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たんぽぽぽ

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1boy, solo, shota, young boy, short black hair, red hair streaks, mesh highlights, red eyes, white pupils, red sclera-less iris with blank white pupil, black and red outfit, gothic lolita boy, ribbon, gears, clock, pocket watch, rabbit, animal companion, theater stage, stage curtains, proscenium, dynamic pose, mid-air, jumping, arms up, flowing hair, billowing ribbons, looking at viewer, from below, foreshortening, dutch angle, black and red palette, fairy-tale aesthetic, meruhen, high-contrast, halftone dots, graffiti marks, thick outlines, pop-graphic From a low, tilted dutch angle that makes the proscenium arch lean across the frame, the view looks up at a young boy caught in mid-leap on a theater stage. His short black hair is cut raggedly and stitched with bright red mesh streaks that flick upward from the speed of the jump; two flared locks swing before his ears and the rest lifts off his skull with the motion. His eyes are wide open, red irises with white pupils that glow like blank holes, both of them fixed straight down at the viewer as if the leap were aimed off the stage. Red stipple blushes sit on his cheeks and his mouth is open in a reckless, delighted grin with one small tooth visible. He is caught at the apex, one knee drawn high and the other leg trailing, so the black-and-red frock coat billows open around him. Black fabric with deep red trim; red knee socks and scuffed black shoes; a flaring red bow at his throat and a smaller ribbon knotted at the waist sash. His right arm is flung up and back, hand open and fingers splayed, a battered brass pocket watch dangling from its chain between his fingertips on a swinging arc so the fast motion bends the chain into a hooked curve. His left hand presses flat to a giant turning gear that rises beside the stage lip, its teeth cutting the edge of the frame, and loose smaller gears are bolted into the flats behind him and spin in his wake. He is framed by heavy velvet curtain wings in deep oxblood, their red fringe and tassels thrown outward by the gust of his passage. A white rabbit, ears and forelegs thrown forward, springs at his side in a matching arc, claws hooked into the edge of a wooden stage flat. A round white-faced clock is set into the backdrop beneath a scrolled fairy-tale arc of gears; its hands are whirled into a blur, and a scattering of gear teeth throws small cast shadows on the painted boards below. Footlights run along the stage edge as a row of warm lamps, so the boy and the rabbit are lit from below, their legs and the underside of the coat glowing while the halftone dots on the backdrop fall into shadow. Red and black seal every region: crimson in the hair streaks, ribbons, trim and the rabbit's eyes rimmed in red, near-black in the coat, curtains and shadow, with the pale stage floor the only light field. Light sprays off the footlights in dust motes around the pocket watch, and its little brass cover swings clear of the glass. Loose printed graffiti marks and bold halftone bursts of red spray across the scrim behind him, thick cartoon outlines ringing the leap and the rabbit in one clean line. Exhilarated and storybook-odd.
Show Parameters
Original Prompt
劇場、躍動感、兎、赤髪メッシュ、瞳孔が白、赤目、メルヘン、黒赤メルヘン、時計、リボン、歯車、ショタ
Mode
pro
Style
Neon Poster
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Style: Neon Poster
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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た
young boy, shota, solo, red hair, red mesh highlights, streaked hair, short spiky hair, red eyes, white pupils, blank white irises, ruffled black velvet waistcoat, crimson silk shirt, puffed bloomers, black and red fairy-tale costume, ribbon, hair ribbon, ribbon at collar, gears, gear ornaments, clock, pocket watch, holding clock, rabbit, white rabbit, rabbit in waistcoat, dynamic pose, mid-leap, jumping, twisting, arms up, outstretched arm, from below, dutch angle, foreshortening, theater interior, stage, proscenium arch, red velvet curtains, spotlight, black and red palette, fairy-tale atmosphere, menhen, motion blur on cloth, floating gears, ticking, open mouth, grin, looking up, looking at viewer, depth of field, high contrast The camera sits low in the orchestra pit and tilts up at a steep dutch angle, so the theater's gilded stage tilts and the proscenium arch rakes across the upper frame while the boy is airborne above the stage boards, seen from below. He is caught mid-leap in a twisting arc, one knee drawn up and the other leg trailing down behind him, arms flung wide and upward, both hands open — the left hand grips a small gold pocket watch by its chain so the chain snaps taut and the watch swings out from his fingers; the right palm is thrown up and back with the fingers splayed. His weight hangs entirely in the air, no contact with the floor, the bloomers' puffed hems riding up and the crimson silk shirt pulling taut across his ribs. A ruffled black velvet waistcoat flaps away from his chest with the lift, one tail of a long black ribbon at his collar whipping across his jaw while a second ribbon knot streams from his hair. Short spiky hair with a black base is drawn through with glossy crimson mesh streaks, and every streak is swept backward by the