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AI art "無霧鬼丸" featuring #solo, #hoodie, #Horns, #Grey hair, #Grey eyes, #Looking at viewer, #Boy and #full body
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無霧鬼丸

オリキャラ

#solo#hoodie#Horns#Grey hair#Grey eyes#Looking at viewer#Boy#full body
a1

aokage1207

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1boy, solo, oni, gray hair, short messy gray hair, gray eyes, jitome, half-closed eyes, scornful stare, two horns, horns on head, high school boy, handsome, bishounen, languid, listless, quiet, hoodie, oversized hoodie, charcoal gray hoodie, drawstrings, short pants, navy blue shorts, sneakers, white sneakers, tall, 178cm, standing, leaning, weight on one leg, hands in hoodie pocket, head tilt, from below, cowboy shot, dutch angle, looking down, looking at viewer, looking to the side, bored, raised eyebrow, closed mouth, sidelong glance, urban alleyway, brick wall, evening light, long shadow, cool gray palette, muted tones, cinematic lighting, film grain From a low, slightly tilted angle that looks up at him -- the camera set at chest height and canted a few degrees clockwise -- a lone teenage boy stands in a narrow urban back alley, 178cm of him loosely vertical, his weight settled onto his right leg while his left hip juts out and his left toe barely brushes the ground. Both hands are buried deep in the front pocket of an oversized charcoal-gray hoodie, the fabric hanging in heavy folds past his hips; the hood lies flat and unbunched on his shoulders, and the drawstrings hang straight down over his sternum. Below the hem, navy-blue jersey shorts leave his bare shins exposed down to white canvas sneakers laced snugly, the tongues splayed. He is very good-looking in a way that reads as indifferent: a sharp, clean jaw, a straight nose, a mouth closed without effort, and two hard gray horns growing from his crown just behind the hairline, curving back and outward, their pale surface catching the light with a faint mineral sheen. His short gray hair falls in unbrushed strands over his brow. His head is tilted slightly to one side and slightly down, jitome eyes half-shuttered with the upper lids low, the gray irises fixed on the viewer with a flat, scorning patience, one brow lifted at most a couple of millimeters, the lower lid unmoved; a little of the whites shows under the left iris but not the right, so the stare is asymmetric and quiet rather than dramatic. The overhead drape of his bangs casts a soft gray shadow over his forehead, and the horns' inner curves stay in deeper shade than their tips. The alley's single light source is the late sun low at the right of frame, raking down the brick wall behind him so that the mortar courses read as horizontal ribs and the protruding bricks throw short rightward shadows; the light strikes the right side of his jaw, the outer face of the right horn, the right half of the hoodie's folds, and the white sneakers, while the left side of his body falls into cooler gray. His long shadow lays out to the left across the cracked asphalt, short of a wet patch in the foreground where the puddles reflect the sky a tone darker and softer than it actually is. Behind and above him, a fire escape's zigzag crosses the top third of the frame; a distant air-conditioner unit hums, and the only incidental signage on a back door stays too worn to read. Palette: charcoal, slate gray, cool navy, and a single warm band of amber where the sun meets the brick; everything else sits in ash and shadow. He does not move -- that is the whole point of the stillness -- and the quiet, unimpressed air hangs over the scene like low pressure, effortlessly cool.
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Original Prompt
鬼人、髪の色は灰色、瞳の色は灰色、ジト目、高校生男子、頭に二本の角がある、気だるげ、超絶イケメン、大人しい、服装はパーカーに半ズボン、靴はスニーカー、身長178cm
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.74k

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1boy, solo, stoic expression, closed mouth, unsmiling, flat level brows, gaze fixed ahead past the camera, black hoodie, oversized black cotton hoodie, hood down, drawstrings hanging loose, hands shoved deep into the hoodie's front pocket, gray cargo pants, gray heavy-canvas cargo pants, baggy legs, boxy side pockets with flaps, white shoes, clean white leather sneakers, brown hair, straight brown hair, tousled fringe over the forehead, green eyes, dull green irises, standing on one leg, weight on the right leg, left knee bent, left heel lifted, leaning back against a concrete wall, from below, close-up, cowboy shot, dutch angle, outdoors, concrete pillar, deep blue dusk sky, cold light, long cast shadow, concrete wall, alley, low angle, looking away, side profile The camera sits low and canted, tilted about twelve degrees so the vertical line of the concrete pillar behind him slants across the frame, and the shot is cropped at mid-thigh: a cowboy shot seen from below, his head small against a deep blue dusk sky at the top of the frame. The boy is seen three-quarter from his left, near profile -- enough to read the line of his jaw, the overhang of his brow, and the dull green of one eye fixed on something out of frame to the left, past the camera, not at it. His mouth is shut, level, with no curl at either corner; his brows sit flat and low; the eyelids are heavy and still. His body leans back against the pale concrete pillar so the pillar's surface carries his shoulder blade and the back of his hip, and the concrete is grainy and cold behind the black cloth. His right leg takes the load, planted straight, the white sneaker flat on wet asphalt with its laces tied and its toe scuffed only faintly; his left leg bends loosely, knee forward, left heel lifted clear of the ground, the toe of the other white shoe resting on its sole and casting a small separate shadow. Both hands are pushed into the hoodie's front pocket, the fabric pulled taut in a shallow drape from wrist to hip, the hood lying flat and empty across the back of his neck. The oversized hoodie is matte black cotton with soft folds at the elbows; the gray cargo pants are heavy canvas, boxy pockets hanging with real weight, one flap slightly lifted. His straight brown hair is mussed and pushed to one side by a light cross wind, the fringe lifting off his forehead on the left, one strand detached and sharp against the sky. The light is a single cold dusk source low from the left behind the pillar, so the rim of his cheek, the edge of the hood's shoulder and the outer line of his left arm catch a thin pale edge, while his face, the front of the hoodie and the hollow of the pocket fall into cool shadow. The pillar throws a long hard shadow that runs across the wet asphalt and loses its edge into a reflection in a shallow puddle, darker and softer than the wall it mirrors. Nothing else in the frame but the pillar, the asphalt, and the remaining dusk gradient from cold blue at the top to grey at the bottom. Quiet, unreadable.
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