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Arie Ichiyawa

Arie Ichiyawa AI art by jkkimmons on PixAI. Made with Tsubaki.3.

my second persona

#solo #Smile #Boy

Published on Oct 30, 2026

jkkimmons

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1boy, solo, male, tall, 6'2", long messy gray hair, gray cat ears, gray wolf tail, wolf tail, messy tail, gray feathered wings, wings, sky blue eyes, shark teeth, sharp teeth, black hooded cloak, hood up, half-cape over left arm, gray hoodie, round mask, black mask, white jagged grin on mask, white eye mask, red pupils, crack over left eye, skin visible at mask edges, black buckle collar, collar loop, from below, dutch angle, cowboy shot, standing on one leg, hand in pocket, leaning back, head tilt, looking to the side, smirk, feather ruffling, floating dust motes, The camera looks up from knee height at a slight dutch tilt, from below, so the figure towers into the frame at a cowboy shot cropped just below the hips and the tips of the wings sweep out of the top corners. He is caught mid-wander and has stopped: weight rocked onto his right leg, left leg lifted and bent with the boot sole resting flat against the chipped brick of a low wall behind him, one hand shoved deep into the gray hoodie's pocket, the other arm — the left, the one the black half-cloak sleeves — hanging loose with the cloak's hem pushed back off the shoulder by the raised knee. His torso leans back a few degrees, chin lifted, head tipped to his right so the hood's edge slides and the long messy gray hair spills out of it on the right side and mats against the cloak's shoulder in loose strands; the gray cat ears stand above the hood, twitching at an angle, one tipped toward the street. The round black mask covers the whole front of the face: a wide white eye sits over each socket, the left one crossed by a hairline crack that runs up toward the hood, and each white eye carries a small red pupil that catches the light and reads as a fixed, unbothered stare. The jagged white grin is split into triangular teeth across the mask's lower half. At both outer edges of the mask the skin of his jaw and temple shows through, and the mask's grin-line ends in the real corner of a mouth that is also faintly smiling underneath — the same smile continuing behind the plate. The black buckle collar sits above the hoodie's collar with its metal loop hanging at the throat, catching the light. The gray wolf tail hangs out from under the cloak's right side, thick and messy, twitching once against the wall. The gray wings are folded but not tucked, membrane and feather separating slightly at the top edge where a draft lifts them. The scene is an empty side street after rain: a low brick wall behind him, cracked asphalt with shallow puddles holding the sky, a scuffed metal shutter on the left, and a tall paper coffee cup with a lid balanced on the wall's capstone beside his hip, a thin curl of steam rising from the lid's hole. Everything else is out of focus. Key light comes from a single gray-blue overcast sky overhead and slightly to his left, so the light strikes the top planes of the hood, the crown of the mask and the tops of the wings while the underside of his chin, the inside of the cloak and the low wall fall into cool shadow; the puddles return a dimmer, softer copy of the sky, and the steam bends toward the wall in the light cross-draft, which is the only moving thing in the frame. Palette is gray, black and wet slate, with the mask's white grin and eye-plates and the red pupils as the sole saturated accents. Composed, carefree.

Arie Ichiyawa

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