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AI artwork featuring #Maki Zen'in
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Maki Zen'in

#Maki Zen'in
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character: zen'in_maki 1girl, solo, nurse outfit, white nurse dress, short-sleeved white uniform dress with a crossed V-neck collar, pale pink trim on the collar and cuffs, white apron, chest pocket holding a pen, white nurse cap, white stockings, white shoes, green hair, short hair with a small ponytail at the nape, yellow eyes, round glasses, from below, close-up, dutch angle, leaning forward, looking down at viewer, one eye closed, smug, half-closed eyes, head tilt, arms crossed at chest, clipboard tucked under one arm, stethoscope around neck, bare earlobes, hair completely unadorned, clinical white corridor, cold fluorescent light The camera sits low and canted a few degrees off level, looking up close at one young woman who leans far forward over the lens, her shoulders rolled in and her head tipped down so the viewer reads her face from beneath her chin. She is the only figure in the frame: a white nurse dress with a crossed V-neck collar edged in pale pink, short sleeves cuffed in the same pink, a white apron tied over the skirt, a pen clipped into the chest pocket, a small white nurse cap pinned square on the crown of her head, white stockings and white shoes below. Her green hair is cut short and gathered into a small ponytail at the nape, the loose front strands swinging forward past her cheek as she leans; a stethoscope hangs around her neck and a slim clipboard is clamped under her left arm, pressed flat against her ribs. Both ears are bare and the hair carries no ornament at all. Her weight rides on her right leg with the left knee bent forward, and both forearms fold across her chest, the right hand gripping the left elbow; the clipboard's lower edge digs into the apron at her waist. Round glasses slide a little down the bridge of her nose. Her right eye is squeezed shut and her left lid is lowered to a half-mast look aimed straight down into the lens, one corner of her mouth pulled up in a lopsided smirk โ€” the expression of someone who has caught the viewer staring and intends to enjoy it. The set is a clinical white hospital corridor seen from below: glossy pale vinyl floor, a pale green wainscot running away in hard perspective, a distant door frame at the vanishing point, no other people. Cold-white fluorescent tubes in the ceiling are the only light source; they rim the top of her cap and hair with a thin glare, flatten her face into even, slightly greenish white, and throw her shadow forward and to the right across the floor where it stretches long and foreshortened by the low lens. The palette is confined to her green hair, the pink trim, and the white of uniform, walls and floor, with her yellow eyes as the single warm note. In the polish of the floor her reflection lies beneath her feet, softer and darker than she is, broken by the toe of her shoe. Bright, teasing, quietly clinical.
Show Parameters
Original Prompt
1girl Maki Zenin wearing nurse outfit
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

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AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, nurse outfit, white nurse dress, short-sleeved white uniform dress with a crossed V-neck collar, pale pink trim on the collar and cuffs, white apron, chest pocket holding a pen, white nurse cap, white stockings, white shoes, green hair, short hair with a small ponytail at the nape, yellow eyes, round glasses, from below, close-up, dutch angle, leaning forward, looking down at viewer, one eye closed, smug, half-closed eyes, head tilt, arms crossed at chest, clipboard tucked under one arm, stethoscope around neck, bare earlobes, hair completely unadorned, clinical white corridor, cold fluorescent light The camera sits low and canted a few degrees off level, looking up close at one young woman who leans far forward over the lens, her shoulders rolled in and her head tipped down so the viewer reads her face from beneath her chin. She is the only figure in the frame: a white nurse dress with a crossed V-neck collar edged in pale pink, short sleeves cuffed in the same pink, a white apron tied over the skirt, a pen clipped into the chest pocket, a small white nurse cap pinned square on the crown of her head, white stockings and white shoes below. Her green hair is cut short and gathered into a small ponytail at the nape, the loose front strands swinging forward past her cheek as she leans; a stethoscope hangs around her neck and a slim clipboard is clamped under her left arm, pressed flat against her ribs. Both ears are bare and the hair carries no ornament at all. Her weight rides on her right leg with the left knee bent forward, and both forearms fold across her chest, the right hand gripping the left elbow; the clipboard's lower edge digs into the apron at her waist. Round glasses slide a little down the bridge of her nose. Her right eye is squeezed shut and her left lid is lowered to a half-mast look aimed straight down into the lens, one corner of her mouth pulled up in a lopsided smirk โ€” the expression of someone who has caught the viewer staring and intends to enjoy it. The set is a clinical white hospital corridor seen from below: glossy pale vinyl floor, a pale green wainscot running away in hard perspective, a distant door frame at the vanishing point, no other people. Cold-white fluorescent tubes in the ceiling are the only light source; they rim the top of her cap and hair with a thin glare, flatten her face into even, slightly greenish white, and throw her shadow forward and to the right across the floor where it stretches long and foreshortened by the low lens. The palette is confined to her green hair, the pink trim, and the white of uniform, walls and floor, with her yellow eyes as the single warm note. In the polish of the floor her reflection lies beneath her feet, softer and darker than she is, broken by the toe of her shoe. Bright, teasing, quietly clinical.
