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View detailsC.C., Code Geass: Lelouch of the Rebellion
Contest Entry
PixAI โHalloween Oddities Clubโ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
Show Parameters
- Original Prompt
- (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (mature female, long light green hair, golden eyes, beautiful face),(relaxed, eyes half-closed, subtle smirk, unaware of exposure:1.5),(1girl, solo focus:1.5), (sitting on tatami mat:1.4), (leaning back on one hand:1.3), (POV from doorway:1.4),(black halloween yukata:1.5), (yukata completely falling off shoulders:1.7), (wardrobe malfunction:1.6), (bare back, bare shoulders:1.5), (hanging fabric barely covering chest, heavy sideboob:1.6),(high slit, full bare thighs exposed, black lace panties visible:1.5),(traditional japanese inn room:1.4), (shoji screen doors, wooden pillars:1.3), (glowing jack-o'-lantern on the floor:1.3),(perfect hands, delicate fingers:1.3)
- Mode
- flash
- Size
- 864 x 1152
Prompt Helper
Model & LoRA used
Similar Images
Show morek1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, solo focus:1.5, mature female, long light green hair, very long hair, golden eyes, beautiful face, (lazy smile, half-closed eyes, seductive gaze, looking at viewer:1.4), (sitting on tatami mat:1.4), (POV from doorway:1.3), (leaning back slightly:1.2), (black gothic kimono:1.5), long sleeves, (high slit, exposing black pantyhose and thigh:1.5), black pantyhose, (loose obi with pumpkin pattern:1.3), (holding a glowing jack-o'-lantern lantern:1.4), (perfect hands, delicate fingers:1.3), (traditional japanese inn room:1.4), (wooden pillars, shoji screen doors:1.3), tatami floor, (floating ghostly wisp silhouettes:1.2), (spooky halloween atmosphere:1.3), from above, sitting, leaning back, arm support, head tilt, looking at viewer, open mouth, light smile, half-closed eyes, foreshortening
The camera sits low in the doorway of a traditional Japanese inn room, looking in and slightly down: the dark wooden doorframe crops both vertical edges of the frame, its lintel cutting a black band across the top, so the whole room is seen through the doorway's rectangle. Beyond the threshold the tatami mat floor spreads in pale straw-green, its cloth borders running as clean straight lines toward the back wall, where shoji screen doors of white paper and dark wood lattice close the room. Two thick wooden pillars stand left and right of her, flat mid-brown planes against the paper.
She sits at the center of the mat in a loose seiza that has collapsed into a lean: her weight rests back on her left hip and her left hand planted flat on the tatami behind her, elbow slightly bent, while her right knee is drawn up and her right foot set flat on the mat. Because of that drawn-up knee the high slit of the black kimono falls open along her right leg, the black fabric parting from hip to hem to expose the smooth black pantyhose sheathing her thigh and calf, the taut flat sheen of the stocking reading as one crisp shape against the mat. The kimono itself is deep black, its collar crossed high at the throat, long sleeves pooling on the tatami beside her with their cuffs folded back, and the loose obi tied low and slack around her waist carries a repeating pattern of small round orange pumpkins on a dark ground, its knot slipping to one side. She leans back slightly, chin lifted, shoulders easy.
Her right hand holds the lantern up at chest height: a small carved jack-o'-lantern with a black iron hoop handle, her delicate fingers curled lightly around the hoop, thumb along the top of it, wrist relaxed, the pumpkin's cut eyes and jagged mouth glowing warm orange from within and throwing a soft amber wash over her fingers and the black silk of her sleeve.
Her long light green hair falls in straight heavy strands past her shoulders and spreads over the tatami behind her planted hand, tips curling where they meet the mat. Her head tilts a little to one side, golden eyes half-lidded under lowered lashes, a lazy closed-lipped smile pulling one corner of her mouth higher than the other, and her gaze comes straight down the doorway to the viewer and holds there.
Around and behind her, faint translucent wisp silhouettes drift above the tatami โ pale outlined shapes with trailing tails, some passing in front of the shoji paper, one hovering near the lantern โ drawn as flat outlined forms with no interior shading. Flat autumn-Halloween palette: straw-green mat, warm brown wood, white paper, deep black kimono, orange pumpkin accents, the single green note of her hair and the gold of her eyes; every surface filled with one even tone, not a shadow, not a gradient anywhere. Quiet, teasing, spooky.
