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AI artwork featuring #Lycoris Recoil, #Nishikigi Chisato and #Inoue Takina
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Nishikigi Chisato, Inoue Takina

#Lycoris Recoil#Nishikigi Chisato#Inoue Takina
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ヤマダ太郎

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character: nishikigi_chisato, inoue_takina 2girls, nishikigi chisato, inoue takina, blonde short hair, red eyes, blue hair ribbon, pink blouse, long hair, black hair, purple eyes, navy dress, white shirt, standing side by side, imitating, arms at sides, palms together, swaying, grin, puffed cheeks, arms folded, sidelong glance, raised eyebrow, light smile, looking at fish, aquarium, large tank, glass wall, white sand, garden eels, spotted eels, many eels, dark hall, blue light, bokeh, medium full shot, cowboy shot, from side, looking at viewer off-frame, playful, comedic, clean lineart, official anime style, blue palette A medium full shot seen from a three-quarter side angle, camera at the two girls' chest height and slightly to their right, so the curved glass of the tank runs as a broad bright band across the left two thirds of the frame and the dark hall falls away behind their shoulders on the right. Nishikigi Chisato stands nearest the glass, turned almost in profile toward it, her short blonde hair swinging at the nape, the blue hair ribbon knotted at the back of her head with its tails flipping out behind her as she moves. Both her arms are pinned tight against her sides, elbows clamped to her ribs, and her palms are pressed flat together in front of her waist like a pair of fins, fingertips aligned. Her torso is caught mid-sway to the left, weight rolled onto her left foot so her right heel lifts slightly off the floor and her hip cocks out; her pink blouse pulls taut across her right shoulder and gathers in a soft fold at her waist on the compressed side. Her chin is lifted, a huge playful grin splits her face with teeth showing, both cheeks puffed out round, and her red eyes are wide and fixed on the swaying eels beyond the glass. Inoue Takina stands just behind and to Chisato's right, shoulder almost brushing Chisato's, feet planted square and hip-width apart in a small stable stance. Her long black hair falls straight down her back and over one shoulder, and she wears the navy dress over a white shirt, the white collar and cuffs showing cleanly at her throat and wrists, the dress skirt hanging to her knees. Her arms are folded high across her chest, each hand tucked under the opposite upper arm, fingers curled against the sleeve. Her head is turned toward Chisato in a flat sidelong glance, eyelids level and unimpressed, one eyebrow slightly raised above the other, the corner of her mouth pulled into a tiny sighing smile. Her purple eyes angle toward Chisato, then drift past her and settle back on the real garden eels in the tank, so the glance travels sideways rather than meeting the viewer. Through the glass, a floor of pale white sand recedes into blue depth, and dozens of slender spotted garden eels rise from small dark holes, each body a thin swaying column, pale with dark speckles, all bending in the same slow current. One eel in the mid-ground leans dramatically far over to the side in a deep C-curve, its whole length tipped at the same angle as Chisato's sway, mirroring her pose. The tank is the only strong light source: cool blue light pours out through the glass and strikes the fronts of both girls, brightening Chisato's blouse and the white of Takina's collar while their backs and the far sides of their faces fall into shadow, and a soft blue rim traces the curve of the glass. Beyond them the exhibition hall is dark, with other tanks glowing dimly in the background as out-of-focus with rippling blue bokeh circles, and the wall behind them sinks to near black. Everything is drawn in clean, crisp lineart with flat cel shading and precise highlights on the glass. Cool blue dominates, with the sand a bleached lavender-white under it, and the pale pink of the blouse and the small hot blue of the hair ribbon the only warm and saturated accents among the two figures. Chisato's swaying ribbon tails trail a half beat behind her direction of motion. Playful and heartwarming.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.83k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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AI artwork
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character: inoue_takina, nishikigi_chisato wide cinematic shot, 2 girls, from behind, three-quarter angle from behind, walking away, walking side by side, mid-distance, aquarium, giant curved aquarium windows, glass tanks on both sides, blue lighting, dusk, school of fish, silver fish, glittering column of fish, left side, shallows tank, white sand, warm light, spotted garden eels, burrow, swaying, nearest tank, jellyfish, violet light, bioluminescence, pink blouse, blue hair ribbon, hands behind back, leaning to the side, leaning toward window, navy dress, white shirt, hands at sides, relaxed hands, silhouette, rim lighting, blue rim light, reflective floor, dark floor, wet floor reflections, other visitors, blurred background, crowd silhouette, dust motes, bubbles, light shafts, god rays, blonde hair, short hair, red eyes, long hair, black hair, purple eyes, official anime style, detailed background, blue-violet color grading, wide composition, serene, dreamy The camera sits low and behind the two of them at a three-quarter angle, wide and slightly off-axis so that the corridor of tanks recedes in a long vanishing line to the upper right of frame; the nearest tank's violet jellyfish glow occupies the left foreground edge and throws its cold light across the wet floor. Seen from behind at three-quarter, Chisato walks on the right of the pair, short blonde hair catching a violet edge, her blue hair ribbon tied at the back of her head with its tails lifting a little with her stride; she is turned partway toward the left-hand window and leaning that way as she walks, shoulders tilted off her line of travel, both hands laced together behind her back, one thumb hooked over the other. Takina walks close at her left, almost shoulder to shoulder, her long black hair falling down the back of her navy dress where it passes over the white shirt collar and long sleeves showing at the wrists; both her arms hang relaxed at her sides, hands loose