Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate for Free

吉田晴樹

吉

吉田晴樹

More to See

Comments

solo, 1girl, high school girl, school uniform, white short-sleeved button-down shirt, navy pleated skirt, barefoot, bare legs, long legs, tall, 180cm, slender, sitting, legs stretched toward viewer, feet forward, soles facing viewer, upright soles, sole focus, very large soles, vertically long feet, long toes, high arch, prominent arch, clean soles, beautiful feet, 600ml plastic bottle, bottle beside sole, size comparison, from below, foreshortening, full-length, indoor, home interior, looking down at viewer, light smile, head tilt, arm support, leaning back on hands, wooden floor Low, near-floor camera set at the edge of a living-room floor, looking up along the length of her outstretched legs: a tall slender high-school girl sits on the wooden floorboards with her back against the low sofa base, both legs extended straight toward the lens, knees slightly apart, heels planted on the floor and both soles tilted up and square to the camera so the full undersides read as two long smooth planes. Her weight is back on her hips, her arms braced behind her on the floor with elbows locked, hands flat and fingers spread taking the load, which arches her spine a little and lifts her chin. She looks down over her shins at the viewer, chin tipped, one eyebrow faintly raised, a small closed-lip smile at one corner of her mouth — amused, entirely at ease, not performing. Her short-sleeved white shirt is buttoned and crisply creased at the elbows, the navy pleated skirt fanned flat over the floor behind her thighs with its pleats splayed; her hair falls forward slightly over one shoulder with the tilt of her head. Nothing on her feet: bare soles, bare heels, bare toes. The soles are the subject and carry the detail budget: long and narrow, clearly taller than they are wide, each toe separated and unusually long, the big toe longest, toenails clean and neatly kept; the arch cuts a deep distinct crescent between the ball and a well-defined rounded heel, the skin pale with a faint warm flush along the pressure line of the ball and a soft matte sheen where the light skims the instep. Beside the right sole, standing upright on the floorboards in the same focal plane, is a 600 ml clear plastic PET bottle with a white cap and a blue label band; the bottle's full height reaches only about halfway up her foot, and its width measures less than a third of the sole's width — the comparison runs vertically and unmistakably in her favor. The bottle's cap sits a little in front of her little toe, not touching it; a small standing gap separates bottle and skin, and the bottle holds a faint reflection of the window light on its shoulder. Where her heels press the boards, the wood shows the slight pale compression of weight, and the soles' own soft shadow lies under their raised edges rather than under the whole foot. Light: a single broad window at frame left, cool late-afternoon daylight raking low across the floor, striking the right side of her face, the outer edge of her left shin and the front of both soles, throwing long soft shadows of her legs and the bottle off to the right across the boards; the room behind her — a plain wall, the sofa's shadowed underside, a door edge — falls into gentle dim brown-grey. Palette: warm honey floorboards, cool grey-blue daylight, crisp white shirt, deep navy skirt, pale warm skin, and the bottle's single blue band as the only saturated accent. Quiet, casual, faintly teasing.
Show Parameters
Original Prompt
女子高生。身長180㎝スリムスタイル抜群。制服姿。裸足。背景は家の中。彼女は座ってこちらに脚を伸ばしている。足裏を立てている。彼女の足裏は非常に大きく、綺麗。彼女の足は縦に大きい。彼女の足裏のよこに600ｍｌのペットボトルが置いてあり、彼女の足裏の方がペットボトルよりも大きい。彼女の足の指はとても長く、綺麗。土踏まずがくっきりとある。
Mode
flash
Size
1232 x 1632
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.60k

Similar Images

Show more
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹
AI artwork
吉
1girl, solo, high school girl, school uniform, white short-sleeved button-down shirt, pleated navy blue skirt, barefoot, bare legs, sitting, legs extended toward viewer, feet forward, soles facing viewer, sole focus, very large feet, long toes, high arch, clean feet, 600ml plastic bottle, pet bottle beside sole, size comparison, indoor, home interior, from below, foreshortening, close-up on feet, looking at viewer, light smile, head tilt, arm support, tatami floor The camera sits low on the floorboards and tips upward, so the nearest thing in the frame is the pair of soles held upright toward the lens, and the girl's tall slim body runs away above them in sharp foreshortening. She sits on the tatami with her weight rocked back onto her left hip, one palm planted flat behind her for support, her spine long and relaxed, both legs stretched straight at the viewer so the feet stand almost vertical, heels resting on the mat, toes tipped slightly back toward her own face. The soles are the whole foreground: long vertically, broader than the 600ml plastic bottle lying on its side on the floorboards right beside the right sole, the sole's length running well past the bottle's body and its width plainly exceeding the bottle's diameter; a clear, deep arch cuts a distinct hollow along the inner edge of each foot, and the toes are long, straight and clean, each one separated and readable, toenails neat and short, the balls of the feet and heels softly pinked where they press the air. Her right hand rests loosely on her knee, the left still braced on the tatami, fingers spread. She looks down the length of her own legs at the lens with a faint closed-lip smile, chin tilted, one eyebrow slightly lifted, a strand of hair slipping from behind her ear. Warm afternoon light comes in low through a paper-screened window off-frame to the left, laying a soft bright band across the soles and the bottle, catching the plastic bottle's curved highlight and the shine on her toenails, and dropping the room behind her into quiet amber shadow; the bottle lies in the soles' own cast shadow, its clear plastic picking up a pale caustic glow on the floorboards where the light passes through it. Behind her, a low table and a folded cushion sit against a plain wall in soft focus, palette limited to warm tatami straw, cream, navy and clean skin tones. Quiet, unhurried.
吉田晴樹

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateRecipeProfile