. The palette stays strict: pure black for the stickman, off-white for the ground and walls, two browns for cardboard and dry newsprint, and amber only for the glowing gears and their spill; no other hue enters. A single sheet of newspaper lies curled against the skirting where the air has lifted it, its shadow sharp and short on the floor. Cool, focused, quietly industrious.
Foxy Limbo
fl
1stickman, solo, black stickman, thin straight limbs, plain round head, featureless blank face, sitting on the floor, sitting cross-legged, leaning forward, hunched over, hands braced on the floor in front of him, blowing, pursed lips, tiny spark, small glowing ember, pile of dry cardboard, crumpled brown corrugated sheets, warm light expanding, glow, orange rim light, minimalist line art, flat white background, simple background, side view, low camera, close-up, from side, profile
A single black stickman seen in profile, his round featureless head and thin straight limbs drawn as clean uniform dark strokes, sits cross-legged on the bare white floor with his knees spread wide and his hips tipped back onto his sitting bones. He is folded far forward over his own lap: the spine arcs from the hips, the shoulders roll ahead of the chest, and both hands are planted flat on the floor just inside his knees, elbows bowed out, arms taking part of his weight while his tucked feet carry the rest. His face is turned down and to the right toward the small pile of dry cardboard sitting on the floor a hand's span in front of his shins. The cardboard is a low heap of crumpled brown sheets, corrugated edges torn and fanned, flaps cocked at angles, laid in flat opaque brown blocks against the white ground. In the crevice at the top of the heap sits one spark, a single small hot dot, and his lips are pursed into a tight small circle a short distance from it, cheeks drawn in, brows of the barest line lowered in concentration. The warm light comes from that one spark and from nothing else: it climbs the underside of his chin and the front of his throat, rims his nose and the inner edges of his forearms, and catches the top edges of the cardboard flaps, while the whole of his back and the back of his round head stay pure flat black lying on the white floor, their shadows thrown short and soft behind him by the low source. The white of the ground stays clean and empty beyond the pair of them, the only other mark a faint thinning of the warm tone across the floor where the glow reaches less far. Minimalist line art throughout, flat unshaded fills, no gradients except the one spreading pool of ember warmth. Quiet concentration, small and warm.
Foxy Limbo
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