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AI artwork featuring #Armor, #Beard and #zetaCollab
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Armor, Beard

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Armor#Beard
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planarians

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1man, solo, mature male, old man, 60s, burly, muscular, broad shoulders, long hair, white hair with black streaks, hair tied back, ponytail, short beard, chin beard, full plate armor, upper body armor, gold trim, medieval armor, black hakama, wide-legged trousers, metal boots, sabaton, longsword, sword planted in ground, holding sword, right hand on sword hilt, gripping, standing, weight on one leg, from side, profile, cowboy shot, looking down, half-closed eyes, calm, coniferous forest, dark forest, pine trees, fog, low light, backlight, rim light, depth of field, gold accents, muted palette, quiet severity A lateral view, the camera at chest height and offset to the man's left so his whole right side reads in profile: the long white hair streaked with black gathered at the back of his skull in a tied bundle that runs down between his shoulder blades, the short beard a close-kept dark-flecked wedge along his jaw, his heavy brow and deep-set eye turned down and forward toward the sword's point. He stands with his weight sunk into his left leg, right hip dropped, left knee locked, torso canted slightly forward and shoulders squared but tilted a few degrees off the vertical so the silhouette is not symmetric; his right arm hangs loose and straight down, the fingers of his right hand closed around the longsword's grip just under the crossguard, thumb wrapped over the top, and the blade runs vertically down in front of his right boot with its point buried a palm's depth in the needle litter, a small mound of displaced duff and a scatter of brown needles heaped up around the steel. In the upper body he wears a full plate harness in the medieval European manner, cuirass, pauldrons, rerebraces and vambraces over the burly chest and thick arms, every plate edge and joint bordered with a band of gold that catches one thin line of light along the top of the pauldron and the rim of the breastplate; below the fauld the black hakama falls in stiff wide pleats over his thighs, breaking at the shin where the metal boots take over, the sabatons and greaves dark iron with dull highlights. His left hand rests at his side, fingers half-curled, doing nothing. Behind and around him the dim coniferous forest: tall straight trunks of pine and spruce receding in vertical ranks, lower branches bare and black, the ground a mat of needles and a few pale mushrooms; a cold fog hangs between the trunks in soft horizontal bands, densest at the far distance so the treeline dissolves into grey. The only real light comes from far behind him through the mist, a low pale source that rims the outer edge of the pauldron, the crown of his tied hair and the flat of the blade with a thin silver line while his front stays in shadow; the gold trim is the single warmth in an otherwise cold grey-green and near-black palette, and where the blade meets the earth the wet disturbed needles are darker than the surrounding litter. Muted, severe, quiet.
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Original Prompt
上半身は金色の縁取りのなされた中世ヨーロッパ風のフルプレートアーマーを着ている。下半身は黒い袴を履いている。金属製のブーツを履いている。 60代の、長い、黒髪混じりの白髪を後ろで束ねた髪型の、顎髭が短く生えたガタイのいい男性。 ロングソードを右手で持ち、地面に刺している。 薄暗い針葉樹林の中である。
Mode
flash
Size
1280 x 768
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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1boy, solo, adult male, man in his 60s, burly, muscular build, tall, broad shoulders, long hair, hair tied back, low ponytail, white hair mixed with black hair, streaked silver and jet-black hair, short goatee beard, mature male, weathered face, full plate armor, medieval European plate armor, gold trim on armor, crimson mantle, red cape with gold trim, mantle attached to armor, black hakama, metal boots, holding longsword, sword in right hand, longsword planted in ground, sword tip in earth, standing, from below, low angle, wide shot, looking down at viewer, dim coniferous forest, dark forest, pine trees, spruce trees, mist, low key lighting, cinematic lighting, single light source, cold blue-green palette, gold accents, crimson accents, detailed armor, realistic The camera sits low near the forest floor, tilted up at a broad-shouldered man in his sixties who dominates the frame from below, so the pines lean inward over his shoulders and a narrow strip of dim sky glows behind his head. His weight is settled on his left leg, right hip dropped, torso turned a quarter toward his right so the planted sword is the nearest thing to the lens. Both hands are on the longsword: his right fist grips the leather-wrapped hilt just under the crossguard, knuckles forward, the blade running straight down and