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Breasts, sitting

AI art by note on PixAI. Tags: Veil, Pale skin, Lace, Victorian, Flower. Made with Tsubaki.3 Flash.

Contest Entry
PixAI × zeta Original Character Creation Contest 2026
#Breasts#sitting#Dress#Hat#solo#Black hair#Veil#Pale skin#Lace#Victorian#Flower#Formal wear#Chair#Skull#Rose#Long sleeves#Jewelry#Red Dress#Girl#Long dress#Feathered Hat#Black gloves#candle#Medium Breasts#Skeleton#Hat Flower#Candlestand#Pearl#Picture Hat
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1girl, solo, baroque oil painting portrait, medium shot, three-quarter view, seated, ornate gilded chair, aristocratic lady, slender, elegant, smooth ivory skull head, skull visible as faint pale shape behind sheer black veil, enormous wide-brimmed hat, tall ostrich plumes, silk roses on hat, jeweled brooches on hat, sheer black veil falling from brim, deep-crimson velvet gown, throat to wrist coverage, high lace collar covering neck, long fitted sleeves to wrists, heavy gold embroidery, antique lace mantilla over shoulders, black silk gloves, pearl necklaces at chest, fully clothed, gloved hands folded in lap, upright spine, demure composed posture, candlelit chiaroscuro, gilded palace interior, ruby and old gold jewel tones, rich impasto brushstrokes, painterly masterpiece. A baroque oil portrait in medium shot from a three-quarter view: an aristocratic lady sits in an ornate gilded chair whose carved crest and scrolled arms catch the candlelight behind her right shoulder, her spine drawn upright and her shoulders level, weight settled back against the chair's back rather than perched forward. Her head is a smooth ivory skull, and it reads only as a faint pale shape behind the sheer black veil that falls from the brim of an enormous wide-brimmed hat; the gauze hangs in soft vertical folds that blur the eye sockets and the line of the jaw into a suggestion of bone, never a bare face. The hat is crowned with tall ostrich plumes that lean back and to her left, with silk roses clustered at the crown and jeweled brooches pinned among them, each stone throwing back a small hard spark of candle flame. Her body is entirely wrapped in fabric from throat to wrist: a high lace collar seals the neck, the antique lace mantilla drapes over both shoulders and down the upper arms, and the deep-crimson velvet gown falls in heavy folds with long fitted sleeves closed at the wrists by black silk gloves. Heavy gold embroidery runs in scrolling vines down the bodice and along the sleeve seams, its metallic thread catching the light in broken glints while the velvet swallows it. Three strands of pearls lie across her chest, the lowest resting just below the lace collar, each bead carrying one pinprick highlight. Her black-gloved hands are folded calmly in her lap, one laid over the other, fingers relaxed and interlaced, the silk creasing softly at the knuckles; the fabric of the gown is compressed where her forearms rest against her thighs. Her skull is turned slightly toward the left of the frame in the three-quarter view, the veil's edge aligned so the pale shape sits just off center beneath the brim. Light comes from a single candelabrum off frame to the left, warm and low: it models the left side of the plume crown, the left cheek of the veil, the pearls and the gold thread, while the right side of her figure sinks into a deep umber shadow that merges with the paneled gilded wall behind; the gilding of the chair and the wall moldings glows only where the flame grazes them. No other light source; beyond the candle's reach the palace interior falls into near-black. The palette is held to saturated ruby, old gold, ivory and black, with warm brown shadow. Brushwork is thick and visible — plumes and lace built in loaded strokes, gold embroidery in ridges of impasto, the velvet rendered in broad fluid passages — with the veil painted thin and translucent so the skull seems to hover under a breath of gauze. Quiet, regal, and cold beneath the splendor.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.22k

Creation Assistant

Mio.2
Agent
Mio.2

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solo, 1boy, skeleton, skull, no skin, no flesh, bare bone hands, empty eye sockets, ornate 19th-century military dress uniform, high embroidered collar, golden epaulettes, crimson sash across the chest, rows of medals on the left breast, braided aiguillettes on the shoulder, dark emerald green coat, antique gold frogging, deep bow, bowing deeply at the waist, torso folded low, one hand pressed flat to his chest, other arm extended forward, holding a single fresh red rose, offering rose to viewer, three-quarter view, medium shot, dramatic chiaroscuro, candlelight, single candle source, deep shadows, baroque oil painting, painterly impasto brushstrokes, thick visible paint, ornate dark ballroom hall, gilded mirrors in background, saturated jewel tones, ruby red, antique gold, emerald green, elegant, courtly, painterly masterpiece A three-quarter view, medium shot from slightly below eye level, so the bowing skeleton towers then folds toward the lens: the skull is tipped down and angled to his left, showing one empty eye socket in near-full darkness and the other catching the candlelight, the jaw hanging slightly open in a fixed courtly smile, the neck vertebrae exposed above the high embroidered collar. He bows deeply at the waist, torso folded low over the hips, the dark emerald green coat pulling taut across the back and the crimson sash cutting a diagonal from his right shoulder down to his left hip, one end hanging free with the fold of its own weight. His right hand is pressed flat to his chest, bony fingers spread over the sash just beside the rows of medals, thumb hooked under the edge of the coat; the ornate cuff and its gilt buttons sit against the cloth he grips. His left arm extends forward and slightly across toward the viewer, elbow softly bent, the bare bone hand turned palm up with fingers curled around the stem of a single fresh red rose held out at the closest point of the frame, the bloom large and softly foreshortened, its petals rimmed in light and its green sepaled stem pinched between phalanges. Golden epaulettes with hanging bullion fringe ride the shoulders, the braided aiguillettes looped across the chest, the medals strung in two neat rows. The light comes from one candle at the lower left, warm and low, striking the extended forearm, the rose, the leading edge of the sash, the nearest cheekbone of the skull and the gold of the epaulettes, while the back of the skull, the far shoulder and the whole rear of the ballroom fall into absolute darkness; a long soft shadow of the bowing figure stretches across the marble floor toward the right, and the offering arm casts its own shadow onto his own coat. Behind him, gilded mirrors in ornate frames catch the candle as a few blurred warm glints and repeat a dim, smoky double of his silhouette, their surfaces dulled by age and tarnish; the hall's cornices and a chandelier of unlit candles dissolve upward into black. Palette held to saturated ruby red in the rose and sash, antique gold in the epaulettes, medals, braid and mirror frames, and emerald green in the coat and in one deep pool of shadowed drapery behind him, with warm bone ivory as the only neutral. Thick impasto builds the gilt and the petals in raised ridges, glazing sinks the darks to near-black, brushwork visible across the coat's folds and the skull's dome. The rose is the single fresh, living note in a dead man's pose, offered at full arm's length and held a beat too long; quietly theatrical, darkly gallant.
note
#Male#Darkness#solo

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