James Ricks
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, nurse outfit, white nurse dress, short-sleeved white uniform dress with a crossed V-neck collar, pale pink trim on the collar and cuffs, white apron, chest pocket holding a pen, white nurse cap, white stockings, white shoes, green hair, short hair with a small ponytail at the nape, yellow eyes, round glasses, from below, close-up, dutch angle, leaning forward, looking down at viewer, one eye closed, smug, half-closed eyes, head tilt, arms crossed at chest, clipboard tucked under one arm, stethoscope around neck, bare earlobes, hair completely unadorned, clinical white corridor, cold fluorescent light The camera sits low and canted a few degrees off level, looking up close at one young woman who leans far forward over the lens, her shoulders rolled in and her head tipped down so the viewer reads her face from beneath her chin. She is the only figure in the frame: a white nurse dress with a crossed V-neck collar edged in pale pink, short sleeves cuffed in the same pink, a white apron tied over the skirt, a pen clipped into the chest pocket, a small white nurse cap pinned square on the crown of her head, white stockings and white shoes below. Her green hair is cut short and gathered into a small ponytail at the nape, the loose front strands swinging forward past her cheek as she leans; a stethoscope hangs around her neck and a slim clipboard is clamped under her left arm, pressed flat against her ribs. Both ears are bare and the hair carries no ornament at all. Her weight rides on her right leg with the left knee bent forward, and both forearms fold across her chest, the right hand gripping the left elbow; the clipboard's lower edge digs into the apron at her waist. Round glasses slide a little down the bridge of her nose. Her right eye is squeezed shut and her left lid is lowered to a half-mast look aimed straight down into the lens, one corner of her mouth pulled up in a lopsided smirk โ€” the expression of someone who has caught the viewer staring and intends to enjoy it. The set is a clinical white hospital corridor seen from below: glossy pale vinyl floor, a pale green wainscot running away in hard perspective, a distant door frame at the vanishing point, no other people. Cold-white fluorescent tubes in the ceiling are the only light source; they rim the top of her cap and hair with a thin glare, flatten her face into even, slightly greenish white, and throw her shadow forward and to the right across the floor where it stretches long and foreshortened by the low lens. The palette is confined to her green hair, the pink trim, and the white of uniform, walls and floor, with her yellow eyes as the single warm note. In the polish of the floor her reflection lies beneath her feet, softer and darker than she is, broken by the toe of her shoe. Bright, teasing, quietly clinical.
