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Show Parameters
- Original Prompt
- 170cm。自由に大きさの変更は可能 『パングラフィア神』の肉体と生命を持つ化身 この肉体は権能による干渉は当たる 女性的な中性的美形 Dカップ 銀白色の長髪、毛先だけ淡い青 白と黒を基調とした長衣、高い襟
- Mode
- ultra
- Style
- Muted & Transparent
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Muted & Transparent
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Model & LoRA used
Similar Images
Show moree1
1girl, solo, tall female, 170cm, androgynous, bishounen, feminine, beautiful face, long hair, silver hair, white hair, gradient hair, pale blue hair tips, blue-tipped hair, large breasts, C-cup, long robe, white and black robe, two-tone robe, high collar, standing, from below, dutch angle, looking up, outstretched arm, open hand, palm up, head tilted back, half-closed eyes, light smile, floating hair, wind, dark background, backlighting, rim light, cinematic lighting
From a low, tilted worm's-eye angle the single figure stands against an absolute dark ground, the camera tipped a few degrees off vertical so the long axis of the robe and the tall vertical line of the high collar lean with the frame. Her height reads in the elongation of the silhouette: 170cm stretched by the upwards foreshortening, the hem of the robe cutting low in the foreground, shoulders and jaw lifted high toward the top of the composition. The long robe is white and black in one garment, black panels running down the front and sides, white panels at the chest and sleeves, the high collar standing close around the throat in black, closed at the neck and framing the jaw. She is caught at the end of a gesture: one arm extended upward and across the frame, palm open and turned up, the sleeve of the robe sliding down that forearm and hanging loose from the elbow, its white fabric edge catching the light; the other arm rests low and slightly back, hand disappearing into a fold of the black skirt panel. Her weight sits on the back foot, the near hip pushed forward, the robe's front panels compressed where the thigh presses against them. The head tilts back with the reach, chin lifting, the long silver-white hair sweeping off the top of the skull and streaming down and back behind the raised arm, the tips — pale blue fading out of white — flaring out at the ends and lifting in an updraft so they spread across the dark field; the tips curve around the shoulder and past the raised elbow, the blue fanned against the black. Her face is feminine and androgynous at once — a slender jaw but soft, planed cheeks, the eyes half-lidded and looking up past the raised palm toward a point just outside the top of the frame, the brows faintly drawn, the mouth a small closed curve that is barely a smile, more the residue of one. Her chest sits against the white panel of the robe, the fabric pulled taut by the lifted shoulder and gathering in two soft folds beneath; the robe's fabric is matte and heavy, weighted at the hem, and a fine woven texture shows along the lit edges. The only light source is a cold light from high above and in front — it rakes down the raised forearm, catches the high collar's black edge and outlines the silver of her hair as a bright rim, while the robe's black panels fall into near-black and the underside of her chin and the lower folds of the robe sit in shadow; the ground behind her is total darkness, so the hair and the rim of the collar are the brightest things in the frame. Palette is strictly black, white and silver, the only colour the pale icy blue at her hair tips. The single physical detail: where the raised sleeve has slid down the forearm, the white fabric bunches in concentric rings around the elbow rather than hanging straight, because the arm is lifted against gravity. Cold, luminous, quietly commanding.
eitaeita.1007@icloud.com
e1
1girl, solo, 170cm tall, feminine androgynous beauty, androgynous face, sharp elegant features, long silver-white hair, pale blue hair tips, gradient hair tips, waist-length hair, D-cup breasts, long robe, white and black robe, black-and-white color-blocked robe, high collar, tall collar framing the jaw, wide sleeves, floor-length hem, divine incarnation, god-like presence, body undergoing size change, mid-transformation, scale-shift, divine authority interference, light distortion, from below, close-up, cowboy shot, looking down at viewer, head tilt, arms slightly out at sides, palms open, hair lifting, robe billowing, parted lips, half-closed eyes, raised eyebrow, jitome, faint lopsided smirk, from below, foreshortening, dramatic vertical composition, black seamless ground, single overhead light source, volumetric shafts, floating dust motes, silver-white hair, pale blue hair tips, monochrome palette with blue accents, black and white garment, glowing rim light, awe, quiet overwhelming power
The camera sits low and looks steeply up at a single figure — a 170 cm tall woman who is unmistakably the incarnation of a god in flesh, framed from the knees up in a tight cowboy shot so her full height presses toward the top of the frame. She is seen from below and foreshortened: the hem of her floor-length robe sweeps out of the bottom edge, the wide black-and-white sleeves fall and flare at her sides, and her jaw and high collar tower over the lens. The robe is her only garment, colour-blocked in white and black — white body panels, black panel across the chest and down the front, a tall black collar standing up around the back of her neck and framing the underside of her jaw, wide sleeves with black cuffs, and a heavy floor-length hem skimming a black seamless floor. A D-cup bust fills the white chest panel; the robe is cut close enough there to read the form without a single fold turning decorative.
