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Lizzie

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Lizzie

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1girl, solo, vampire, long hair, wavy hair, dark purple hair, deep red eyes, red eyes, athletic build, tall, slender but athletic, toned, character design, full body, standing, from below, dutch angle, three-quarter view, weight on one leg, hand on own hip, other arm hanging with fingers loosely curled, head tilted, chin up, looking down at viewer, confident, faint closed-lip smirk, one eyebrow slightly raised, backlit, high collar, bare shoulders, sleeveless dark bodice, black choker-free bare throat, bare ears, long fingers, pointed fingernails, moonlit, cold rim light, deep red accent, dark purple, near-black, low-key lighting, dramatic shadow, gothic atmosphere, cinematic, The view is a low, tilted three-quarter shot: the camera sits below her hip line, canted a few degrees off level, so her full height runs up through the frame and the space behind her head opens into empty cold air. She stands with her weight settled onto her left leg, right knee soft and slightly forward, right hand planted against the crest of her hip at the top of the pelvis bone with fingers spread and pressed into the fabric, left arm hanging relaxed with the fingers loosely curled and turned outward from the thigh. Her shoulders are level and easy, her neck long, her head tilted a touch and her chin lifted, so that her deep red eyes angle downward at the viewer under half-lowered lids in a look that is settled rather than challenging, one eyebrow barely raised, the corners of her mouth pulled into a faint closed-lip smirk without parting. She wears a sleeveless high-collared bodice fitted tightly to an athletic, well-proportioned frame — broad clean shoulder line, firm waist, long legs — the collar standing up against the jaw at the back and her throat completely bare with no necklace and no tie, both ears uncovered and empty. Her long, slightly wavy dark purple hair falls past her shoulder blades on both sides, one thick wave swinging forward over her right collarbone with the tilt of her head while the rest lies behind her back, catching a hard silver edge along its outer contour. Her fingernails are long and taper to fine points. Behind her, nothing is described but a hollow of darkness; the light comes from a single cold source behind and above her right shoulder, a moon-pale shaft that rim-lights the crown of her hair, the edge of her collarbone, the top of her bare shoulder and the curve of her hip, while her face and the front of her body fall into a soft violet-edged shadow in which only the red of the eyes stays saturated. The pools of shadow she casts fall forward toward the lens and are long and thin because the light is so low. The palette holds to three values and admits nothing else: the near-black and deep violet of the bodice and the darkness behind her, the dark purple of the hair, and the deep red of the eyes with a single thin red accent at the seam of the bodice. Where her hand presses into the hip, the fabric compresses into shallow radial creases around the fingers, which is the only place the cloth catches the cold light across its flat front. Quiet menace, effortlessly regal.
Show Parameters
Original Prompt
Lizbeth is 16 years old, stands 1.73 meters tall, and has an athletic, well-proportioned build. She has long, slightly wavy dark purple hair, deep red,vampire
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.62k

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Avatar image of Lizzie
1girl, solo, vampire, long hair, wavy hair, dark purple hair, deep red eyes, red eyes, athletic build, tall, slender but athletic, toned, character design, full body, standing, from below, dutch angle, three-quarter view, weight on one leg, hand on own hip, other arm hanging with fingers loosely curled, head tilted, chin up, looking down at viewer, confident, faint closed-lip smirk, one eyebrow slightly raised, backlit, high collar, bare shoulders, sleeveless dark bodice, black choker-free bare throat, bare ears, long fingers, pointed fingernails, moonlit, cold rim light, deep red accent, dark purple, near-black, low-key lighting, dramatic shadow, gothic atmosphere, cinematic, The view is a low, tilted three-quarter shot: the camera sits below her hip line, canted a few degrees off level, so her full height runs up through the frame and the space behind her head opens into empty cold air. She stands with her weight settled onto her left leg, right knee soft and slightly forward, right hand planted against the crest of her hip at the top of the pelvis bone with fingers spread and pressed into the fabric, left arm hanging relaxed with the fingers loosely curled and turned outward from the thigh. Her shoulders are level and easy, her neck long, her head tilted a touch and her chin lifted, so that her deep red eyes angle downward at the viewer under half-lowered lids in a look that is settled rather than challenging, one eyebrow barely raised, the corners of her mouth pulled into a faint closed-lip smirk without parting. She wears a sleeveless high-collared bodice fitted tightly to an athletic, well-proportioned frame — broad clean shoulder line, firm waist, long legs — the collar standing up against the jaw at the back and her throat completely bare with no necklace and no tie, both ears uncovered and empty. Her long, slightly wavy dark purple hair falls past her shoulder blades on both sides, one thick wave swinging forward over her right collarbone with the tilt of her head while the rest lies behind her back, catching a hard silver edge along its outer contour. Her fingernails are long and taper to fine points. Behind her, nothing is described but a hollow of darkness; the light comes from a single cold source behind and above her right shoulder, a moon-pale shaft that rim-lights the crown of her hair, the edge of her collarbone, the top of her bare shoulder and the curve of her hip, while her face and the front of her body fall into a soft violet-edged shadow in which only the red of the eyes stays saturated. The pools of shadow she casts fall forward toward the lens and are long and thin because the light is so low. The palette holds to three values and admits nothing else: the near-black and deep violet of the bodice and the darkness behind her, the dark purple of the hair, and the deep red of the eyes with a single thin red accent at the seam of the bodice. Where her hand presses into the hip, the fabric compresses into shallow radial creases around the fingers, which is the only place the cloth catches the cold light across its flat front. Quiet menace, effortlessly regal.
Lizzie

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