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C9I

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C9I

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2 animals, wolf, raven, giant wolf, giant raven, animal focus, no humans, silhouette, side by side, standing, facing away, from behind, looking out over valley, high rocky cliff, cliff edge, vast foggy winter valley, fog, winter, snow, massive full moon, glowing moon, night, symmetrical composition, dark surrealism, cinematic wide shot, wide shot, deep indigo and black tones, limited palette, backlighting, rim light, film grain, no text, no watermark, no signature, clean image surface, scenery, dramatic, ominous, majestic A cinematic wide shot from behind, perfectly symmetrical about a vertical axis through the moon: two colossal silhouettes stand shoulder to shoulder at the lip of a high rocky cliff, the giant wolf on the left, the giant raven on the right. Both bodies are solid black shapes with no interior detail, their edges bitten and feathered by moonlight. The wolf stands square and low-slung, forepaws planted on the flat rock at the cliff edge, its heavy head level, ears forward, muzzle pointed straight out over the drop, thick tail hanging still behind its haunches. The raven stands tall beside it, body upright, wings folded and mantled tight against its back, long primary feathers hanging below the folded wing line, its head raised and turned a fraction outward to the right, heavy beak ahead of the moon's lower rim. Their shoulders nearly touch; the gap between them is the only break in the symmetry, and each keeps its gaze fixed on the valley, never the camera. The cliff is a dark broken shelf across the bottom third of the frame: flat footing plate under both feet, split slabs and a few blade-like spurs thrusting up at the outer left and right edges, loose grit on the rock's upward faces catching the faintest line of light. Beyond and far below, the vast foggy winter valley opens up: an ocean of fog filling the middle distance, drifting in slow banks between the two silhouettes, a low ridge of black fir tops drowned halfway in the mist, and a thin winding river course showing as a dull indigo gleam where the fog thins. Depth is staged in flat bands, near-black rock, then fog, then moonwash. Directly behind the two figures, framed between their bodies and shooting slightly above the world's centerline, hangs the massive full moon, a huge pale disc whose glow bleeds through high mist, ringed by a halo, its maria faintly mottled. The moon is the only light source: cold, it rims the upper edges of both silhouettes, the wolf's ears, spine and tail, the raven's crown, beak ridge and folded wings, in a thin white-indigo line, and it does the same for the upward-facing planes of the cliff slabs while the vertical faces and all the undersides of both animals fall into absolute black. Everything below the rim stays darker and softer than the glow above it, and the light scatters in the fog, so the moon has no hard edge, only a dense bright core. Palette is deep indigo and black and nothing else: black in the rock faces, both bodies and the outer frame, midnight indigo in sky, fog bands and river gleam, pale cold blue-white only in the moon, halo, and rim light. The fog thins enough at the cliff that faint silhouetted rock spurs poke up out of it far below, smaller than the two figures by an order of magnitude, which is the only scale cue: the revealer that makes the drop visible. Fine film grain sits over the whole frame, heaviest in the dark sky corners, with faint vignetting. Dark surrealism, majestic and ominous.
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Original Prompt
Silhouettes of a giant wolf and a giant raven standing side by side on a high, rocky cliff. They are looking out over a vast, foggy winter valley under a massive, glowing full moon. The composition is symmetrical and highly symbolic, representing the ancient duality of thought and action. Cinematic wide shot, dark surrealism, deep indigo and black tones, 8k, film grain. No text, no watermark. --ar 16:9
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of C9I
2 animals, wolf, raven, giant wolf, giant raven, animal focus, no humans, silhouette, side by side, standing, facing away, from behind, looking out over valley, high rocky cliff, cliff edge, vast foggy winter valley, fog, winter, snow, massive full moon, glowing moon, night, symmetrical composition, dark surrealism, cinematic wide shot, wide shot, deep indigo and black tones, limited palette, backlighting, rim light, film grain, no text, no watermark, no signature, clean image surface, scenery, dramatic, ominous, majestic A cinematic wide shot from behind, perfectly symmetrical about a vertical axis through the moon: two colossal silhouettes stand shoulder to shoulder at the lip of a high rocky cliff, the giant wolf on the left, the giant raven on the right. Both bodies are solid black shapes with no interior detail, their edges bitten and feathered by moonlight. The wolf stands square and low-slung, forepaws planted on the flat rock at the cliff edge, its heavy head level, ears forward, muzzle pointed straight out over the drop, thick tail hanging still behind its haunches. The raven stands tall beside it, body upright, wings folded and mantled tight against its back, long primary feathers hanging below the folded wing line, its head raised and turned a fraction outward to the right, heavy beak ahead of the moon's lower rim. Their shoulders nearly touch; the gap between them is the only break in the symmetry, and each keeps its gaze fixed on the valley, never the camera. The cliff is a dark broken shelf across the bottom third of the frame: flat footing plate under both feet, split slabs and a few blade-like spurs thrusting up at the outer left and right edges, loose grit on the rock's upward faces catching the faintest line of light. Beyond and far below, the vast foggy winter valley opens up: an ocean of fog filling the middle distance, drifting in slow banks between the two silhouettes, a low ridge of black fir tops drowned halfway in the mist, and a thin winding river course showing as a dull indigo gleam where the fog thins. Depth is staged in flat bands, near-black rock, then fog, then moonwash. Directly behind the two figures, framed between their bodies and shooting slightly above the world's centerline, hangs the massive full moon, a huge pale disc whose glow bleeds through high mist, ringed by a halo, its maria faintly mottled. The moon is the only light source: cold, it rims the upper edges of both silhouettes, the wolf's ears, spine and tail, the raven's crown, beak ridge and folded wings, in a thin white-indigo line, and it does the same for the upward-facing planes of the cliff slabs while the vertical faces and all the undersides of both animals fall into absolute black. Everything below the rim stays darker and softer than the glow above it, and the light scatters in the fog, so the moon has no hard edge, only a dense bright core. Palette is deep indigo and black and nothing else: black in the rock faces, both bodies and the outer frame, midnight indigo in sky, fog bands and river gleam, pale cold blue-white only in the moon, halo, and rim light. The fog thins enough at the cliff that faint silhouetted rock spurs poke up out of it far below, smaller than the two figures by an order of magnitude, which is the only scale cue: the revealer that makes the drop visible. Fine film grain sits over the whole frame, heaviest in the dark sky corners, with faint vignetting. Dark surrealism, majestic and ominous.
