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AI art "Girl Car Cleavage" featuring #zetaCollab
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Girl Car Cleavage

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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Madis Tuulik

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character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny lies draped across the hood of the black BMW, seen in three-quarter overhead view from above and slightly to the side, her body running diagonally across the glossy black panel. She is propped on one elbow, chest lifted, back gently arched, shoulders drawn back. Her black hair with bold purple stripes, shoulder-blade length, is loose from its ponytail enough that the tail lies across her own shoulder. She has striking sapphire-blue eyes, looking up along her own body directly into the lens with a slow, upside-down, teasing gaze, chin tipped back, lips softly parted in a smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the full weight of her bust held in the pink cotton as she lies back, hips flaring below. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the tight pink tank top, the fabric strained across her bust by the angle of her lying back, the thin straps pressing lines into her shoulders, the hem riding up to show a sliver of her midriff, and the tight pink shorts snug across her hips. Clean white sneakers, one knee bent with the sole planted flat on the glossy black paint, the other leg extended along the hood, both legs clearly separated. One hand rests on her own waist, thumb hooked into the hem of the tank top; the other hand lies flat on the black hood behind her, fingers spread through the light dust film and leaving clean streaks. Details to hold: the clean streaks her palm has pulled through the dust, the strain lines of the pink cotton across her bust, the thin straps dimpling her shoulders, the sliver of bare midriff at the hem, the sharp white of the sneakers against the glossy black paint, her purple-striped hair falling across her own shoulder, the arch of her throat, the silver ring glinting. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight hood panel, bright chrome trim, clear glass, an even film of light dust now marked where she has moved. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight spilling in from the open roller door. Warm tungsten pendant bulb overhead falling across her front and the black hood. Camera: three-quarter overhead angle looking down along her body, full-length shot, shallow depth of field with her face and hand sharp. Visual focus is the long line of her body on the black paint and her upward gaze. Subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny lies draped across the hood of the black BMW, seen in three-quarter overhead view from above and slightly to the side, her body running diagonally across the glossy black panel. She is propped on one elbow, chest lifted, back gently arched, shoulders drawn back. Her black hair with bold purple stripes, shoulder-blade length, is loose from its ponytail enough that the tail lies across her own shoulder. She has striking sapphire-blue eyes, looking up along her own body directly into the lens with a slow, upside-down, teasing gaze, chin tipped back, lips softly parted in a smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the full weight of her bust held in the pink cotton as she lies back, hips flaring below. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the tight pink tank top, the fabric strained across her bust by the angle of her lying back, the thin straps pressing lines into her shoulders, the hem riding up to show a sliver of her midriff, and the tight pink shorts snug across her hips. Clean white sneakers, one knee bent with the sole planted flat on the glossy black paint, the other leg extended along the hood, both legs clearly separated. One hand rests on her own waist, thumb hooked into the hem of the tank top; the other hand lies flat on the black hood behind her, fingers spread through the light dust film and leaving clean streaks. Details to hold: the clean streaks her palm has pulled through the dust, the strain lines of the pink cotton across her bust, the thin straps dimpling her shoulders, the sliver of bare midriff at the hem, the sharp white of the sneakers against the glossy black paint, her purple-striped hair falling across her own shoulder, the arch of her throat, the silver ring glinting. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight hood panel, bright chrome trim, clear glass, an even film of light dust now marked where she has moved. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight spilling in from the open roller door. Warm tungsten pendant bulb overhead falling across her front and the black hood. Camera: three-quarter overhead angle looking down along her body, full-length shot, shallow depth of field with her face and hand sharp. Visual focus is the long line of her body on the black paint and her upward gaze. Subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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