and open, fingers barely curled, her head level and slightly forward, her stride a half-beat behind Chisato's so their silhouettes overlap at the shoulders. Their bodies are dark against the tanks, everything edged by the blue glow of the glass behind them — a cool rim along Chisato's forearm and the ribbon, a colder edging down Takina's hair and the navy hem. On the left, a tall curved window bows out toward the walkway and a school of silver fish crosses it in a dense glittering column, thousands of small bodies catching the tank light so the whole mass flickers and shifts, scattering small shadows on the sand below. On the right, a warm-lit shallows tank with pale white sand glows amber through its glass, and the spotted garden eels rise from their burrows in the sand in a loose field of thin swaying bodies, each one bent slightly toward the current, their spots reading as fine dark flecks. The nearest tank at the left foreground edge holds the jellyfish, drifting in violet light, their bells pulsing slowly and their tentacles trailing behind them. The floor is polished dark stone, still wet in patches, and it doubles every light source — the fish column smeared into a long silver streak, the warm shallows tank stretched into a soft amber wash, the jellyfish tank a deep violet pool right at the base of the frame; the two girls' reflections hang beneath their feet, darker and slightly blurred. Light comes only from the tanks and from a few ceiling shafts cutting down through the hall, warm-white where they pass and cold blue where they miss; in those shafts the drifting dust and tiny bubbles are visible as bright motes. Beyond the two of them, other visitors stand at the glass far down the corridor as soft blurred silhouettes, out of focus, their reflections broken by the wet floor. The whole hall is graded in nostalgic blue-violet, deep indigo shadows with a warm amber island on the right, no other saturated colour admitted; the girls' pink and navy stay muted inside that grading. Their postures soften toward each other as they walk — Chisato's lean, Takina's steady close step — and the corridor opens away from the viewer into the far lit glass. Dreamy, serene.
ヤマダ太郎
AI artwork
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character: inoue_takina, nishikigi_chisato 2girls, nishikigi chisato, inoue takina, crouching, side by side, leaning forward, hands on knees, eye-level, medium shot, through glass, aquarium, garden eel tank, wide shallow pool, white coral sand, pale blue water, dozens of spotted garden eels, eels emerging from burrows, slender pale eel bodies, small dark spots, swaying, seagrass-like sway, eels curving toward girls, light pink short-sleeve blouse, short sleeves, blue hair ribbon, blonde short hair, red eyes, open mouth, delighted grin, excited, eyes shining, inoue takina, navy sleeveless dress, white long-sleeve shirt underneath, long black hair, purple eyes, perfect posture, calm expression, unreadable expression, looking at eel, quietly fascinated, dark exhibition hall, blurred background, other visitors, soft blur, tank glow, cool blue lighting, warm accents on faces, official anime style, clean lineart, cozy, serene, looking at another's object, An eye-level medium shot looks through the glass of the garden eel tank: the two girls crouch side by side in the foreground, the shallow pool running behind and between them, the dark exhibition hall behind the viewer's shoulder reflected faintly as a soft sheen across the tank front. Chisato sits on the left. She has short blonde hair, a blue hair ribbon knotted at one side, and red eyes; she wears a light pink short-sleeve blouse, bare forearms, and a casual skirt below the crop. She is caught mid-lean, weight tipped forward off her heels onto the balls of her feet, both hands pressed flat on her knees, elbows locked, spine angled toward the glass, chin lifted so the eels fill her vision. Her eyes are wide and shining, catching two small tank-glow highlights, and her mouth is open in a delighted grin, teeth showing, a short laugh held in the frame. Her ribbon and the loose front of her blouse hang slightly forward with the lean. Takina crouches at Chisato's right, a hand's width away. She has long black hair falling behind her back and over one shoulder, purple eyes, and wears a white long-sleeve shirt under a navy sleeveless dress, the dress straps over the shoulders, the white sleeves covering her arms to the wrist. Her posture is precise: back straight, hips balanced over both heels, knees together, both hands resting quiet and still on top of her thighs, fingers loosely curled. Her eyes are fixed on one particular garden eel at the front of the pool, tracking it; her expression is calm and unreadable, lips closed, brow level, a single blink's stillness. Her gaze cuts down and slightly to her left toward the one eel, and Chisato's gaze sweeps the whole pool, so the two lines of sight cross the tank at different points. The tank spreads wide and shallow behind the glass: a white coral-sand floor under pale blue water, dozens of spotted garden eels poking straight up out of their burrows in loose colonies, slender pale bodies marked with small dark spots, all swaying gently in the same current like seagrass. Near the front, a few eels bend out of the vertical and curve toward the girls, heads tilting toward the two faces at the glass. One eel directly before Takina holds her attention. Refracted light through the water throws a soft caustic shimmer onto the sand and up onto the undersides of the girls' faces. The tank glow is the only real light source: cool blue from the water washing over them, with a warm accent on their cheeks and the planes of their faces where the exhibit lamps graze through the glass. Beyond it the hall falls into dark blue-gray, and other visitors stand in soft blur behind and beside them, no faces resolved, only silhouettes and the dim shapes of coats. Fine reflections and a faint hand-smudge sit on the glass in front of the girls, and the eels' shadows fall short and soft on the sand directly beneath each body. The palette is a cool blue-gray dark hall, white sand, pale blue water and pale eel bodies, with two warm islands of light on the girls' faces and the pink of Chisato's blouse as the warmest note in the frame. Clean lineart, flat cel-shaded planes, crisp highlights in the eyes and on the glass, official-anime polish, cozy and serene.
ヤマダ太郎

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