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View detailsSensei, Marie Iochi
Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Show Parameters
- Original Prompt
- ブルーアーカイブのメイド服姿の妊婦の伊落マリーがいろいろな色の照明で照らされた喫茶店で座席に座る制服姿の青年に熱い紅茶の入ったティーカップを差し出している 正面から見た光景
- Mode
- pro
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
Show morey
character: mari_(blue_archive), copyright: blue_archive
pregnant, 1girl, 1boy, iochi mari, orange hair, long twintails, hair between eyes, blue eyes, cat ears, animal ears, yellow halo, hair flower, hairband, maid outfit, maid headdress, white apron, frilled apron, long black maid dress, sleeves, pregnancy, round belly, standing, leaning forward, offering, holding teacup, teacup, hot tea, steam, both hands, seated young man, school uniform, navy blazer, white collared shirt, striped necktie, sitting on chair, coffee shop interior, cafe, wooden counter, small round table, lit candles, many candles, multicolored flames, colored fire, warm candlelight, from above, from side, looking down at cup, looking at teacup, closed mouth, gentle expression, dutch angle, medium shot, two people
From a high three-quarter angle, looking down and across a dark polished cafe table, the maid stands between the table edge and the row of candles: an orange-haired young woman with long twintails falling past her shoulders, blunt bangs and a stray lock between her eyes, cat ears upright on the crown of her head, a small pale-yellow flower and a hairband at the base of the right twintail, a flat yellow halo floating above her hair. She wears a full maid's dress in black with a high frilled collar, a starched white apron tied at the waist above the swell of her pregnancy, a white maid headdress on her crown; her figure is visibly, heavily pregnant, the apron's bib pulled wide and the skirt front pushed out and hanging forward of her knees. She leans in over the table toward the seated young man, weight on her forward foot, hips shifted back for balance, the belly clear of the table edge.
Both of her hands are out: the left under the saucer's rim, the right curled around the cup's handle with the fingers clear of the bowl, and she is lowering the cup to the table in front of him. The cup is white porcelain, filled with dark amber tea, a fine curl of steam rising and bending toward the candle row. Her chin dips, her eyes are on the cup and the point where it will land, and a soft closed-mouth smile holds as she offers it.
The young man sits across from her on the bench seat, a navy school blazer over a white collared shirt and a diagonally striped necktie, one hand resting on the thick table edge and the other lifted halfway, half-risen from his seat, shoulders turned toward her. His head is tilted back and his eyes are on the cup, brows raised a little, mouth just parting; his knees are under the table, the bench cushion visibly compressed under his left thigh.
Candles stand between them in a cluster of wax-worn stubs of uneven heights, their flames in distinct colours -- a green, a violet, a cold blue, a couple of orange -- each flame throwing its own small pool of tinted light onto the tabletop, the porcelain and the apron's folds, so her white apron carries green on one side and violet on the other. The candles are the only light source; beyond the table's pools the coffee-shop interior goes to deep brown shadow with the suggestion of dark wood panelling, a shelf of cups, the curved back of a chair. The shadows of candle stubs stretch long and soft away from each flame; the steam thins as it crosses the hottest of them and is lit only where it does. Palette confined to dark wood, black and white of the maid's dress, orange hair and the mixed wax colours of the flame light.
Quiet warmth, intimate.
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