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C9I

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C9I

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2 animals, giant black raven, wolf, flying, wings spread wide, mid-flight, running, running through snow, deep snow, following, dark snowy landscape, snow-covered ground, night, cold dark blue moonlight, thick winter fog, mist, deep shadows, cinematic wide shot, wide shot, from below, low angle, raven above wolf, atmospheric, epic scale, no text, no watermark, no signature, clean image, film grain, monochrome blue palette, backlighting The camera sits low in the snow, tilted up a little, so the whole valley floor recedes into fog and the raven crosses the upper third of the frame. High in the top-left of the image the giant black raven flies low and level, wings spread wide and locked in a full downbeat, primaries splayed, each feather edge rimmed by cold blue moonlight so the black body reads as a silhouette with a lit fringe along the wing's leading edge and the crown of the head; its head is turned down and forward along its line of flight, one eye catching a pinpoint of moon. Below and to the right of it, the large shadowy wolf runs silently through deep snow, body stretched low in a full gallop, front paws reaching and hind legs driving, chest ploughing a shallow trench through the drift while the tail streams out level behind it; its muzzle is lifted a few degrees off the run line, one ear swiveled up, tracking the bird. The wolf's path is the raven's path: both travel on the same diagonal from the lower right of the frame toward the upper left, the wolf's track a chain of deep punched footprints curving exactly beneath the bird's shadow on the snow -- that shadow is the single hardest thing in the picture, sharp-edged and small on the wind-rippled drift, while the wolf's own body has almost no detail, just a dark mass with a faint blue sheen on the shoulders and the ridge of the spine. Nothing else moves. The landscape is dark, open and snowbound: a low broken ridge of buried rock and dead scrub on the right horizon, a treeline of black conifers half-erased by the fog on the left, the ground between them a smooth undulating drift field with wind-carved sastrugi ridges whose crests face the moon and glow faintly blue while their troughs hold absolute shadow. Thick winter fog banks the middle distance, swallowing the ridge feet and the far treeline, and the fog is thickest where the moonlight passes through it, so the beam reads as a soft pale column raking in from the upper right and fading before it reaches the ground. Cold dark blue is the only colour admitted: deep indigo in the shadows, desaturated steel-blue on the lit snow crests, near-black in the raven and the wolf, a colder white at the moon core; no warm tone anywhere. Deep shadows dominate the lower frame corners and the troughs of every drift, and the single moonlight source sits high right and out of frame, so the raven's lit edges and the wolf's lit spine both face away from it and the darker flanks hold the night. The raven and the wolf are each small in the frame, together covering well under a quarter of it, dwarfed by drifting snow, fog and empty sky. Subtle film grain in the flat blue midtones, sharp on the snow texture. Ancient, silent, cold and mythic.
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Original Prompt
A giant black raven flying low over a dark, snowy landscape, its wings spread wide. Below the raven, a large, shadowy wolf is running silently through the deep snow, following the raven's flight path. The scene is bathed in cold, dark blue moonlight and thick winter fog. The image represents an ancient pact of survival and guidance. Cinematic wide shot, epic, atmospheric, deep shadows, 8k, film grain. No text, no watermark. --ar 16:9
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of C9I
2 animals, giant black raven, wolf, flying, wings spread wide, mid-flight, running, running through snow, deep snow, following, dark snowy landscape, snow-covered ground, night, cold dark blue moonlight, thick winter fog, mist, deep shadows, cinematic wide shot, wide shot, from below, low angle, raven above wolf, atmospheric, epic scale, no text, no watermark, no signature, clean image, film grain, monochrome blue palette, backlighting The camera sits low in the snow, tilted up a little, so the whole valley floor recedes into fog and the raven crosses the upper third of the frame. High in the top-left of the image the giant black raven flies low and level, wings spread wide and locked in a full downbeat, primaries splayed, each feather edge rimmed by cold blue moonlight so the black body reads as a silhouette with a lit fringe along the wing's leading edge and the crown of the head; its head is turned down and forward along its line of flight, one eye catching a pinpoint of moon. Below and to the right of it, the large shadowy wolf runs silently through deep snow, body stretched low in a full gallop, front paws reaching and hind legs driving, chest ploughing a shallow trench through the drift while the tail streams out level