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- Original Prompt
- 1girl, cherry blossoms, night sky
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Model & LoRA used
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1girl, solo, night sky, cherry blossoms, falling petals, full bloom sakura tree, long straight black hair, hair to waist, black hair, dark eyes, pearl hairpin, deep indigo kimono, silver crane pattern on hem, wide pale pink obi, cream wagasa, oil-paper umbrella, holding umbrella over shoulder, from below, low angle, looking up, head tilted back, standing on one leg, tiptoes, reaching up, outstretched arm, parted lips, half-closed eyes, wind, hair lifting, obi ribbon trailing, full moon, star field, dark blue palette, pink petals, rim light
The camera sits low at ground level, tilted up, so the whole frame is read from below: the girl stands on the balls of her feet atop a stone step, her left foot flat and her right heel lifted, her weight riding forward over the toes, her right arm stretched high overhead so the cream paper umbrella tilts back off her shoulder toward the moon, its bamboo ribs catching the light along their upper edges, and her left hand closed loosely around the indigo front panel of the kimono at her hip, pinching fabric between thumb and forefinger. Her chin is tipped back and her face is turned three-quarters up toward the sky, eyes half-lowered and following a single petal that drifts down past the umbrella's rim, lips parted on a small breath, one brow lifted faintly. Her long straight black hair falls behind her in a heavy sheet that lifts and streams sideways at the ends in the night wind, the pearl hairpin a small point of caught light near her left temple where the strands sweep back. The pale pink obi crosses her waist with a wide flat band, its knot at her back with the tails lifting and fluttering out to the right.
She stands on a worn stone step at the foot of an old cherry tree, its trunk rising at the right edge of the frame and its branches filling the upper two-thirds with clustered pale pink blossoms, thick enough that the moon is seen only in slivers through them; behind the canopy the sky is a deep midnight blue, star-dusted, the full moon low and large behind the highest branch. Petals are falling in a slow diagonal drift from upper right to lower left, and where they skim the umbrella's cream canopy they land and rest on its upward-facing curve while the underside stays bare. The only light is the moon, a cool silver-blue from high behind and to the right that rims the top of the umbrella, the crane pattern's silver threads along the hem, the top of her head and the blossom edges, while her face and the front of the indigo silk fall into soft, luminous shadow, lit only by the faint pink bounce coming off the massed blossoms; her cast shadow lies short and soft on the stone step at her feet, and past the step the darkness of the ground is complete. The palette is held to deep midnight blue, the blossoms' pale pink, the indigo silk with its silver hem, and the cream paper of the umbrella, nothing else admitted. Quiet, luminous.
Ikutsu
1girl, solo, cherry blossoms, night sky, full bloom sakura, starry sky, milky way, long straight hair, midnight blue hair, hair flower, white flower clip, sleeveless cheongsam, pale pink dress, chinese clothes, gold embroidery, paper parasol, holding parasol, from below, looking up, standing on tiptoes, outstretched arm, reaching up, wind, hair blown back, wide shot, cowboy shot, depth of field, night, moonlight, backlighting, pink and indigo palette, glowing petals, falling petals, serene, magical
From a low angle near the grass, the camera tilts up so the girl's whole silhouette is drawn against the night sky; she stands on tiptoe at the right third of the frame, both heels lifted clear of the dark grass, weight carried on the ball of her left foot while her right knee bends slightly inward. Her right arm is flung straight up above her head, fingers spread and just brushing a low cherry branch; her left hand grips the bamboo shaft of the paper parasol, which rests tipped back over her shoulder so its ribs fan out across the stars behind her. Her chin lifts and her eyes, half-lidded and calm, look up past the branch into the open sky, not at the lens. Long straight midnight-blue hair falls behind her shoulders and lifts away from her back in the night wind, strands streaming to the left; a small white flower clip sits in the hair above her right ear. The sleeveless pale pink cheongsam is silk, the gold embroidery along its collar and hem catching a thin bright edge; the fabric presses close against her raised arm and flutters at the hem above her calves.
The sky fills the upper two-thirds of the frame: deep indigo graduating to near-black at the top edge, a soft band of the Milky Way slanting behind the parasol, sharp pinprick stars. Cherry blossoms occupy the left side and the top-left corner, an old tree's branches crossing diagonally down toward her raised hand, clusters of pale pink five-petal flowers fully open. A cold, pale moonlight comes from the upper left, the only strong source: it rims the top of the parasol, the gold embroidery, and the outer edge of her hair in silver, leaves her front in soft shadow, and casts the branch's shadow faintly across her raised forearm. Behind the flowers the sky is darkest, so every petal edge reads as a lit crescent. One petal that has landed on the taut paper of the parasol sits rimmed with a faint moonlit halo while the petals on the underside of the canopy stay dull and shadowed.
