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AI artwork featuring #Klee
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Klee

#Klee
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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m2
character: klee_(blossoming_starlight)_(genshin_impact), albedo_(genshin_impact), copyright: genshin_impact 2girls, klee_(blossoming_starlight)_(genshin_impact), albedo_(genshin_impact), extreme wide shot, wide shot, landscape-focused composition, eye-level view, background-focused, scenery, night, american halloween, halloween, jack-o'-lantern, carved pumpkin, pumpkin patch, suburban street, trick-or-treat decorations, string lights, oil painting, blonde hair, red eyes, long hair, low twintails, ahoge, hair between eyes, red hat, witch hat, red bow, hair bow, short sleeves, bowtie, red bowtie, gloves, black gloves, blonde hair, blue eyes, aqua eyes, medium hair, hair between eyes, braid, hood, shirt, black gloves, standing, walking, holding hands, looking at another, from side, full body, dark, warm light, moonlight An extreme wide, eye-level view of a quiet American suburban street on Halloween night, rendered as a landscape-focused oil painting in which the two small figures are only a modest fraction of the frame and the neighborhood itself carries the composition. A gently curving residential lane runs from the lower-left foreground toward a vanishing point right of center, its asphalt still wet from an evening drizzle and mirroring the orange porch lights strung along the houses; a picket-fenced lawn on the left is crowded with carved jack-o'-lanterns, their candle-glow spilling through the eye and mouth cutouts onto the grass and leaving each pumpkin's unlit back in deep shadow. Black and violet clouds break overhead enough to let a low moon raking in from the upper right silver the rooftops, the gutter lines and the crown of a bare maple, while the houses fall back into stacked silhouettes of slate blue and umber so the depth reads as receding planes rather than a flat backdrop. Sheets and pillowcase ghosts hang limply from porch rails, paper bats swing on threads over a doorway, and a long banner of triangular pennants crosses the street above, its lettering dissolving into illegible warm strokes at this distance. In the middle distance, down the center of the lane, the two walk away at a diagonal, small in the frame. The taller one in the short-sleeved collared shirt and hood, hood down on his shoulders, black gloves on both hands, his pale blonde medium hair with a braid falling behind his collar, an arm extended to hold a small gloved hand; the shorter one in the red witch hat with its red bow, low blonde twintails swinging, the ahoge catching the porch light, black gloves gripping a pumpkin-shaped bucket in her other hand, her chin tipped up as she looks at her companion, who glances down and back toward her — the only two gazes in the frame landing on each other. Their long shadows stretch forward along the wet lane, and the taller shadow is broken where it crosses the running seam of the pavement. Palette is oil-paint October: deep indigo night, burnt orange, pumpkin gold, black-violet, with the moon's cool silver rimming every upward-facing surface — the tops of the pumpkins, the shingles, the brim of the hat — while the undersides and the spaces between the houses hold absolute darkness. Visible brushwork, loaded impasto in the lit areas, scumbled edges where the light falls away, canvas tooth showing in the sky. A single jack-o'-lantern in the near foreground is out of focus, its glow the warmest accent in the corner. Atmospheric, hushed, faintly magical.
misso-2
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Avatar image of Tak
2girls, mother and daughter, witch, halloween, trick or treating, spooky graveyard, crooked headstones, holding a wicker basket, holding a pumpkin pail, pointed hat, black robe, purple silk lining, crescent moon embroidery, black dress, lace collar, purple tights. Two witches come down a gravel path between the graves, crooked slabs and bare branch silhouettes crowding the dark around them: the mother is tall in a wide-brimmed black velvet hat and a long black robe whose purple silk lining flashes at the hem, small silver crescents embroidered at her cuffs, a woven wicker basket heaped with candy riding on her forearm, her free hand settled on her daughter's shoulder. The girl walks half a step ahead in a slightly oversized pointed hat that keeps slipping sideways, a black dress with a ruffled lace collar, purple tights, both hands lifting a plastic orange pumpkin pail, chin tipped up.
Tak

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