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Sirin Ely

Published on Oct 30, 2026

Sirin Ely

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character: node_(black_souls), copyright: black_souls 1girl, solo, long hair, white hair, single braid, braid, red eyes, hair between eyes, rabbit ears, rabbit girl, large breasts, playboy bunny, white strapless leotard, detached collar, red bowtie, red bow, black pantyhose, centaur-like, human upper body, human torso, rabbit lower body, rabbit hindquarters, rabbit legs, fluffy rabbit paws, rabbit tail, no human legs, seamless body transition, full body, wide shot, head fully visible, standing, hand on own hip, other hand raised to chin, head tilt, looking at viewer, half-closed eyes, light smile, sketch, hand drawn, clear lines, shading, black souls art style, A full-body wide shot, the camera level and slightly below her eye line so the rabbit hindquarters keep their mass across the lower half of the frame, her whole head and both rabbit ears inside the frame with air above them. She is one figure alone in a completely empty pale grey field, no ground plane, horizon or scenery, only a soft pool of tone beneath her paws where a shadow would fall. Her human upper body rises from the waist as a woman's torso: a strapless white leotard hugging her large breasts, its top edge a clean horizontal seam across the bust, and above it a detached white collar floating at her throat closed with a red bowtie whose loops and tails sit slightly askew. The leotard's white passes down into fur without a seam, the fabric thinning into dense white rabbit fur at the hip line so the transition reads as one continuous body rather than two halves stacked. Behind, the lower body is entirely rabbit: powerful haunches furred white, hocks bent and planted, two long rabbit legs ending in wide fluffy paws flat on the implied floor, a round fluffy tail tufted at the rear just above the leotard's back edge, and the black pantyhose sheathing both hind legs from the top of the haunch down to the ankle so the dark knit stops short of the bare fluffy paws. No human legs anywhere -- where legs would begin below a human waist there is instead the curve of rabbit hindquarters. Her single thick white braid is gathered over her right shoulder and falls forward across the leotard's breast, the tail of the braid ending in a red bow; short strands lie between her eyes. Both rabbit ears stand up from her crown, one tipped a few degrees outward, and the long white hair around them lifts slightly as if from her own motion. Weight is on her left hind leg, right haunch slack, hips canted, and she is caught mid-thought: her right hand rests flat on the swell of her hip, fingers spread over the leotard, while her left hand is raised, knuckles grazing her chin, one finger hooked; her head tilts toward that hand and she looks straight at the viewer under half-lowered lids with a faint closed-lip smile, one brow a touch higher than the other. Pale diffuse light from the upper left, cool and even, lays a soft highlight along the braid, the collar and the tops of the haunches and gathers a slightly darker grey on her right side and under the belly, with a low soft contact shadow pooled beneath the paws. Palette restricted to white fur and white fabric, the black of the pantyhose, and red only in the eyes, the bowtie and the braid's bow, on a neutral grey field. Everything is hand drawn: visible graphite and ink construction lines, clear confident contours, hatching and smudged tonal shading in the fur, the knit and the leotard's folds, sketch underdrawing left showing at the silhouette edges. Quietly regal, faintly amused.

Sirin Ely

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