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AI art "A guy and his classic car"
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A guy and his classic car

I asked it to do a 1949 Morris Minor, but it instead did a 1960s Morris Mini Minor.

#Male#Boots#Outdoors#long hair#Blonde hair#Jacket#Car#Forest#Leather#Boy#full body#Black gloves#Leather Jacket#Vehicle focus#Blurry Background
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Matthew Paul Argall

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1boy, solo, adult male, handsome, blonde mullet, short cropped front and sides, long shaggy layered nape length, windswept loose strands, blue eyes, clean-shaven, smooth bare cheeks, smooth bare jaw, no beard, smile, closed-lip smile, black leather jacket, open collar, black leather gauntlets, black leather knee-high boots, blue denim pants, standing, weight on one leg, one hand resting flat on car roof, leaning slightly, from side, three-quarter view, looking off to the side, 1949 Morris Minor, low-light coupé, split windshield, chrome grille, round headlamps, morris minor, forest, tall pines, sunbeams, dappled light, sunny day, full body, medium shot, A three-quarter view from the side, the camera at about the car's window height, the man placed left of frame with the 1949 Morris Minor filling the right two-thirds. He stands beside the driver's door, hip a hand's width from the rear wing, left boot planted flat on the mossy forest floor and right knee slightly bent, weight carried on the left leg. His right palm rests flat on the car's roof just above the door frame, fingers spread and slightly compressed where the leather gauntlet meets steel; the gauntlet's cuff sits snug at his wrist, the jacket's sleeve pushed back a little by the raised arm. His left hand hangs at his side, hooked loosely on the denim at his pocket seam. His torso is turned three-quarters to the lens, shoulders a touch uneven, and his head is turned further toward the car, chin lifted a little, eyes looking off past the far fender into the trees — a relaxed, closed-lip smile, one corner a fraction higher, a small crease at the eye. The mullet's short side is neat above the ear, the long nape hair lifting in the warm breeze and catching the sun along its strands; the open jacket collar shows a bare throat, no chain. The car is parked nose-left on a dirt track, front wing and grille catching highlights along the chrome, its body a soft rounded shell of low light on the panels and green shadow beneath. Tall pine trunks stand behind at varying distance, their bark lit on the sun-facing sides, and the canopy filters the light into long shafts that rake diagonally across the clearing. The sun sits high and back-left, rim-lighting the man's hair and the car's roofline and throwing a short dark shadow of the two of them onto the moss; sunlight falls only through the gaps in the pines, so the ground is a patchwork of hot gold and deep green shade. Palette: sun-bleached blonde, black leather with warm specular sheen, blue denim, deep forest green, and the car's faded olive-cream paint. Detail is spent on his face, the gauntlets' stitching and the chrome grille; the far pines simplify into massed silhouettes. Warm, easygoing.
Show Parameters
Original Prompt
handsome adult male, blonde mullet hair, black leather jacket, black leather gauntlets, black leather knee-high boots, blue denim pants, smiling, no beard, standing next to 1949 Morris Minor car, forest, sunny day,
Mode
pro
Size
1888 x 1056
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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