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AI art "Gobbo" featuring #Female goblin and #Goblin Never Die

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Gobbo

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Gobtober Ain’t Over!#Goblin Never Die

#Female goblin

Published on Oct 31, 2026

GGFF

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1girl, solo, full body, standing, looking at viewer, neutral expression, goblin girl, ((green skin)), ((smooth shiny green skin)), shiny skin, short stature, 120cm, tiny body, five heads tall, child-sized frame, long messy red hair, twin braids, bangs, big ahoge, large pointed ears, elf ears, red eyes, yellow pupils, glasses, ((extremely huge breasts)), dark blue sailor school uniform, long sleeves, red neckerchief, pleated skirt, black knee-high socks, black shoes, holding bag, black school bag, outdoors, modern glass building, from below, dutch angle, cowboy shot turned full-body, feet apart, weight on one leg, A short, child-proportioned figure stands full-body on a sunlit paved walkway outdoors, seen from a low upward camera tilted a few degrees into a slight dutch angle so the modern glass curtain-wall building rears up behind her and its mirror panes lean diagonally across the frame. She is five heads tall and 120 centimetres, her whole body small against the building's repeating vertical mullions: a level chin, a calm mouth closed at neutral, no smile, and her red eyes with bright yellow pupils fixed straight down the lens through round wire glasses that catch two small white highlights from the sky. Above her glasses the red bangs are cut bluntly across her brow and one large ahoge springs up and back from her crown, hooked to one side; the long messy red hair leaves her part in two thick braids, each bound at breast height and again near the tip, the loose strands and end tufts lifting a little to the right of frame where the air moves past the glass. Both of her large pointed ears splay out horizontally past the braids, their inner folds faintly darker green. Her ((smooth shiny green skin)) sheen holds a hard specular streak along the forehead, the bridge of the nose, the ear ridges and the tops of the shoulders, and one small lens-shaped reflection of the glass wall rides visibly on her bare neck and cheek. She wears a dark navy sailor school uniform with long sleeves buttoned at the wrist and a broad square collar hanging down her back, a knotted red neckerchief at her throat with the knot sitting just below the collar's point, a knife-pleated skirt that flares minimally around her hips, and black knee-high socks drawn up under the skirt hem with a slim band of green thigh showing between stocking top and hem. Her black leather shoes sit flat on the pavement, her weight mostly on the right foot with the left knee slightly soft and the left heel barely eased off the ground, wobbling the smallest angle in the ankles. Her left hand hangs low and grips the two arched handles of a black school bag that hangs heavily beside her left calf, its base low toward the ground and the weight pulling her left shoulder a fraction lower than the right; her right arm is at rest, fingers curled loosely, and her head is level and square to the camera. The bag's darkened underside and the small compressed shadow of both shoes on the pavement anchor her to the ground. Behind her the glass facade holds eleven storeys of blue-green panes, tough reflective splicing of cloud and city into long distorted strips, dark smoked mullions, and a pale concrete plaza edge running behind her knees; the reflection in the glass subtly bends around her silhouette where she stands in front of it. The light is a single high, cool afternoon sun from the upper right, behind and beyond the glass, giving bright silver highlights on her forehead, the collar corner, the bag handles and the shoe leather, a short hard cast shadow dropping to the left over the pavement, and the darkest values in the braid shadows, the sock tops and the left half of her face turned faintly toward the cool bounce of the glass. Neon accents punch the cel palette: electric cyan and lime in the glass reflections, hot magenta along the edges of the braids, orange highlight rims on skin, deep navy-black in the uniform, so the green of her skin reads as the stranger note against the cool blue world. Bold thick black outlines in a high-contrast pop-graphic register, halftone dot fields rising in the glass panes and the pavement texture, and sparse graffiti-style angular marks scrawled on the lower panes; her oversized chest pushes the sailor collar's front bib forward and draws the cloth taut across the marked silhouette, eclipsing a strip of the glass panes behind her. Sharp focus on her face and hands, soft dot-screen falloff in the building; composed, faintly imposing.

Gobbo

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