Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "Halloween Night Out #30"
Generate for Free

Halloween Night Out #30

Atra (🐍): "There you go." Delphis (🤍): "Eh.. ehhhhhh??? What happened to me and why are you bleeding?" Atra (🐍): "Good to see you regained your consciousness. Anyways, none of that matters since things have gotten worse. I want you to take my knives and get Cithera down!" Delphis (🤍): "Where do you carry them and why do you have them with you tonight?" Atra (🐍): "There's no time for that, just do as I say!"

#Kemonomimi#Breasts#Dress#Red eyes#Knife#Hat#long hair#Chinese clothes#Black hair#Multicolored hair#Black thigh-highs#Grey hair#Ofuda#Jabot#China dress#Multiple Girls#Bare legs#Long sleeves#Plaid skirt#Jiangshi#Black Dress#Holding#Medium Breasts#High-waisted skirt#Hanging light#Hair bun
More to See

Comments

2girls, medium shot, side angle view, from side, kneeling, sitting, indoors, abandoned building, decrepit basement, dank basement, night, spider webs, mushrooms, creepy atmosphere, cobra girl, one red eye open, short black hair, double buns, crossed bangs, small breasts, red snake tail, sleeveless black cheongsam, snake print, black guanmao hat, red tassels, ofuda earrings, ofuda on head, snake tattoos, arm tattoo, thigh tattoo, serious expression, blood from mouth, parted lips, holding knife, looking at another, opossum girl, white eyes, long hair, fluffy hair, silver hair, black streaks in hair, bangs, opossum ears, ear fluff, hairless opossum tail, pink tail, medium breasts, long-sleeved shirt, red plaid shirt, orange ascot, black suspender skirt, black thighhighs, stitched face makeup, black makeup, scared, confused, open mouth, looking at another, The shot is a side-angle medium shot taken from a low, slightly off-axis position inside a decrepit abandoned basement at night: the two girls sit in profile to the camera, the cobra girl on the left facing right, the opossum girl on the right facing left, so both faces are seen in three-quarter profile and their eyelines meet across the frame. The cobra girl is already down on both knees on the cracked concrete floor, weight sunk back on her heels, the red snake tail coiled flat around behind her hips and dragging one loop across the wet floor to the left edge of the frame; her right hand grips a short knife hilt low at her waist, blade angled forward and down, knuckles pale, while her left hand hangs loose with fingertips just touching the floor for balance. Her short black hair is bound in two tight double buns, crossed bangs lying flat over her forehead beneath the black guanmao hat, whose red tassels hang and swing slightly forward past her cheek; two ofuda earrings dangle from her ears and one ofuda is pressed flat on her forehead, its paper edge lifting in the damp air, and snake tattoos curl visibly along her bare upper arms and along the exposed thigh below the short hem of her sleeveless black cheongsam, its snake print running dark over black silk. Only her right eye is open, red and steady; her lips are parted and a thin thread of blood runs from the lower lip down over her chin, and her gaze is fixed hard on the other girl. Opposite her, the opossum girl has just pushed herself up from the floor into a sit, one hip bearing her weight, legs folded sideways under her, black thighhighs drawn tight at the knees, the long-sleeved red plaid shirt pushed up at the elbows and the orange ascot knotted at her throat; the black suspender skirt straps ride straight over her shoulders and the black stitched makeup rings her eyes and seams across her cheeks like thread. Her long, fluffy silver hair with black streaks spills over one shoulder and down onto the floor behind her in a soft volume, bangs parted over her brow, two furred opossum ears with pale fluff inside rising above it, and the hairless bald pink opossum tail snakes out from behind her hip along the concrete, slightly raised. Her white eyes are wide and her mouth hangs open as she stares back at the cobra girl, shoulders drawn up. The basement around them is wet concrete and rotting timber: thick grey spider webs sag between a broken ceiling joist and a rusted pipe in the upper left, clusters of pale mushrooms push out of the damp wall and floor in the background behind the opossum girl, and the far depth dissolves into black. A single bare bulb hangs off-frame upper right, the only light source; it strikes the cobra girl's cheekbone, the blade, and the opossum girl's hair from the right, throwing both their long shadows left across the floor while the corners of the room stay in absolute darkness. The palette stays narrow and cold — grey concrete, wet black, sickly pale mushroom cream, the hot red of the tail, tassels and blood, and the muted red-and-orange plaid breaking the cold. The webs are strung only where two surfaces face each other, never across open air. Creepy, tense.
Show Parameters
Original Prompt
A medium shot of two girls inside a decrepit and dank basement of an abandoned building that is covered in spider webs, mushrooms in the background, and a creepy atmosphere at night. The girl on the left is a Chinese assassin fused with a cobra who has one red eye open and short black hair in double buns and crossed bangs, small breasts, and a red snake tail. She dresses up as a jiangshi with a sleeveless black cheongsam that has a snake print, a black hat called a guanmao, red tassels, ofuda earrings, an ofuda on her head, snake tattoos on her arms and thighs, and a serious expression on her face while blood is leaking out of her parted lips, she is kneeling while holding a knife and she is looking at the opossum girl. The girl on the right is a girl fused with an opossum who has white eyes, long silver and fluffy hair with black streaks, bangs, opossum ears with ear fluff in them, a hairless and bald pink opossum tail, and medium breasts. She is dressed up as a scarecrow by wearing a long-sleeved red plaid shirt with an orange ascot, black suspender skirt, black thighhighs, black makeup that looks like she has her eyes and face stitched, and she has a scared and confused expression on her face while she has her mouth open. She sits up and looks at the snake girl. The scene is viewed at a side angle.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