its point sunk a hand's depth into the needle-littered earth, and his left hand rests flat over the pommel to steady it, forearm braced, shoulders squared down over the grip. The steel boots are planted wide, toes turned out, the near boot's toe box scuffed dull where it has pushed through the duff. His head is tipped slightly forward, chin low, and his eyes, half-hooded under a heavy brow, look straight down the blade into the camera without warmth. His hair is gathered at the back of his skull in a low tail, silver-white with thick black streaks, a few loose strands pulled free and hanging by his temple and jaw; the short goatee is clipped close around a hard mouth held flat. The full plate armor sheathes him from gorget to fauld in overlapping lames, and every plate edge is banded with gold trim that catches the one light: the pauldrons' layered rims, the vambraces, the breastplate's central ridge. The crimson mantle falls from clasps at both shoulders and pours down his back and right side, its hem and border worked in the same gold, the wool heavy enough to hang in stiff folds rather than flutter. Below the fauld, the black hakama breaks the silhouette into wide, deep-pleated legs that swallow the light, gathered above the metal boots whose plates dull from greave to sabaton. The armor is not mirror-bright: road dust and fine grit sit in the seams, and a faint green-brown film of old weather has settled in the recesses. The single light source is a cold shaft falling through the canopy from the left and behind, so the gold trim ignites along its left-facing edge while the right side of his face and the front of his breastplate fall into deep shadow, and the mantle warms where the beam grazes the crimson. Beyond the shaft the forest goes to near-black: trunks receding in ranks, mist hanging in horizontal bands between them, the ground a carpet of wet needles with a scatter of pale mushrooms at the sword's base. Where the blade enters the earth the needles are pushed into a small raised ring, and a bead of moisture runs down the flat of the steel and stops at the soil line. Palette of cold blue-green shadow, dull steel grey, gold, and one deep crimson, nothing else admitted. Quiet, forbidding.
planarians
#zetaCollab
AI artwork
Avatar image of AIwasmade
Light and dark contrast, early morning light pouring on a dark forest, light hits the side of the trees making them almost glow, there is a man in armor walking into the dark forest, the light glinting off his armor, 1600 style, etiquette, elegant, Perfect, soft art, very detailed, beautiful, long lashes, realistic, full lips, masterpiece, Oil painting, oil pastel, harmonious color palette, metallic silver accents, glitch effect, transparency effect, contrast light, niji style, oil painting texture, semi-realistic face, anime-inspired realism, soft lighting, detailed skin texture, realistic shiny eyes, vibrant iris color, natural hair flow, cinematic color grading, buff_mood_colors, palette vibrant contrast, dramatic chiaroscuro rim, lighting soft, seamless tonal blending, gentle haze, ambient luminescence, soft reflective accents, shiny eyes, volumetric light bloom, volumetric light, beautiful face, stylized illustration, textured digital painting, painterly rendering, matte finish, flat color rendering, grainy brush texture, cinematic lighting, atmospheric mood, muted cinematic palette, soft glow, illustrative rendering
AIwasmade
AI artwork
p
1boy, solo, mature male, old man, 60s, muscular, broad shoulders, thick neck, long hair, white hair with black streaks, salt and pepper hair, hair tied back, low ponytail, short chin beard, full plate armor, upper body armor, gold trim, crimson mantle, red cape, gold-trimmed cape, black hakama, metal boots, sabaton, sheathed longsword at waist, scabbard, holding javelin, vertical javelin, long spear, right hand gripping shaft, left hand holding great helm, helm under arm, standing, from below, cowboy shot, dutch angle, dim coniferous forest, dark woods, conifer trunks, mist, low key lighting, dramatic shadow, serious, jitome, looking to the side Low-angle three-quarter view from slightly below his left front, tilted a few degrees off level: an old, heavily built man stands planted in a dark coniferous forest, seen from mid-thigh up, so the armor and the planted spear dominate the frame and the treetops fall away into gloom. His weight rests on his back right leg, left knee eased forward, torso turned a quarter away from the lens and shoulders squared to the spear. His right arm hangs straight down and slightly out from the hip, gloved fingers wrapped around the javelin shaft at hip height, and the roughly 2.5-metre shaft rises perfectly vertical past his shoulder into the canopy; its butt has sunk a finger's width into the needle-covered loam, and the shaft casts a faint vertical shadow band back onto his breastplate. His left arm is bent, the great helm hooked on the crook of his forearm and