leap — the strands trailing in long arcs toward the lower left, cloth and ribbon following the same diagonal. His red eyes are wide, both pupils blank white discs set in deep crimson irises, highlit with a hard spark of white where the spotlight catches them; one brow lifted, mouth open in a bright reckless grin, chin tipped up. His gaze goes up past the frame edge toward the follow-spot housing above the proscenium. A small white rabbit leaps beside him in the same airborne instant, ears streaming backward, hind legs kicked out, its forepaws thrown up — the rabbit wears a tiny black velvet waistcoat with a red silk bow at its throat, and it is one heartbeat behind him, eyes fixed on the boy's face. Brass gears of every size float and tumble through the air between them, cogs meshing with nothing, teeth glinting; a scatter of smaller gears hangs near his trailing hand and one large gear, half the boy's height, turns edge-on in the foreground right, its near rim thrown out of focus by the low lens so it frames the leap and makes the depth gap visible. The chain of the swinging watch catches the spotlight as a single fine bright line. The light is one hard follow-spot from above and behind the two figures, warm and low in colour temperature, throwing their shadows down the raked stage boards toward the lens; the boy's hair-rim and the rabbit's ears glow along their upper edges while their fronts stay in a deep shadow that keeps whites from going flat. Beyond the lit boards the theater recedes into near-black, the red velvet curtains on both sides falling to dark crimson folds, the proscenium's gilt trim giving only thin shards of reflected red; the empty seats below the stage are an unlit mass, and backstage darkness is absolute so the spotlight reads as the only source. Colour discipline: deep crimson, blood-dark maroon, black and near-black hold the entire field, with one pale pink note in the flush of his skin and the rabbit's velvet ribbon catching the same pale tone in the highlight. The stage boards beneath show a scattering of loose gears that rattle where the leap's downdraft stirs them, and the curtains sway inward where he passed. Fairy-tale and theatrical, propulsive and a little feverish.
たんぽぽぽ
AI artwork
た
shota boy, 1boy, solo, rabbit, red hair streaks, hair with crimson mesh highlights, red eyes, white pupils, black and red fairy-tale outfit, ribbon, ribbons on sleeves and collar, clock, pocket watch, gears, clockwork gears, theater stage backdrop, red velvet curtains, dynamic pose, mid-leap, arms outstretched, twisting torso, from below, dutch angle, foreshortening, looking up, open mouth, grin, motion blur on cloth, floating gears, floating ribbon, fairytale aesthetic, ornate, black and red palette, crayon texture, soft color blocks, atmospheric lighting From a low dutch angle looking steeply up, the small boy is caught mid-leap across the boards of a theater stage, his whole body flung into a twisting diagonal so that his outstretched left arm and the flaring black coat point toward the upper corner of the frame while his trailing right leg kicks back into the lower foreground, foreshortened large. His torso arches back, weight carried on the bent leading knee, the other leg stretched long behind him; his chin tips up and his red eyes with bright white pupils look up past the top edge of the frame, mouth open in a delighted grin, a streak of crimson-mesh hair whipping sideways away from his cheek and one lock plastered across his brow. His right hand clutches a round black-cased pocket watch with a red-nailed face close to his chest, fingers curled over its rim; his left hand is thrown wide, fingers splayed, a long black ribbon knotted at the wrist streaming out behind the movement. His black and red fairy-tale coat is cut in scalloped, storybook panels with red-lined cuffs and a ribbon-laced collar, and around him a scatter of brass clockwork gears spins loose in the air, catching light on their teeth. Behind and above, the theater stage backdrop: heavy red velvet curtains part in a tall proscenium arch, swagged high, and a pale rabbit — small, upright, long-eared — sits on the front edge of the stage apron below him, ears lifting toward the leaping boy, its shadow thrown long across the boards. Deep crimson light floods from the wings at the left, hot and directional, rimming his hair and the ribbon edges in red while the shadowed side of his face and coat fall into near-black maroon; a second, weaker warm glow pools on the varnished floorboards under the rabbit, and beyond these the stage's recesses go dark. The palette is black and red alone, broken only by the white pupils, the white of the rabbit and the pale glow of the watch face: scarlet in the hair mesh and curtain folds, blood-dark maroon in the shadow, near-black in the boy's coat, a whisper of pale pink in the highlights of the ribbon and the rabbit's fur. Detail goes to the hands and the watch — the hinge of its case, the blurred bite of the flung ribbon, the way the gears' shadows slide across the boards — with the curtains simplified into soft blocks of red. The whole frame wears a crayon-like texture in flat soft color blocks, line-free, with visible grain pressing through the reds. Effortlessly theatrical, breathless.
たんぽぽぽ

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