Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "Oh my God, they killed Denji!" featuring #Kenny McCormick, #Chainsaw Man, #Reze and #Denji
Generate for Free

Oh my God, they killed Denji!

#Kenny McCormick#Chainsaw Man#Reze#Denji
kl

Kenny Loh

More to See

Comments

character: reze_(chainsaw_man), denji_(chainsaw_man), kenny_mccormick, copyright: chainsaw_man 3 characters, denji_(chainsaw_man), reze_(chainsaw_man), kenny_mccormick, denji lying dead on the ground, corpse, lying on back, eyes closed, blood pooling under him, blonde short hair, white shirt, necktie, collared shirt, dark pants, reze kneeling beside him, crying, tears, streaming tears, wet cheeks, grief-stricken, purple hair, hair bun, hair between eyes, black ribbon, white sleeveless shirt, ribbon at collar, kenny mccormick standing at the edge of frame, orange parka, fur-trimmed hood, hood up, hooded jacket, blonde hair between eyes, blue eyes, hands shoved in parka pockets, wide-eyed shock, staring at the body, speech bubble, from above, high angle, dutch angle, street, asphalt road, night, streetlights, urban street, wet asphalt, three subjects, no extra people The camera looks down from high above a night street, tilted a few degrees off level, so the asphalt fills the frame and the three figures sit inside it as small dark shapes in a hard cone of streetlight. Denji lies flat on his back across the lower middle of the frame, sprawled where he fell: his right arm thrown out past his head, fingers loose and open, his left hand resting on his own chest, one knee bent so the leg falls outward, the other leg straight. His head is turned to the side, cheek against the ground, yellow-orange eyes shut, short blonde hair fanned out and flattened against the wet asphalt, a white collared shirt rumpled and pulled half out of his dark pants, a loosened necktie flipped over his shoulder, one shoe off. A thin sheet of blood has spread out from under his shoulder blades and runs along the road's seams and the shallow camber of the asphalt, pooling darker in the low spots, its wet edge catching a crooked line of lamp light. Reze kneels at his left hip, both knees pressed into the wet ground, weight sunk back on her heels, her hands gripping her own thighs because she cannot bring herself to touch him; her purple hair is coming loose around the bun, strands pasted to her wet cheeks, the black ribbon at her collar hanging slack, tears running freely down her face and dripping off her chin onto the white sleeveless shirt and onto Denji's sleeve. Her green eyes are open, fixed on his face, her brows drawn up and her mouth pulled open in a silent sob, shoulders shuddering. Kenny McCormick stands at the upper right edge of the frame, close to the lens and slightly out of focus, his orange fur-trimmed hood up around his face, both hands jammed deep in his parka pockets, leaning forward over the pair, his blue eyes wide and his hooded mouth hanging open in shock, gaze locked on Denji's body. A white speech bubble rises from Kenny's head toward the top right corner, its tail pointing back at his hood, and inside it in clean black comic lettering reads "Oh my God, they killed Denji!" The street is a narrow city block at night: a wet curb and a painted lane line running out of frame behind Reze's back, a distant parked car reduced to a dark blurred block, unreadable sign lettering on a shopfront deep in the background, a utility pole cutting the top left corner. A single sodium streetlight overhead is the only real light source, dropping a hard-edged oval of warm amber over the body and Reze's bent back while Kenny is rimmed by the spill at the frame's edge; beyond that oval the asphalt falls into cold blue-black, and all three cast one long shadow that stretches toward the bottom of the frame. Palette is restricted to wet black asphalt, warm amber lamplight, the blood's deep red, Kenny's saturated orange parka and Reze's pale white shirt; everything else stays in the dark register. The speech bubble's white and black are the only clean flat values in the picture. Sombre, lurid.
Show Parameters
Original Prompt
denji (chainsaw man) corpse in on the floor and reze (chainsaw man) is crying, they are on a street, kenny mccormick saw it and say "Oh my God, they killed Denji!"
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.58k

Similar Images

Show more

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
9#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateRecipeProfile