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Marius Mehr

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Marius Mehr

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6girls, 2boys, 1woman, mother, son, daughter, family, multiple girls, multiple boys, intergenerational, kitchen, indoors, countertop, cabinets, off-shoulder sweater, cropped sweater, bare shoulders, 7/8 skinny jeans, ankle boots, extreme boots, stiletto heels, 15cm heels, high heels, huge round silicone breasts, implants, medium breasts, tattoos, full body tattoos, intimate piercing, navel piercing, realistic, 3d, modern, photorealistic, from below, wide shot, standing, leaning back against counter, arms crossed, disapproving, pout, furrowed brow, looking at another, side glance, head tilt, clenched hands, toddler, romper, striped clothes, open mouth, sweatdrop, depth of field, warm kitchen light The image is a wide shot from slightly below eye level of a bright modern kitchen at late afternoon: a 72-year-old mother stands in the near foreground, hip cocked against the edge of the kitchen island, one boot heel planted flat and the other toe turned inward, her weight on her right leg, her left hand resting flat on the countertop beside the cutting board; the five children are spread across the midground behind and around the island, two 13-year-old boys at the far counter, one in a navy cotton t-shirt with both hands shoved in the pockets of khaki cargo pants, the other in a grey zip-up hoodie with his arms folded and a half-step back, two 16-year-old girls flanking the near corner, both with medium-sized breasts held by their clothing, one in a pastel yellow oversized knit sweater with her fingers knitted together at her waist, the other in a white cropped t-shirt and pleated denim skirt with one hand touching her own collarbone, and the 3-year-old toddler in a red-and-white striped cotton romper sitting on the floor at the corner of the island, one small hand braced on the cabinet door, mouth open and eyes wide toward the mother. The mother's off-shoulder sweater sits low across her upper arms, the ribbed neckline stretched so the bare slope of both shoulders catches the window light, and the cropped hem rides above the waistband of the 7/8 skinny jeans, which end above both ankles so her bare shins descend into the shafts of the extreme boots; the 15cm stiletto heels lift her noticeably above the children's eye level, the narrow steel-tipped heels pressing small bright points into the tile grout, and her calves tense visibly under the tattooed skin. Her huge round silicone breasts push the sweater's ribbed knit taut in two smooth spheres that sit high and separate, the fabric strained across the upper curve; tattoos wrap both arms from shoulder to knuckle, climb her neck behind the ear, and a line of dark ink disappears under the waistband, and a small silver ring glints at her navel above the jeans' low waist, catching a specular point of the window light. Her face is turned three-quarters toward the two girls, chin tipped down, one brow raised, a thin closed-lip smile that is not apologetic. Gaze contact loops through the frame: the mother looks at the girl in the yellow sweater, who looks back at her with a pout and a furrowed brow, arms tightening; the girl in the denim skirt glances sideways at her brother in the hoodie, who stares at the mother's heels with a flat, skeptical mouth; neither boy comes closer; the toddler alone looks up with an open mouth, unbothered. The two girls' shoulders are turned slightly away from their mother, the small retreat of their stances reading as the whole of their judgment. Light comes from a window at frame left, cool late-day daylight raking across the countertop and striking the mother's left shoulder, the girls' faces, and the toddler's cheek, while the right side of the kitchen falls into soft shadow and short cast shadows stretch right across the tile; a pendant lamp above the island is unlit. Warm oak cabinets, white quartz counter, brushed steel backsplash and pale tile in a limited palette of oak, white, steel and the denim, navy, yellow and red of the children's clothes, with the mother's ink and silver as the single dark accent. Photorealistic rendering with three-dimensional depth and contemporary digital shading. Effortlessly stylish domestic tension.
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Original Prompt