C9I
AI artwork
Avatar image of C9I
2 animals, wolf, raven, giant wolf, giant raven, animal focus, no humans, silhouette, side by side, standing, facing away, from behind, looking out over valley, high rocky cliff, cliff edge, vast foggy winter valley, fog, winter, snow, massive full moon, glowing moon, night, symmetrical composition, dark surrealism, cinematic wide shot, wide shot, deep indigo and black tones, limited palette, backlighting, rim light, film grain, no text, no watermark, no signature, clean image surface, scenery, dramatic, ominous, majestic A cinematic wide shot from behind, perfectly symmetrical about a vertical axis through the moon: two colossal silhouettes stand shoulder to shoulder at the lip of a high rocky cliff, the giant wolf on the left, the giant raven on the right. Both bodies are solid black shapes with no interior detail, their edges bitten and feathered by moonlight. The wolf stands square and low-slung, forepaws planted on the flat rock at the cliff edge, its heavy head level, ears forward, muzzle pointed straight out over the drop, thick tail hanging still behind its haunches. The raven stands tall beside it, body upright, wings folded and mantled tight against its back, long primary feathers hanging below the folded wing line, its head raised and turned a fraction outward to the right, heavy beak ahead of the moon's lower rim. Their shoulders nearly touch; the gap between them is the only break in the symmetry, and each keeps its gaze fixed on the valley, never the camera. The cliff is a dark broken shelf across the bottom third of the frame: flat footing plate under both feet, split slabs and a few blade-like spurs thrusting up at the outer left and right edges, loose grit on the rock's upward faces catching the faintest line of light. Beyond and far below, the vast foggy winter valley opens up: an ocean of fog filling the middle distance, drifting in slow banks between the two silhouettes, a low ridge of black fir tops drowned halfway in the mist, and a thin winding river course showing as a dull indigo gleam where the fog thins. Depth is staged in flat bands, near-black rock, then fog, then moonwash. Directly behind the two figures, framed between their bodies and shooting slightly above the world's centerline, hangs the massive full moon, a huge pale disc whose glow bleeds through high mist, ringed by a halo, its maria faintly mottled. The moon is the only light source: cold, it rims the upper edges of both silhouettes, the wolf's ears, spine and tail, the raven's crown, beak ridge and folded wings, in a thin white-indigo line, and it does the same for the upward-facing planes of the cliff slabs while the vertical faces and all the undersides of both animals fall into absolute black. Everything below the rim stays darker and softer than the glow above it, and the light scatters in the fog, so the moon has no hard edge, only a dense bright core. Palette is deep indigo and black and nothing else: black in the rock faces, both bodies and the outer frame, midnight indigo in sky, fog bands and river gleam, pale cold blue-white only in the moon, halo, and rim light. The fog thins enough at the cliff that faint silhouetted rock spurs poke up out of it far below, smaller than the two figures by an order of magnitude, which is the only scale cue: the revealer that makes the drop visible. Fine film grain sits over the whole frame, heaviest in the dark sky corners, with faint vignetting. Dark surrealism, majestic and ominous.