gripped at its lower rim against his hip, its face opening turned inward toward the armor and the plume-less dome catching a thin edge of sky light. The sheathed longsword rides angled back along his left hip, its scabbard tip just behind his thigh, the pommel level with his belt. Salt-and-pepper hair is gathered at the back of his skull into a low tied bundle, black strands threading the white, a few loose lengths escaping at the temple and stirring in a light draft; his short chin beard is trimmed close to the jaw. His narrow eyes sit in deep weathered folds and look off to his right, past the spear, into the trees rather than at the viewer, though his head is angled enough toward the camera that a scarred, blunt-featured profile of his face is readable. A patch of pale light grazes the top of his left cheekbone while the rest of his face and throat sit in shadow under the helm-line. The plate armor covers his upper body in overlapping lames with gold edging running every plate rim, the metal dull grey with cold highlights along the pauldron and rerebrace; the crimson mantle falls from his shoulders and hangs behind and to his left, its gold-trimmed hem heavy and unstirred at the bottom, its folds a deep blood red where the light fails and brighter where it does not. Below the fauld, wide black hakama pleats break over his stance, and the metal boots are planted flat, their toes scuffed and dark. The forest presses in around him: near trunks of larch and pine with bark ridged and damp on the right foreground, a middle distance of columned trunks fading into fog, and a floor of brown needles and dead branches. One shaft of soft, diffuse light slants down through the canopy from upper right, catching the top of the spear, the gold trim on his left shoulder and a haze of drifting mist; everything outside it goes to cold desaturated green-black. The only sound of air is the slight bend and sway of the far treetops through the fog behind him. Quiet, iron-grey gravity.
planarians
#zetaCollab
AI artwork
p
2girls, no humans, full plate armor, gold trim, gold-edged pauldrons, full-face helmet, visor down, red hakama, longsword, jodan stance, sword raised overhead, both hands on hilt, large male, shirtless male, bare muscular torso, blond hair, long-handled axe, two-handed grip, poleaxe, facing each other, confrontation, standoff, from side, profile, dutch angle, wide shot, forest, coniferous forest, dark coniferous forest, pine trees, fog, dim lighting, low light, god rays, dust motes, depth of field, cinematic composition, dynamic pose, tension, muted palette The camera sits low and off-axis in a Dutch-tilted side profile, both fighters held in the same frame across a narrow clearing in a dim coniferous forest. On the left, the armored figure is turned three-quarters away from the lens: a medieval European full-face helmet with its visor shut and a single breath-slit throws a thin dark line across the plate, and the gold trim runs a bright edge along every bevel of the pauldrons, rerebraces, vambraces and breastplate. Both gauntleted hands wrap the longsword's grip high above the helmet in a raised overhead jodan stance, the blade vertical and tipped slightly back over the crown, the crossguard just clearing the helmet's crest; the elbows are drawn in and up, the shoulder plates stacked, the weight sunk into the back hip while the front foot has already slid forward onto the pine needles. Below the breastplate the red hakama breaks the metal, its pleats flaring out behind the rear leg where the stance pulls the fabric taut and its hem dusted with forest debris, the trailing sash lifted by the movement. Facing it from the right, the large shirtless blond man is planted wide and low, torso turned to show the slab of his chest and shoulder, sweat sheening the deltoid nearest the light; both hands choke the long haft of the axe, one fist high near the head and one low at the butt, the bearded blade angled across his body so its edge points back at the armored figure's ribs. His blond hair is tied back and hangs damp at the nape, strands stuck to his neck, and his chin is tucked, eyes fixed hard on the dark visor slit opposite him. Between them the ground is bare and churned, a few cut pine needles and a snapped twig suspended where the clearing opens. Light comes in flat, cold shafts from high behind the canopy, catching the gold trim, the sword's flat and the axe head in thin blades of brightness while everything else stays in cool blue-green shadow; the trunks recede into fog in three depth layers and the far pines dissolve into murk. The smell of resin is implied in the haze, the air visibly damp, the fog thicker in the low middle ground between the two bodies. Restrained palette of cold slate blue-green, tarnished steel, warm gold edging, and the deep red of the hakama as the single warm anchor -- tense, hushed standoff.
planarians
#zetaCollab

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