Belize

Published on Oct 30, 2026

Belize

1girl, reference sheet, turnaround, multiple views, character design sheet, full body, standing, black background, black theme, very long hair, two-tone hair, split-color hair, white hair with black streaks, multicolored hair, heterochromia, purple eyes, pink eyes, medium breasts, pointy ears, demon horns, black horns, horn ribbon, tiara, black wings, demon wings, demon tail, black layered frilled dress, frilled sleeves, puffy sleeves, long sleeves, back cutout, back bow, black bow, frills, heart jewelry, earrings, black gloves, black thighhighs, garter straps, thigh strap, black shoes, fangs, teeth, tongue, open mouth, closed mouth, looking at viewer, facing away A character-design reference sheet on a flat pitch-black field, five full-body views of one demon girl arranged in a row across the sheet plus a strip of head-and-shoulder expression studies along the bottom edge. No environment exists beyond the black ground: no floor line, no horizon, no props, so each figure reads as a clean silhouette drawn on pure black, and the pale white hair and the frilled dress hem are the only shapes that separate from it. All five figures stand with weight settled onto one leg, hip pushed slightly out to the side, the other knee relaxed, and the black shoes planted flat; the black wings hang folded and half-spread behind the shoulders so they frame her outline on every view, and the long demon tail curls out to one side, tapering to a spade tip. The front view: she faces the camera, very long two-tone hair falling past the hips in a white curtain split by a broad black streak running down one side, the tips flicking out at the thigh; pointy ears poke free of the hair; black demon horns curve up from her skull with a ribbon tied around the base of one horn and a small tiara set forward between them; one purple eye and one pink eye both angled toward the viewer; her mouth is open wide enough to show the fangs and the tip of her tongue, a bright asymmetric grin. The black layered frilled dress is built in overlapping tiers of ruffles that catch a soft grey rim light along every edge, the puffy frilled sleeves ballooning at the shoulder before gathering into long cuffs, her hands in black gloves held loosely at her sides, one hip cocked. Earrings and heart-shaped jewelry hang at her ears and throat, glinting as the only warm highlights on the black. A three-quarter turn shows the puffy sleeve volume and the tiara's profile; in this view her mouth is closed, lips pressed, the fangs just peeking over the lower lip and one brow lifted, her pink eye catching the light. The tied black back bow sits large at the small of her back, its loops spread just above the black thighhighs and their garter straps, and the thigh strap hugs one bare thigh. The profile view gives the curve of the horns and the tail's sweep; here her mouth is open again, tongue out, eye cut toward the viewer over her shoulder. The pure back view drops the face entirely: the back cutout opens a dark window of skin between the shoulder blades, the back bow's tails hang down over the tiers of frills, and the wings and tail are at their widest, while she turns her head just enough to show one pink-glared eye and a closed, fanged smirk in profile. Along the bottom, four small head studies repeat the same face at different intensities: open-mouthed grin with fangs and tongue, closed-lip smirk showing a single fang, wide-eyed stare with both mismatched eyes on the viewer, and a laughing open mouth. Hard cel-shaded animation linework, flat fills, crisp shadow shapes, a strictly black-and-white palette with only the purple and pink of the eyes and the warm glint of the heart jewelry admitted, rim light picking out the frills and the black gloves. Still, catalogue-sharp, faintly menacing.

Belize

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