Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #Pokémon, #Hatsune Miku and #Vocaloid
Generate for Free

Hatsune Miku, Pokémon

#Pokémon#Hatsune Miku#Vocaloid
More to See

Comments

character: wada_don, power_pro-kun, hatsune_miku, copyright: power_pro-kun, genshin_impact 5girls and boys, multiple boys, multiple girls, group shot, genshin impact male protagonist, genshin impact female protagonist, hatsune miku, wada don, pawapuro-kun, liminal space, empty indoor swimming pool at night, wide shot, from above, high angle, cowboy shot, standing in a loose row, uneven spacing, long empty tiled hall, drained pool basin, pale fluorescent ceiling panels, pool ladder, lane rope spool, distorted perspective, fluorescent hum, backrooms, no exit sign, no windows, ankle-length empty corridor, one character crouching at pool edge, one character on tiptoe, one character leaning over the rail, one character sitting on the pool rim, one character turning to look back, looking at another, looking down into pool, aqua twintails, very long aqua hair, hair between eyes, aqua eyes, detached black sleeves, grey pleated skirt, blue necktie, sleeveless shirt, bare shoulders, long coat, dark trousers, brown hair, multicolored streaked hair, colored bangs, black hoodie, animal ear hood, print shirt, blue and white baseball uniform, short black hair, baseball cap, brown hair, short twintails, blank white field, endless grid, cheerful, quietly wrong The view is from above and behind, the camera perched high in the corner of a drained indoor swimming pool hall so that the tiled basin opens away from the lens and five small figures stand scattered across the deep-end lip and the empty deck. A long corridor of pale square tiles runs off to the right and loses itself in a doorway that shows only more corridor; the ceiling is a grid of fluorescent panels, one of them stuttering, and their cold white reflection slides across the dry pool floor below where faint lane markings have been scrubbed almost away. The pool ladder's steel rails come up out of the basin in the midground, and a spool of lane rope sits forgotten on the deck. In the left foreground, a young man in a long dark coat with pale trim stands at the pool edge with his back partly to the camera, one boot on the rim, leaning forward to peer down into the empty basin, his long coat hanging straight down; his head is turned just enough that a sliver of profile shows. Beside him a young woman with long pale-gold hair, a white and gold dress and long gloves, crouches at the rim on the balls of her feet, one gloved hand flat against the tile for balance, the other arm resting on her knee, and she looks down into the pool, her hair spilling forward over her shoulder. In the centre of the frame a girl with very long aqua twintails and a blue necktie stands at the far lip of the basin, turned three-quarters away, one arm raised as she points down the corridor, her detached black sleeves riding up and her skirt hanging still: she is looking back over her shoulder at the others. To the right, on the dry deck, a taiko drummer in a black hoodie with an animal-ear hood and a printed shirt stands balanced on one leg with the other foot lifted, arms out as though mid-step over a lane marking, and a small grin shows under the hood. Nearest the right edge, a youth in a blue-and-white baseball uniform and cap has one hand on the steel ladder rail and is caught mid-turn, half his body swung toward the others, eyes fixed on the pointing girl. Fluorescent light falls only from the ceiling grid, so every shadow drops straight down beneath the feet and pools in the basin; the corridor on the right is a shade dimmer and its far doorway the brightest thing in the frame. Everything is the same sickly off-white, pale mint and steel grey, with the figures' own colours the only saturation admitted. No dust moves; the air reads as vacuum-still and hums. Quietly wrong, and completely calm.
Show Parameters
Original Prompt
原神の男主人公と女主人公と初音ミクと和田ドンとパワプロくんがいる。 リミナルスペースにいる
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt Helper