Eine Mutter 72 Jahre alt mit ihren 5 Kindern. Zwei Teenager Jungs(13 Jahre alt), zwei Teenager Mädchen(16 Jahre alt) und ein Kleinkind(3 Jahre alt) sind in der Küche. Mutter kommt rein im schulterfreien und etwas kurzem Pullover, 7/8 skinny Jeans und extremen Stiefel mit 15cm hohem Stiletto. Kinder finden das Outfit Ihrer Mutter zu gewagt. Die Mädchen haben medium große Brüste. Die Mutter hat riesige runde Silikonbrüste. Stil realistisch, 3d und modern. Mutter hat am ganzen Körper Tattoos und ein Intimpiercing.
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1824 x 1104
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6girls, 1boy, 1woman, mother and five children, 72-year-old woman, mature female, large round silicone breasts, cleavage, off-shoulder sweater, slightly short cropped sweater, bare shoulders, 7/8 skinny jeans, cropped jeans, boots, 15cm stiletto heels, high heels, two teenage boys, two teenage girls, medium breasts, one toddler, kitchen interior, family gathering, mother entering room, children looking at mother, disapproving expressions, frown, raised eyebrows, crossed arms, judging gaze, realistic, modern, photorealistic, wide shot, from side, eye-level, indoor, warm domestic lighting, full body, The camera sits at eye level and slightly to the side of the kitchen, a wide shot holding all six people in one frame: the doorway on the left, the kitchen island and counter run filling the right. On the threshold of the open door stands the 72-year-old mother, caught mid-step into the room, one 15cm stiletto heel just landing on the tile with her weight transferred onto the forward hip and the rear boot's heel lifted off the floor, toes bending in the shoe. Her off-shoulder sweater has slid down both arms so her bare shoulders and collarbones catch the light, its cropped hem sitting just above the waistband of the 7/8 skinny jeans, which stop above the ankle and stack slightly on the boot shafts; the large round augmented bust fills the sweater's front and pushes the knit fabric taut over it while the ribbed hem rides high. Her chin is up, one brow faintly arched, eyes sweeping the room toward the family, a small pleased smile at one corner of her mouth. Her long hair is swept back off her shoulders, a few strands settling onto the bare skin as the door-swing air pushes them. Across the island the five children read her entrance in a single turned tableau. On the near side, one teenage boy with short brown hair in a navy t-shirt and grey joggers leans back against the counter edge, hips propped, arms folded tight across his chest, mouth flattened and one brow hitched high as he stares straight at her outfit. Beside him the other teenage boy, crew cut, forest green polo, khaki chinos, has half-risen from a stool with both palms flat on the countertop, head tilted like he's about to say something and thinking better of it, teeth pressing into his lower lip. The two girls stand further along the counter: the blonde with the long ponytail, white oversized t-shirt and denim shorts, has her arms folded so the oversized sleeves bunch at her elbows, medium bust barely suggested under the loose cotton, her eyes cut sideways toward her sister with a flat, unimpressed stare; the brunette with shoulder-length wavy hair in the pastel pink ribbed cardigan and pleated white skirt turns her torso half away while her eyes come back over her shoulder at the mother, eyebrows pinched, a cardigan sleeve pulled up to press the back of her hand to her mouth. Between the chairs, at knee height, the toddler in the yellow cotton romper with its little animal print stands with both fists around a wooden spoon, head tipped back, staring up at the mother with no judgment at all, only round-eyed curiosity. Light comes from the window over the sink on the right and from a warm pendant over the island, so the mother's bare shoulders and the taut front of the sweater take the brightest highlight while the children closer to the window are lit on their faces and shoulders with their backs in soft shadow. The mother's heel-strike throws a long hard shadow across the kitchen tile from the doorway; the countertop's stainless edge mirrors a blurred, dimmer repetition of her silhouette. Warm cream walls, honey wood cabinets, a bowl of fruit and a half-cut loaf on the island in muted greens and oranges give the only other colour against the pale denim, navy, forest green, pink and yellow of the family's clothing, all held in a natural daylight-white balance. Background cupboards and window frame fall slightly out of focus, simple blurred rectangles of pale wood and glass. The mood is affectionate domestic friction, wry and warm.
Marius Mehr
#Breasts#High Heels#Realistic

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