C9I
AI artwork
Avatar image of C9I
2 animals, wolf, raven, giant wolf, giant raven, animal focus, no humans, silhouette, side by side, standing, facing away, from behind, looking out over valley, high rocky cliff, cliff edge, vast foggy winter valley, fog, winter, snow, massive full moon, glowing moon, night, symmetrical composition, dark surrealism, cinematic wide shot, wide shot, deep indigo and black tones, limited palette, backlighting, rim light, film grain, no text, no watermark, no signature, clean image surface, scenery, dramatic, ominous, majestic A cinematic wide shot from behind, perfectly symmetrical about a vertical axis through the moon: two colossal silhouettes stand shoulder to shoulder at the lip of a high rocky cliff, the giant wolf on the left, the giant raven on the right. Both bodies are solid black shapes with no interior detail, their edges bitten and feathered by moonlight. The wolf stands square and low-slung, forepaws planted on the flat rock at the cliff edge, its heavy head level, ears forward, muzzle pointed straight out over the drop, thick tail hanging still behind its haunches. The raven stands tall beside it, body upright, wings folded and mantled tight against its back, long primary feathers hanging below the folded wing line, its head raised and turned a fraction outward to the right, heavy beak ahead of the moon's lower rim. Their shoulders nearly touch; the gap between them is the only break in the symmetry, and each keeps its gaze fixed on the valley, never the camera. The cliff is a dark broken shelf across the bottom third of the frame: flat footing plate under both feet, split slabs and a few blade-like spurs thrusting up at the outer left and right edges, loose grit on the rock's upward faces catching the faintest line of light. Beyond and far below, the vast foggy winter valley opens up: an ocean of fog filling the middle distance, drifting in slow banks between the two silhouettes, a low ridge of black fir tops drowned halfway in the mist, and a thin winding river course showing as a dull indigo gleam where the fog thins. Depth is staged in flat bands, near-black rock, then fog, then moonwash. Directly behind the two figures, framed between their bodies and shooting slightly above the world's centerline, hangs the massive full moon, a huge pale disc whose glow bleeds through high mist, ringed by a halo, its maria faintly mottled. The moon is the only light source: cold, it rims the upper edges of both silhouettes, the wolf's ears, spine and tail, the raven's crown, beak ridge and folded wings, in a thin white-indigo line, and it does the same for the upward-facing planes of the cliff slabs while the vertical faces and all the undersides of both animals fall into absolute black. Everything below the rim stays darker and softer than the glow above it, and the light scatters in the fog, so the moon has no hard edge, only a dense bright core. Palette is deep indigo and black and nothing else: black in the rock faces, both bodies and the outer frame, midnight indigo in sky, fog bands and river gleam, pale cold blue-white only in the moon, halo, and rim light. The fog thins enough at the cliff that faint silhouetted rock spurs poke up out of it far below, smaller than the two figures by an order of magnitude, which is the only scale cue: the revealer that makes the drop visible. Fine film grain sits over the whole frame, heaviest in the dark sky corners, with faint vignetting. Dark surrealism, majestic and ominous.
C9I
AI artwork
Avatar image of C9I
2 animals, giant black raven, wolf, flying, wings spread wide, mid-flight, running, running through snow, deep snow, following, dark snowy landscape, snow-covered ground, night, cold dark blue moonlight, thick winter fog, mist, deep shadows, cinematic wide shot, wide shot, from below, low angle, raven above wolf, atmospheric, epic scale, no text, no watermark, no signature, clean image, film grain, monochrome blue palette, backlighting The camera sits low in the snow, tilted up a little, so the whole valley floor recedes into fog and the raven crosses the upper third of the frame. High in the top-left of the image the giant black raven flies low and level, wings spread wide and locked in a full downbeat, primaries splayed, each feather edge rimmed by cold blue moonlight so the black body reads as a silhouette with a lit fringe along the wing's leading edge and the crown of the head; its head is turned down and forward along its line of flight, one eye catching a pinpoint of moon. Below and to the right of it, the large shadowy wolf runs silently through deep snow, body stretched low in a full gallop, front paws reaching and hind legs driving, chest ploughing a shallow trench through the drift while the tail streams out level behind it; its muzzle is lifted a few degrees off the run line, one ear swiveled up, tracking the bird. The wolf's path is the raven's path: both travel on the same diagonal from the lower right of the frame toward the upper left, the wolf's track a chain of deep punched footprints curving exactly beneath the bird's shadow on the snow -- that shadow is the single hardest thing in the picture, sharp-edged and small on the wind-rippled drift, while the wolf's own body has almost no detail, just a dark mass with a faint blue sheen on the shoulders and the ridge of the spine. Nothing else moves. The landscape is dark, open and snowbound: a low broken ridge of buried rock and dead scrub on the right horizon, a treeline of black conifers half-erased by the fog on the left, the ground between them a smooth undulating drift field with wind-carved sastrugi ridges whose crests face the moon and glow faintly blue while their troughs hold absolute shadow. Thick winter fog banks the middle distance, swallowing the ridge feet and the far treeline, and the fog is thickest where the moonlight passes through it, so the beam reads as a soft pale column raking in from the upper right and fading before it reaches the ground. Cold dark blue is the only colour admitted: deep indigo in the shadows, desaturated steel-blue on the lit snow crests, near-black in the raven and the wolf, a colder white at the moon core; no warm tone anywhere. Deep shadows dominate the lower frame corners and the troughs of every drift, and the single moonlight source sits high right and out of frame, so the raven's lit edges and the wolf's lit spine both face away from it and the darker flanks hold the night. The raven and the wolf are each small in the frame, together covering well under a quarter of it, dwarfed by drifting snow, fog and empty sky. Subtle film grain in the flat blue midtones, sharp on the snow texture. Ancient, silent, cold and mythic.
C9I

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