ki11 yukii
k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, solo focus:1.5, mature female, long light green hair, very long hair, golden eyes, beautiful face, (lazy smile, half-closed eyes, seductive gaze, looking at viewer:1.4), (sitting on tatami mat:1.4), (POV from doorway:1.3), (leaning back slightly:1.2), (black gothic kimono:1.5), long sleeves, (high slit, exposing black pantyhose and thigh:1.5), black pantyhose, (loose obi with pumpkin pattern:1.3), (holding a glowing jack-o'-lantern lantern:1.4), (perfect hands, delicate fingers:1.3), (traditional japanese inn room:1.4), (wooden pillars, shoji screen doors:1.3), tatami floor, (floating ghostly wisp silhouettes:1.2), (spooky halloween atmosphere:1.3), from above, sitting, leaning back, arm support, head tilt, looking at viewer, open mouth, light smile, half-closed eyes, foreshortening
The camera sits low in the doorway of a traditional Japanese inn room, looking in and slightly down: the dark wooden doorframe crops both vertical edges of the frame, its lintel cutting a black band across the top, so the whole room is seen through the doorway's rectangle. Beyond the threshold the tatami mat floor spreads in pale straw-green, its cloth borders running as clean straight lines toward the back wall, where shoji screen doors of white paper and dark wood lattice close the room. Two thick wooden pillars stand left and right of her, flat mid-brown planes against the paper.
She sits at the center of the mat in a loose seiza that has collapsed into a lean: her weight rests back on her left hip and her left hand planted flat on the tatami behind her, elbow slightly bent, while her right knee is drawn up and her right foot set flat on the mat. Because of that drawn-up knee the high slit of the black kimono falls open along her right leg, the black fabric parting from hip to hem to expose the smooth black pantyhose sheathing her thigh and calf, the taut flat sheen of the stocking reading as one crisp shape against the mat. The kimono itself is deep black, its collar crossed high at the throat, long sleeves pooling on the tatami beside her with their cuffs folded back, and the loose obi tied low and slack around her waist carries a repeating pattern of small round orange pumpkins on a dark ground, its knot slipping to one side. She leans back slightly, chin lifted, shoulders easy.
Her right hand holds the lantern up at chest height: a small carved jack-o'-lantern with a black iron hoop handle, her delicate fingers curled lightly around the hoop, thumb along the top of it, wrist relaxed, the pumpkin's cut eyes and jagged mouth glowing warm orange from within and throwing a soft amber wash over her fingers and the black silk of her sleeve.
Her long light green hair falls in straight heavy strands past her shoulders and spreads over the tatami behind her planted hand, tips curling where they meet the mat. Her head tilts a little to one side, golden eyes half-lidded under lowered lashes, a lazy closed-lipped smile pulling one corner of her mouth higher than the other, and her gaze comes straight down the doorway to the viewer and holds there.
Around and behind her, faint translucent wisp silhouettes drift above the tatami โ pale outlined shapes with trailing tails, some passing in front of the shoji paper, one hovering near the lantern โ drawn as flat outlined forms with no interior shading. Flat autumn-Halloween palette: straw-green mat, warm brown wood, white paper, deep black kimono, orange pumpkin accents, the single green note of her hair and the gold of her eyes; every surface filled with one even tone, not a shadow, not a gradient anywhere. Quiet, teasing, spooky.
ki11 yukii
k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, solo focus:1.5, mature female, long light green hair, very long hair, golden eyes, beautiful face, (lazy smile, half-closed eyes, seductive gaze, looking at viewer:1.4), (sitting on tatami mat:1.4), (POV from doorway:1.3), (leaning back slightly:1.2), (black gothic kimono:1.5), long sleeves, (high slit, exposing black pantyhose and thigh:1.5), black pantyhose, (loose obi with pumpkin pattern:1.3), (holding a glowing jack-o'-lantern lantern:1.4), (perfect hands, delicate fingers:1.3), (traditional japanese inn room:1.4), (wooden pillars, shoji screen doors:1.3), tatami floor, (floating ghostly wisp silhouettes:1.2), (spooky halloween atmosphere:1.3), from above, sitting, leaning back, arm support, head tilt, looking at viewer, open mouth, light smile, half-closed eyes, foreshortening
The camera sits low in the doorway of a traditional Japanese inn room, looking in and slightly down: the dark wooden doorframe crops both vertical edges of the frame, its lintel cutting a black band across the top, so the whole room is seen through the doorway's rectangle. Beyond the threshold the tatami mat floor spreads in pale straw-green, its cloth borders running as clean straight lines toward the back wall, where shoji screen doors of white paper and dark wood lattice close the room. Two thick wooden pillars stand left and right of her, flat mid-brown planes against the paper.
She sits at the center of the mat in a loose seiza that has collapsed into a lean: her weight rests back on her left hip and her left hand planted flat on the tatami behind her, elbow slightly bent, while her right knee is drawn up and her right foot set flat on the mat. Because of that drawn-up knee the high slit of the black kimono falls open along her right leg, the black fabric parting from hip to hem to expose the smooth black pantyhose sheathing her thigh and calf, the taut flat sheen of the stocking reading as one crisp shape against the mat. The kimono itself is deep black, its collar crossed high at the throat, long sleeves pooling on the tatami beside her with their cuffs folded back, and the loose obi tied low and slack around her waist carries a repeating pattern of small round orange pumpkins on a dark ground, its knot slipping to one side. She leans back slightly, chin lifted, shoulders easy.
