Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #Vomit
Generate for Free

Vomit

#Vomit
More to See

Comments

1girl, solo, japanese schoolgirl, long dark hair, straight dark hair, navy sailor uniform, serafuku, white-lined sailor collar, navy pleated skirt, doubling over, bent forward, vomiting, watery vomit, vomit splash, puddle on asphalt, scattered droplets, hand on own knee, other hand holding own hair back, hair held up, flushed cheeks, pale skin, sickly pallor, tears welling up, brimming tears, upturned eyebrows, sweat on temple, sweatdrop, open mouth, gasping, panting, low three-quarter angle, from below, cowboy shot, knees-up framing, shallow depth of field, blurred background, commuter bus in background, exhaust haze, morning, cool light, long shadows, roadside, asphalt, daylight, cinematic lighting The camera sits low at a three-quarter angle, below her hip line and slightly to her left, looking up so the navy pleated skirt and the white-lined collar of the serafuku fill the lower and middle frame while the empty sky and the soft blur of the street open above her; the shot is cropped at the knees, her shoes and a single forearm resting across one knee anchoring the bottom edge. She is folded over sharply at the waist, spine curled, weight dumped onto her left leg while the right knee is bent and thrust forward for balance, and her right hand clamps the right knee from above, fingers spread and pressing hard enough to crease the skirt fabric. Her left arm crosses up past her cheek to gather a thick fistful of her long dark hair at the crown and pull it back clear of her face, the hair trailing down behind her shoulder and swinging loosely at its ends; a few strands have slipped free and lie across her damp temple. Her face is turned down and to her right, chin dropped, so the camera catches her in three-quarter profile as she heaves: mouth open in a wet gasp, lips drawn back, upturned brows knotted at the inner corners, eyes squeezed half shut with tears pooled along the lower lids and one already sliding down to her jaw, a fine sheen of sweat at her temple catching the light, and her cheeks blooming hot pink over a sallow, bloodless pallor that runs down her throat. A thin, watery stream of vomit arcs from her mouth and breaks on the asphalt just in front of her shoes, splashing outward into a small shallow puddle ringed with scattered droplets, one or two beaded on the toe of her loafer; a couple of strands of hair hang free toward the puddle but the holding hand keeps them clear. The light is cool and blue-grey, coming low from the right and long behind her, so her shadow stretches away left across the rough asphalt and the puddle throws a stretched, broken highlight where the sky reflects in it; the road surface shows damp dark patches and a scatter of grit, the curb and a strip of grass running away at the frame edge. Behind her, the flank of the commuter bus is a soft grey-blue smear, its windows and wheel arches unreadable in the blur, a faint exhaust haze hanging in the air between the bus and the girl and softening the far street into pale bands. Everything behind her shoulders falls into shallow-focus blur; her face, her gripping hand, the held hair and the splash on the ground stay razor-sharp. Palette limited to navy, white, cool grey asphalt and the pink-and-pale flush of her skin. Quiet, raw and tender.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of tetu0229
1girl, solo, teenage girl, medium hair, brown hair, standing, covering mouth with hand, hand over mouth, furrowed brow, wiping tears, streaming tears, crying, school uniform, serafuku, navy sailor collar, white stripe, pleated skirt, from below, cowboy shot, looking down, hunched shoulders, trembling, half-closed eyes, blush, outdoors, overcast daylight, The camera sits below her chest and tilts up, so she reads tall in the frame while her posture folds inward: a lone schoolgirl stands in a schoolyard corner against a blank exterior wall, feet planted apart on the concrete with her weight sunk onto the back foot, knees slightly bent, shoulders drawn up and rounded toward her ears. Her left hand is pressed flat across her mouth, palm to her lips, fingertips digging into the soft of her right cheek so the flesh dimples and her lips stay sealed behind it; with the back of her right hand she drags across her lower right lid, wrist bent, knuckles catching the wet track. Her brow is pulled hard down and together, two deep vertical creases between the eyebrows, while her eyes stay open and red-rimmed under the wiping hand, gaze dropped to the concrete between her shoes and away from the viewer. Two continuous solid streams of tears break from the inner corners of both eyes, welling over the lower lids and running unbroken down her cheeks past the jaw to the chin, the right stream smeared sideways where the back of her hand has just dragged through it, and single drops fall from her jaw and chin onto the collar and the concrete. Her medium-length brown hair falls just past her shoulders, parted off-center, one lock stuck flat to the wet left cheek; a strand at the temple lifts faintly. She wears a navy serafuku blouse with a broad sailor collar edged in a single white stripe, sleeves ending at the elbow, the white stripe sitting slightly darker where a tear has soaked into the collar, and a matching navy pleated skirt whose folds hang straight and unstirred. Behind her the blank pale wall fills the upper frame; a shallow wet patch darkens the concrete directly below her chin where drops have landed. Flat overcast daylight comes from above and slightly behind her, cool and even, so her face sits in its own soft shadow and the tear streams catch thin pale highlights; shadows under her jaw and beneath the skirt hem are soft-edged with no hard direction. Palette is navy, white, warm brown and the pale grey of the concrete, nothing saturated anywhere except the red around her eyes. Her skin is flushed unevenly, deepest at the nose and the rims of her eyes. Quietly aching, restrained grief.
tetu0229

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