Model & LoRA used

Similar Images

Show more
AI artwork
Avatar image of 三又ルベ
character: wada_don, power_pro-kun, hatsune_miku, copyright: power_pro-kun, genshin_impact 5girls and boys, multiple boys, multiple girls, group shot, genshin impact male protagonist, genshin impact female protagonist, hatsune miku, wada don, pawapuro-kun, liminal space, empty indoor swimming pool at night, wide shot, from above, high angle, cowboy shot, standing in a loose row, uneven spacing, long empty tiled hall, drained pool basin, pale fluorescent ceiling panels, pool ladder, lane rope spool, distorted perspective, fluorescent hum, backrooms, no exit sign, no windows, ankle-length empty corridor, one character crouching at pool edge, one character on tiptoe, one character leaning over the rail, one character sitting on the pool rim, one character turning to look back, looking at another, looking down into pool, aqua twintails, very long aqua hair, hair between eyes, aqua eyes, detached black sleeves, grey pleated skirt, blue necktie, sleeveless shirt, bare shoulders, long coat, dark trousers, brown hair, multicolored streaked hair, colored bangs, black hoodie, animal ear hood, print shirt, blue and white baseball uniform, short black hair, baseball cap, brown hair, short twintails, blank white field, endless grid, cheerful, quietly wrong The view is from above and behind, the camera perched high in the corner of a drained indoor swimming pool hall so that the tiled basin opens away from the lens and five small figures stand scattered across the deep-end lip and the empty deck. A long corridor of pale square tiles runs off to the right and loses itself in a doorway that shows only more corridor; the ceiling is a grid of fluorescent panels, one of them stuttering, and their cold white reflection slides across the dry pool floor below where faint lane markings have been scrubbed almost away. The pool ladder's steel rails come up out of the basin in the midground, and a spool of lane rope sits forgotten on the deck. In the left foreground, a young man in a long dark coat with pale trim stands at the pool edge with his back partly to the camera, one boot on the rim, leaning forward to peer down into the empty basin, his long coat hanging straight down; his head is turned just enough that a sliver of profile shows. Beside him a young woman with long pale-gold hair, a white and gold dress and long gloves, crouches at the rim on the balls of her feet, one gloved hand flat against the tile for balance, the other arm resting on her knee, and she looks down into the pool, her hair spilling forward over her shoulder. In the centre of the frame a girl with very long aqua twintails and a blue necktie stands at the far lip of the basin, turned three-quarters away, one arm raised as she points down the corridor, her detached black sleeves riding up and her skirt hanging still: she is looking back over her shoulder at the others. To the right, on the dry deck, a taiko drummer in a black hoodie with an animal-ear hood and a printed shirt stands balanced on one leg with the other foot lifted, arms out as though mid-step over a lane marking, and a small grin shows under the hood. Nearest the right edge, a youth in a blue-and-white baseball uniform and cap has one hand on the steel ladder rail and is caught mid-turn, half his body swung toward the others, eyes fixed on the pointing girl. Fluorescent light falls only from the ceiling grid, so every shadow drops straight down beneath the feet and pools in the basin; the corridor on the right is a shade dimmer and its far doorway the brightest thing in the frame. Everything is the same sickly off-white, pale mint and steel grey, with the figures' own colours the only saturation admitted. No dust moves; the air reads as vacuum-still and hums. Quietly wrong, and completely calm.
三又ルベ
AI artwork
Avatar image of 三又ルベ
character: wada_don, power_pro-kun, hatsune_miku, copyright: power_pro-kun, genshin_impact 5 characters, genshin impact male protagonist, genshin impact female protagonist, hatsune miku, wada don, power_pro-kun, standing on clouds, cloud sea, above the clouds, daytime sky, from below, wide shot, group shot, staggered heights, looking down at viewer, long hair, twintails, aqua hair, aqua eyes, detached sleeves, pleated skirt, necktie, blonde hair, multicolored hair, animal ear hood, black hoodie, open jacket, print shirt, baseball cap, baseball uniform, short sleeves, clouds parting, sunlit cloud tops, cast shadows on cloud surface, wind, hair blown to one side, cloth fluttering, blue sky gradient, white and cyan palette The camera looks up from beneath a sea of cloud at five figures ranged across a sunlit cloud bank, so the whole group is silhouetted against a deep blue zenith that pales toward the horizon; they are staggered in height and depth rather than lined up, and each one stands on a separate billow so no two sets of feet share a plane. At the right, a girl with very long aqua twin-tails sprouting from ornamented ties stands highest, mid-gesture with one arm flung out and the other hand splayed at her hip, pleated skirt and detached sleeves whipping to her left where the wind crosses the cloud top; her chin is tipped down toward the viewer and one eye is squeezed shut in a wink while the other stays open and bright. Forward and left of her, a black-clad man with a loosened necktie and dark hair, the male traveler, has one boot up on a risen puff of cloud, forearm braced on that knee, leaning toward the lens with a lopsided grin and eyes fixed on the viewer. Beside him the female traveler stands with her weight on her back foot and her front heel lifted, chin turned to trade a glance with him rather than the camera, one hand pressed flat at her chest and the other hanging loose. Far left, at a lower tier, a short masked figure in an open jacket over a print shirt keeps both feet planted wide, hands thrust in pockets, head cocked with a closed-mouth, unreadable tilt toward the sky. Nearest the bottom edge and closest to the lens, a small round-headed baseball boy in uniform and cap is caught mid-hop, arms flung up in a double peace sign, mouth wide in a shout of delight, his cap brim tilting off to one side. The light comes from a low sun off-frame left: every figure's left side and the left face of each cloud puff is lit warm cream, their right sides drop into cool blue shadow, and each one casts a long stretched shadow across the billowing cloud surface to the right, compressed and softened where the vapor gives under their weight. A thin wake of disturbed vapor curls up behind the hopping boy's heels; the cloud surface around each stance sags into a shallow crater. The palette is white cloud, cyan and deep azure sky, warmed by the cream key light, with the figures' own blacks, aqua and uniform navy reading as dark shapes against it. Cheerful, buoyant.
三又ルベ

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