Her right hand holds the lantern up at chest height: a small carved jack-o'-lantern with a black iron hoop handle, her delicate fingers curled lightly around the hoop, thumb along the top of it, wrist relaxed, the pumpkin's cut eyes and jagged mouth glowing warm orange from within and throwing a soft amber wash over her fingers and the black silk of her sleeve.
Her long light green hair falls in straight heavy strands past her shoulders and spreads over the tatami behind her planted hand, tips curling where they meet the mat. Her head tilts a little to one side, golden eyes half-lidded under lowered lashes, a lazy closed-lipped smile pulling one corner of her mouth higher than the other, and her gaze comes straight down the doorway to the viewer and holds there.
Around and behind her, faint translucent wisp silhouettes drift above the tatami โ pale outlined shapes with trailing tails, some passing in front of the shoji paper, one hovering near the lantern โ drawn as flat outlined forms with no interior shading. Flat autumn-Halloween palette: straw-green mat, warm brown wood, white paper, deep black kimono, orange pumpkin accents, the single green note of her hair and the gold of her eyes; every surface filled with one even tone, not a shadow, not a gradient anywhere. Quiet, teasing, spooky.
ki11 yukii
k1
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, solo focus:1.5, mature female, long light green hair, very long hair, golden eyes, beautiful face, (lazy smile, half-closed eyes, seductive gaze, looking at viewer:1.4), (sitting on tatami mat:1.4), (POV from doorway:1.3), (leaning back slightly:1.2), (black gothic kimono:1.5), long sleeves, (high slit, exposing black pantyhose and thigh:1.5), black pantyhose, (loose obi with pumpkin pattern:1.3), (holding a glowing jack-o'-lantern lantern:1.4), (perfect hands, delicate fingers:1.3), (traditional japanese inn room:1.4), (wooden pillars, shoji screen doors:1.3), tatami floor, (floating ghostly wisp silhouettes:1.2), (spooky halloween atmosphere:1.3), from above, sitting, leaning back, arm support, head tilt, looking at viewer, open mouth, light smile, half-closed eyes, foreshortening
The camera sits low in the doorway of a traditional Japanese inn room, looking in and slightly down: the dark wooden doorframe crops both vertical edges of the frame, its lintel cutting a black band across the top, so the whole room is seen through the doorway's rectangle. Beyond the threshold the tatami mat floor spreads in pale straw-green, its cloth borders running as clean straight lines toward the back wall, where shoji screen doors of white paper and dark wood lattice close the room. Two thick wooden pillars stand left and right of her, flat mid-brown planes against the paper.
She sits at the center of the mat in a loose seiza that has collapsed into a lean: her weight rests back on her left hip and her left hand planted flat on the tatami behind her, elbow slightly bent, while her right knee is drawn up and her right foot set flat on the mat. Because of that drawn-up knee the high slit of the black kimono falls open along her right leg, the black fabric parting from hip to hem to expose the smooth black pantyhose sheathing her thigh and calf, the taut flat sheen of the stocking reading as one crisp shape against the mat. The kimono itself is deep black, its collar crossed high at the throat, long sleeves pooling on the tatami beside her with their cuffs folded back, and the loose obi tied low and slack around her waist carries a repeating pattern of small round orange pumpkins on a dark ground, its knot slipping to one side. She leans back slightly, chin lifted, shoulders easy.
Her right hand holds the lantern up at chest height: a small carved jack-o'-lantern with a black iron hoop handle, her delicate fingers curled lightly around the hoop, thumb along the top of it, wrist relaxed, the pumpkin's cut eyes and jagged mouth glowing warm orange from within and throwing a soft amber wash over her fingers and the black silk of her sleeve.
Her long light green hair falls in straight heavy strands past her shoulders and spreads over the tatami behind her planted hand, tips curling where they meet the mat. Her head tilts a little to one side, golden eyes half-lidded under lowered lashes, a lazy closed-lipped smile pulling one corner of her mouth higher than the other, and her gaze comes straight down the doorway to the viewer and holds there.
Around and behind her, faint translucent wisp silhouettes drift above the tatami โ pale outlined shapes with trailing tails, some passing in front of the shoji paper, one hovering near the lantern โ drawn as flat outlined forms with no interior shading. Flat autumn-Halloween palette: straw-green mat, warm brown wood, white paper, deep black kimono, orange pumpkin accents, the single green note of her hair and the gold of her eyes; every surface filled with one even tone, not a shadow, not a gradient anywhere. Quiet, teasing, spooky.
ki11 yukii
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