Palette discipline: indigo, near-black and silver for the sky and light; pale pink for the blossoms and the silk; gold only on the embroidery; midnight blue for the hair, with nothing brighter admitted. Petals fall in slow diagonal drifts, a few caught mid-air, most of them turned edge-on to the moon so they catch a bright line each. Wide shot keeps her figure modestly small against the enormous night; the mood is serene and quietly magical.
Ikutsu
solo, 1girl, cherry blossoms, night sky, full moon, from below, low angle, looking up, standing on one leg, arm up, outstretched arm, reaching, hand on branch, profile, dutch angle, long hair, black hair, straight hair, hair down, pale pink kimono, floral print, white flower pattern, gold obi, wide obi, camellia, flower behind ear, bare feet, geta, open-toe footwear, night, dark blue sky, stars, falling petals, wind, depth of field, cinematic lighting, cool color palette, warm accent, light smile, half-closed eyes, looking at object.
The camera sits low and tilted, so the girl is seen from below and slightly across, her body turned in profile toward a cherry branch that enters the frame from the upper right. She is balanced on the ball of her left foot, right foot lifted behind her with the toes pointed, her geta dangling from the fingers of her lowered left hand; her right arm stretches up and out, fingertips just closing around a low cherry bough, the branch dipping under her pull and scattering petals loose. Her long black hair, straight and waist-length, swings forward off her back with the reach, a few strands crossing her cheek and one strand laid over the gold of her wide obi; the small white camellia tucked behind her right ear sits at the edge of the profile, its petals catching the moonlight.
She is wrapped in a pale pink silk kimono printed with white blossoms, the silk pulled taut across her back and shoulder by the raised arm, the wide gold obi knotted high at her waist and holding the fabric in clean horizontal folds; her bare toes curl against the cool air where the lifted foot hangs, and the loose geta swings a small arc from her hand. Her face is three-quarters turned, chin lifted, lashes half lowered, a faint closed-lip smile as her eyes follow the branch and the petals she has shaken free rather than the lens.
The sky fills the upper two-thirds of the frame: deep indigo darkening to near-black at the top edge, pricked with small sharp stars and one low full moon whose cool white light rims the branch, the petals and her raised forearm, leaving her face and the front of the kimono in soft shadow. The cherry tree masses across the right and behind her, dense clusters of pale pink blossoms, a few thick branches silhouetted against the moon; loose petals drift down and to the left, the nearest blurred large in the foreground, and a scatter of them has settled on the shoulders of her kimono and in the hollow of the obi knot. Palette is restricted to moonlit indigo and silver-white, the pinks of the blossoms and the kimono, and the single warm gold of the obi and the geta straps. Everything still but for the falling petals and the branch springing under her hand -- quiet, luminous, faintly wistful.
Ikutsu
1girl, solo, silver hair, very long hair, floating hair, bare ears, unadorned hair, violet eyes, looking up, parted lips, slight blush, kimono, floral print, sash, obi, wide sleeves, reaching up, cherry blossoms, falling petals, night sky, starry sky, outdoors, low angle, from below, cowboy shot
Captured from a dynamic low angle looking upward, a young woman pauses beneath the sweeping boughs of a blossoming cherry tree set against a deep indigo-black night sky scattered with distant stars. Her long, silken silver hair flows horizontally in the cool night breeze, strands feathering across her shoulders and framing a face upturned toward the sky, her hair and bare ears entirely free of any clips or ornaments. Her weight rests firmly on her right leg with her body angled slightly away, her head turned back as deep violet eyes track a single drifting petal descending toward her raised right hand; her fingertips curve gently upward in mid-reach, while her left hand lightly clutches the draped silk of her opposite sleeve against her waist. She wears a pale blush-pink kimono patterned with subtle white cherry blossom silhouettes, bound snugly by a wide wine-red obi whose stiff brocade pulls taut across her ribs. Heavy clusters of pale pink sakura blossoms crowd the upper periphery of the frame, caught in a steady drift of falling petals; petals landing on the dark wooden walkway below lie motionless, their upward-facing surfaces catching the crisp, cool white illumination of the moon overhead. The moonlight serves as a sharp rim light along the contours of her silver hair and the edges of her sleeves, contrasted by a soft, warm ambient floor reflection that gently models the front of her face and chest. Serene and luminous.
Ikutsu
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