Her face is a feminine androgynous beauty: long straight nose, defined cheekbones, a strong clean jaw softened at the chin, and no ornament on her ears. Long silver-white hair falls past her waist, and only the last hand of its length fades into pale blue — the tips lift and fan outward on an updraught, weightless, as if something unseen is pushing up from below. Her eyes are half-lidded and fixed down at the viewer with a faint lopsided smirk, one brow arched higher than the other; her lips are barely parted. Her arms hang slightly out from her body, both palms open at hip height, fingers spread — she is not posing, she is being acted upon.
This is the open or active moment of a size change: her scale lurches mid-frame. The floor beneath her hem does not meet her cleanly — the seam of the robe and the ground smear into a soft band, as if the image is being sampled at two distances at once. Thin arcs of white distortion ring her shoulders and the back of her head, and the dust motes in the air near her crown are stretched into short white streaks while the motes near the hem stay tight and round: the same air, seen at two scales at once.
The divine authority interference is visible as a physical force, not an aura: a hard vertical column of cold white light drops from above her, catching the top of her hair, the top plane of the high collar and the upper edges of her shoulders, while her face, the underside of the collar and the front of the robe sit in deeper shadow. The light bends slightly around her silhouette. The black seamless ground gives no horizon; beyond the column of light the background is absolute black, and the only other glow is a thin pale-blue rim tracing her hair tips and the outer line of both sleeves. The palette is strictly white, black and the pale blue of the hair tips — nothing else admitted. Cold, still, immense; quiet overwhelming power.
eitaeita.1007@icloud.com
e1
1girl, solo, tall female, 170cm, androgynous, beautiful face, feminine androgynous face, D-cup, large breasts, long hair, silver-white hair, pale blue hair tips, gradient hair tips, long robe, white and black robe, high collar, standing, from below, dutch angle, looking down at viewer, head tilt, one eyebrow raised, smug, half-closed eyes, light smile, arms at sides, holding robe sleeve, windblown hair, windblown robe, vast empty bright void, godlike presence,
From a low worm's-eye angle tilted a few degrees off level, a single androgynous figure stands at full height and looks down at the viewer with a faint lopsided smirk, one brow arched higher than the other, lids half lowered. The head is tipped slightly to one side, chin lifted so the long neck rises clear of the high collar; the first three fingers of one hand pinch the other sleeve's cuff at hip level while the arm hangs relaxed. Weight rests on the left leg, right hip easing out from under the robe so the hem sways off-center. Long silver-white hair falls past the hips, pale blue only in the last span of the tips, strand ends drifting sideways in an updraft that also lifts the robe's lower edge. The robe is floor-length and long-sleeved in a stark black and white blocking, one side white, one side black, bisected down the front, with a tall stiff high collar standing up around the jaw; the fabric is matte and heavy, gathering in folds at the waist and ankles. Behind and around the figure is an unbroken bright neutral void, no horizon, no floor line; a faint contact shadow pools at the feet. The one light source is a hard overhead key from above and behind the head, rimming the silver hair and the collar's top edge with white and dropping the face's lower planes into soft cool shade, the black half of the robe swallowing detail while the white half glows. Palette narrowed to silver-white, pale blue, black and a cool grey ground; no other colors admitted. The clothing lifts and the hair reads as weightless against the static stance, an ease that is not human. Serene, quietly overwhelming.
eitaeita.1007@icloud.com
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