behind it; its muzzle is lifted a few degrees off the run line, one ear swiveled up, tracking the bird. The wolf's path is the raven's path: both travel on the same diagonal from the lower right of the frame toward the upper left, the wolf's track a chain of deep punched footprints curving exactly beneath the bird's shadow on the snow -- that shadow is the single hardest thing in the picture, sharp-edged and small on the wind-rippled drift, while the wolf's own body has almost no detail, just a dark mass with a faint blue sheen on the shoulders and the ridge of the spine. Nothing else moves. The landscape is dark, open and snowbound: a low broken ridge of buried rock and dead scrub on the right horizon, a treeline of black conifers half-erased by the fog on the left, the ground between them a smooth undulating drift field with wind-carved sastrugi ridges whose crests face the moon and glow faintly blue while their troughs hold absolute shadow. Thick winter fog banks the middle distance, swallowing the ridge feet and the far treeline, and the fog is thickest where the moonlight passes through it, so the beam reads as a soft pale column raking in from the upper right and fading before it reaches the ground. Cold dark blue is the only colour admitted: deep indigo in the shadows, desaturated steel-blue on the lit snow crests, near-black in the raven and the wolf, a colder white at the moon core; no warm tone anywhere. Deep shadows dominate the lower frame corners and the troughs of every drift, and the single moonlight source sits high right and out of frame, so the raven's lit edges and the wolf's lit spine both face away from it and the darker flanks hold the night. The raven and the wolf are each small in the frame, together covering well under a quarter of it, dwarfed by drifting snow, fog and empty sky. Subtle film grain in the flat blue midtones, sharp on the snow texture. Ancient, silent, cold and mythic.
C9I
AI artwork
Avatar image of C9I
2 animals, giant black raven, wolf, flying, wings spread wide, mid-flight, running, running through snow, deep snow, following, dark snowy landscape, snow-covered ground, night, cold dark blue moonlight, thick winter fog, mist, deep shadows, cinematic wide shot, wide shot, from below, low angle, raven above wolf, atmospheric, epic scale, no text, no watermark, no signature, clean image, film grain, monochrome blue palette, backlighting The camera sits low in the snow, tilted up a little, so the whole valley floor recedes into fog and the raven crosses the upper third of the frame. High in the top-left of the image the giant black raven flies low and level, wings spread wide and locked in a full downbeat, primaries splayed, each feather edge rimmed by cold blue moonlight so the black body reads as a silhouette with a lit fringe along the wing's leading edge and the crown of the head; its head is turned down and forward along its line of flight, one eye catching a pinpoint of moon. Below and to the right of it, the large shadowy wolf runs silently through deep snow, body stretched low in a full gallop, front paws reaching and hind legs driving, chest ploughing a shallow trench through the drift while the tail streams out level behind it; its muzzle is lifted a few degrees off the run line, one ear swiveled up, tracking the bird. The wolf's path is the raven's path: both travel on the same diagonal from the lower right of the frame toward the upper left, the wolf's track a chain of deep punched footprints curving exactly beneath the bird's shadow on the snow -- that shadow is the single hardest thing in the picture, sharp-edged and small on the wind-rippled drift, while the wolf's own body has almost no detail, just a dark mass with a faint blue sheen on the shoulders and the ridge of the spine. Nothing else moves. The landscape is dark, open and snowbound: a low broken ridge of buried rock and dead scrub on the right horizon, a treeline of black conifers half-erased by the fog on the left, the ground between them a smooth undulating drift field with wind-carved sastrugi ridges whose crests face the moon and glow faintly blue while their troughs hold absolute shadow. Thick winter fog banks the middle distance, swallowing the ridge feet and the far treeline, and the fog is thickest where the moonlight passes through it, so the beam reads as a soft pale column raking in from the upper right and fading before it reaches the ground. Cold dark blue is the only colour admitted: deep indigo in the shadows, desaturated steel-blue on the lit snow crests, near-black in the raven and the wolf, a colder white at the moon core; no warm tone anywhere. Deep shadows dominate the lower frame corners and the troughs of every drift, and the single moonlight source sits high right and out of frame, so the raven's lit edges and the wolf's lit spine both face away from it and the darker flanks hold the night. The raven and the wolf are each small in the frame, together covering well under a quarter of it, dwarfed by drifting snow, fog and empty sky. Subtle film grain in the flat blue midtones, sharp on the snow texture. Ancient, silent, cold and mythic.