James Ricks
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, nurse outfit, white nurse dress, short-sleeved white uniform dress with a crossed V-neck collar, pale pink trim on the collar and cuffs, white apron, chest pocket holding a pen, white nurse cap, white stockings, white shoes, green hair, short hair with a small ponytail at the nape, yellow eyes, round glasses, from below, close-up, dutch angle, leaning forward, looking down at viewer, one eye closed, smug, half-closed eyes, head tilt, arms crossed at chest, clipboard tucked under one arm, stethoscope around neck, bare earlobes, hair completely unadorned, clinical white corridor, cold fluorescent light The camera sits low and canted a few degrees off level, looking up close at one young woman who leans far forward over the lens, her shoulders rolled in and her head tipped down so the viewer reads her face from beneath her chin. She is the only figure in the frame: a white nurse dress with a crossed V-neck collar edged in pale pink, short sleeves cuffed in the same pink, a white apron tied over the skirt, a pen clipped into the chest pocket, a small white nurse cap pinned square on the crown of her head, white stockings and white shoes below. Her green hair is cut short and gathered into a small ponytail at the nape, the loose front strands swinging forward past her cheek as she leans; a stethoscope hangs around her neck and a slim clipboard is clamped under her left arm, pressed flat against her ribs. Both ears are bare and the hair carries no ornament at all. Her weight rides on her right leg with the left knee bent forward, and both forearms fold across her chest, the right hand gripping the left elbow; the clipboard's lower edge digs into the apron at her waist. Round glasses slide a little down the bridge of her nose. Her right eye is squeezed shut and her left lid is lowered to a half-mast look aimed straight down into the lens, one corner of her mouth pulled up in a lopsided smirk โ€” the expression of someone who has caught the viewer staring and intends to enjoy it. The set is a clinical white hospital corridor seen from below: glossy pale vinyl floor, a pale green wainscot running away in hard perspective, a distant door frame at the vanishing point, no other people. Cold-white fluorescent tubes in the ceiling are the only light source; they rim the top of her cap and hair with a thin glare, flatten her face into even, slightly greenish white, and throw her shadow forward and to the right across the floor where it stretches long and foreshortened by the low lens. The palette is confined to her green hair, the pink trim, and the white of uniform, walls and floor, with her yellow eyes as the single warm note. In the polish of the floor her reflection lies beneath her feet, softer and darker than she is, broken by the toe of her shoe. Bright, teasing, quietly clinical.
James Ricks
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, zen'in maki, green hair, short hair tied in a ponytail, yellow eyes, glasses, short nurse outfit, nurse cap, white apron dress, short hemline, short sleeves, pink trim, leggings, opaque black leggings, standing, weight on one leg, leaning forward, one hand on an IV drip stand, head tilt, half-closed eyes, sideways glance, looking at object, from below, cowboy shot, hospital corridor, night, cool fluorescent light, linoleum floor, wheeled IV stand, patient chart clipboard, empty corridor receding to a vanishing point, bare earlobes, no jewelry, hair completely unadorned From a low angle in a dim hospital corridor at night, a single young woman stands close to the camera and leans her weight forward onto one leg, her right hip cocked and her right hand curled around the chrome pole of a wheeled IV stand that rises past her shoulder; her left arm hangs loose, knuckles resting against her outer thigh so the fabric of the leggings draws taut over the knee. She wears a short nurse outfit: a crisp white apron-dress with a square neckline, short puffed sleeves, a small pink cross at the chest, and a hem that stops high on the thigh, cinched at the waist; beneath the hem, opaque black leggings sheathe her legs from waist to ankle without a break, matte against the sheen of the apron. A small white nurse cap sits tilted on the crown of her head, and her green hair is pulled back into a short spiky ponytail, loose strands falling across her brow; thin-rimmed glasses catch a sliver of light along the bridge of her nose. Her head is tilted a few degrees to one side, lashes lowered over yellow eyes as she glances down and to the side at the clipboard chart she is not quite reading, the corner of her mouth pulled into a small lopsided smirk so one cheek rounds. Behind her the corridor runs deep: pale green walls, a handrail catching a broken line of highlights, doors closed and identical, the floor's linoleum reflecting the ceiling tubes as soft elongated smears darker and less sharp than their sources. The overhead fluorescent tubes are the only light; they strike the top of her cap, her shoulders, and the crown of the IV bag, while her face and the undersides of the apron fall into a cool blue-grey shadow, and beyond the last lit doorway the corridor's end goes fully dark. Palette is restricted to white, black, pale hospital green and cool fluorescent grey, with the single pink cross as the only warm note. A trailing IV line hangs from the bag and swings slightly, its tubing the only moving thing in the still corridor. Quiet, wry.
James Ricks

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