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AI artwork featuring #Fate series, #Fate/Grand Order, #Olga Marie Animusphere and #PixAI Halloween 2026
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Olga Marie Animusphere, Fate series

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn
#Fate series#Fate/Grand Order#Olga Marie Animusphere
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鷹の目

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character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon 1girl, solo, olga_marie_animusphere, long white hair, very long hair, braid, hair between eyes, hair ribbon, orange eyes, yellow eyes, single horn, black gloves, white double-breasted long coat, black fur trim, fur-trimmed collar, fur cuffs, red ascot tie, dark skirt, tall boots, sitting, upper body, at desk, signing documents, holding pen, hand on own temple, pinching bridge of nose, exasperated, sighing, haughty expression, tired eyes, half-closed eyes, mountain of paperwork, stacks of documents, dark wood office, warm lamp light, indoor, from side, dutch angle, looking down at papers, flat cel coloring, crisp lineart, delicate linework A slight low three-quarter view from her left, tilted a few degrees off level, frames her upper body behind the vast sweep of the director's desk; she is seated, weight sunk into the chair back on her right hip, shoulders collapsed a little forward, spine still refusing to bend all the way. Her long white hair spills over the black fur collar and down past the frame edge, the braid falling forward across her chest; one loose strand sticks to her cheek. With her right black-gloved hand she holds a fountain pen pressed to the top sheet of a document, nib down, a fresh line of ink half drawn; her left black-gloved hand is lifted, two fingers pressing hard into her right temple, the elbow propped and the hand's shadow falling across her brow. Her head tips back a fraction, chin lifted in reflex haughtiness, while her yellow-orange eyes slide down and to the side toward the paper rather than the viewer, eyelids heavy; her lips are parted on a long exhaled sigh, one brow pulled up, the other knotted, a faint crease between them. The white double-breasted coat closes across her chest in two crisp button rows, fur trim thick and dark at collar and cuffs, the red ascot tie sitting at her throat as the single hot note of colour against the white; the dark skirt and the tops of the tall boots disappear below the desk edge, which cuts the frame just above them. The desk surface fills the lower third in dark polished wood, crowded with a leaning mountain of documents: uneven stacks of cream paper in conflicting heights, some sheets slid askew and overhanging the pile, one folder bursting, a pen cup and a small tray of seals pushed to the far corner. Behind her the office recedes into deep brown shadow — panelled walls, a bookcase darkened out of detail, and, centred on the wall directly behind her shoulders, the Chaldea emblem mounted flat as a wide circular plaque, its rim catching the lamp. The desk lamp stands low at the frame's right edge, its shade angled at her face: it is the only light source, a warm amber pool that climbs the left side of her cheek, glints along the pen barrel and the rim of the emblem, and leaves the far wall and the room's corners in near-black. Where the lamp grazes the fur trim, individual fibres pick up a soft halo; the paper's top sheet glows brightest of all, and the shadow of her raised hand lies sharp across her forehead. Palette held to warm amber light, cold white coat, deep brown-black wood, black fur, and the red ascot as the one saturated accent, everything in flat cel colour with crisp, delicate linework and clean shadow shapes, quiet overworked exhaustion.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.05k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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Avatar image of 鷹の目
character: olga_marie_animusphere, artist: takeuchi_takashi, copyright: type-moon 1girl, solo, olga_marie_animusphere, long_hair, white_hair, braid, very_long_hair, hair_between_eyes, single_horn, orange_eyes, white_coat, black_fur_trim, red_ascot, black_gloves, high-backed_director's_chair, sitting, legs_crossed, holding_cup, coffee_cup, smug, smirk, raised_eyebrow, one_eye_slightly_closed, cowboy_shot, from_below, looking_at_viewer, office, dusk, window, sunset_light_behind, rim_light, backlighting, flat_cel_coloring, delicate_lineart, bishoujo_style, warm_palette, A low-angle cowboy shot framed from slightly below eye level, looking up at the director seated in her high-backed chair, cropped at mid-thigh so the crossed legs read as a clean elegant knot into the frame's lower third. She occupies the center-right of the frame; the office opens to the left and behind her. She sits with her back against the chair's tall padded backrest, right hip carrying her weight, torso angled a few degrees away from the lens while her shoulders counter-rotate square to the camera. Her right leg crosses over her left at the knee, calf swinging back under the seat; the left foot plants flat out of sight. Black-gloved hands lift a white ceramic coffee cup, its rim held just below her lips at chest height. The right hand wraps the handle, index finger through the loop; the left hand braces the cup's base from beneath. Steam rises in a thin curling line that crosses the lower edge of her jaw — the air in the room is still, and the steam drifts only slightly towards the window. Her face is tilted a fraction down and back, chin lifting to catch the light: a smug, satisfied smirk with the left corner drawn high, upper teeth just hidden, one eyebrow arched steeply above the right eye while the left stays level. Her orange eyes look directly at the viewer, half-lidded, flat and confident, as though checking that her plan has finally clicked into place. Behind her, the wide window fills the upper background: the sun has just dropped below the horizon, and the sky grades from deep indigo at the top edge down through a band of orange and burnt-coral into a hot gold seam along the sill. The sunset light is the room's only key; it comes from behind and to her left, so her face rests in warm reflected fill from the pale office wall behind the lens, and a thin hot rim traces the top of her head. Her white hair — a long braid falling over her right shoulder, the loose front strands framing her face — catches the sunset directly, the rim light glinting along every strand and picking out the single curved horn. The white coat's fur trim glows where the backlight rakes across it; the coat's shoulder and sleeve are drawn in soft warm shadow, the red ascot saturated only where a sliver of sunset catches its fold. The chair's dark upholstery silhouettes against the window. Her cast shadow stretches long and low towards the camera on the dark floor. Everything beneath the window is rendered in deep amber-brown shadow — a pale wood desk edge with a stack of papers in the lower-left corner, shelf silhouettes along the wall, the window mullions dividing the glowing square into three vertical panes. A faint atmospheric haze hangs in the office air, diffusing the sunset into a soft glow that makes the window bloom behind her while keeping the contrast high on her face and hands. A single dust mote catches the light as it drifts across the window's bright rectangle. The palette is driven by the user's scheme and the sunset: white and black on the figure, a saturated red ascot glowing near the throat, and the orange-indigo sunset behind. The rendering is flat cel coloring with crisp, delicate linework, bishoujo proportions, fine strand detail in the hair, and two-tone shadow blocks rather than gradients on the coat and face. Color is placed, not sprayed: white in the coat and hair highlights, black in the fur trim and gloves, red in the ascot, and indigo-to-orange in the sky behind, with nothing else competing. Cozy and confidently satisfied.
鷹の目

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