C9I
AI artwork
Avatar image of C9I
2 animals, giant black raven, wolf, flying, wings spread wide, mid-flight, running, running through snow, deep snow, following, dark snowy landscape, snow-covered ground, night, cold dark blue moonlight, thick winter fog, mist, deep shadows, cinematic wide shot, wide shot, from below, low angle, raven above wolf, atmospheric, epic scale, no text, no watermark, no signature, clean image, film grain, monochrome blue palette, backlighting The camera sits low in the snow, tilted up a little, so the whole valley floor recedes into fog and the raven crosses the upper third of the frame. High in the top-left of the image the giant black raven flies low and level, wings spread wide and locked in a full downbeat, primaries splayed, each feather edge rimmed by cold blue moonlight so the black body reads as a silhouette with a lit fringe along the wing's leading edge and the crown of the head; its head is turned down and forward along its line of flight, one eye catching a pinpoint of moon. Below and to the right of it, the large shadowy wolf runs silently through deep snow, body stretched low in a full gallop, front paws reaching and hind legs driving, chest ploughing a shallow trench through the drift while the tail streams out level behind it; its muzzle is lifted a few degrees off the run line, one ear swiveled up, tracking the bird. The wolf's path is the raven's path: both travel on the same diagonal from the lower right of the frame toward the upper left, the wolf's track a chain of deep punched footprints curving exactly beneath the bird's shadow on the snow -- that shadow is the single hardest thing in the picture, sharp-edged and small on the wind-rippled drift, while the wolf's own body has almost no detail, just a dark mass with a faint blue sheen on the shoulders and the ridge of the spine. Nothing else moves. The landscape is dark, open and snowbound: a low broken ridge of buried rock and dead scrub on the right horizon, a treeline of black conifers half-erased by the fog on the left, the ground between them a smooth undulating drift field with wind-carved sastrugi ridges whose crests face the moon and glow faintly blue while their troughs hold absolute shadow. Thick winter fog banks the middle distance, swallowing the ridge feet and the far treeline, and the fog is thickest where the moonlight passes through it, so the beam reads as a soft pale column raking in from the upper right and fading before it reaches the ground. Cold dark blue is the only colour admitted: deep indigo in the shadows, desaturated steel-blue on the lit snow crests, near-black in the raven and the wolf, a colder white at the moon core; no warm tone anywhere. Deep shadows dominate the lower frame corners and the troughs of every drift, and the single moonlight source sits high right and out of frame, so the raven's lit edges and the wolf's lit spine both face away from it and the darker flanks hold the night. The raven and the wolf are each small in the frame, together covering well under a quarter of it, dwarfed by drifting snow, fog and empty sky. Subtle film grain in the flat blue midtones, sharp on the snow texture. Ancient, silent, cold and mythic.
C9I
AI artwork
Avatar image of C9I
wide shot, two animals only, massive black wolf, large black raven, wolf standing in deep snow, raven perched on twisted bare branch above the wolf, mutual gaze, eye contact, wolf looking up, raven looking down, dark winter forest at night, thick fog, full moon, moonlight, clouds, bare trees, snow-covered ground, deep blacks, silver and blue palette, cinematic composition, film grain, no text, no letters, no watermark, no signature, clean image surface Cinematic wide shot at eye level with the wolf's chest, both animals small enough that the frozen forest dwarfs them: the wolf stands in three-quarter profile facing left-to-right in the lower middle of the frame, its weight sunk chest-deep in snow, all four legs buried to mid-shin, the snow ridged and crusted around each foreleg where the weight has packed it down. Its head is tilted up and back, muzzle raised, yellow eyes fixed on the raven; thick black fur stands off the shoulders in a coarse ruff, breath pluming faintly from the nostrils in the cold. Directly above it a bare twisted branch juts from a leaning trunk at the right, snow lying only along its upward-facing ridge, and on that branch the raven grips with scaled feet, body angled down and forward, head lowered, one glossy eye locked on the wolf's eye in a straight unbroken line of sight between them โ€” iridescent blue-violet sheen sliding along its black wing coverts as it shifts. Neither looks at the viewer. Thick fog drifts in bands between the trunks, swallowing the ground line twenty metres back so the midground trees stand as flat grey silhouettes and the far forest is a soft white void; a pale full moon hangs high in the upper left, breaking through torn cloud, its halo the only large bright shape. Light is cold and single in direction, silver-blue from the moon, striking the crown of the wolf's back, the raven's head and the moonward side of every trunk while their undersides and the hollows between roots hold near-solid black; the moon casts no crisp shadow through the fog, only a wide diffuse sheet of pale blue snow, and the wolf's eyes catch two small warm amber points that are the only non-blue colour in the frame. Palette is deep blacks, silver, and blue, nothing else admitted. Hyper-detailed coarse fur and ruffled feather barbs against the soft fog, 35mm film grain across the whole frame. Sacred, quiet.
C9I

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