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AI art "王蘭" featuring #Original, #Male and #Toned body
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王蘭

王蘭/茉莉花の淫靡な咲き方

#Original#Male#Toned body
ni

Naoco Ishihana

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1boy, solo, male, adult, 26 years old, muscular, toned physique, slightly muscular build, sturdy frame, broad shoulders, short hair, short black hair, red-brown eyes, reddish-brown eyes, taciturn, silent, expressionless, closed mouth, serious, bodyguard, protective stance, half-closed eyes, looking to the side, profile, from side, cowboy shot, arms crossed, leaning against wall, white princess, formal guard attire, dark high-collared coat, standing, dutch angle, dim interior, cold light, candlelight A sharp three-quarter-from-side view, camera tilted a few degrees into a dutch angle, catching a twenty-six-year-old man in the narrow stone corridor of a white castle, midway between the camera and a pool of far colder light down the passage. He is the frame's anchor and takes up most of the composition: a sturdy, broad-shouldered frame, slightly muscular rather than bulky, the thickness carried in the neck, the forearms and the shoulders under a dark high-collared coat with plain brass buttons and close-fit sleeves rolled to the elbow, a leather guard's belt at his waist. His hair is cut short, black, cropped close at the temples and along the nape, the crown barely long enough to lie flat, a few short strands lifted by a draught moving down the hall. His red-brown eyes sit on a face held in absolute rest: lids low and level, brows flat, lips pressed shut in a line with no suggestion of speech, jaw set, not a flicker of expression — a man who answers with his shoulders instead of his mouth. His left shoulder is turned into the corridor and rides slightly higher than the right; his weight is on the back foot, the front knee loose, hip cocked so the coat hangs off one side. Both forearms are folded across his chest, the left hand clamped over the right bicep, fingers spread and pressing in; the right hand is hidden behind the left arm. His head is turned in profile down the corridor, the nose in silhouette, and his red-brown eyes are fixed on the far end of the passage, not on the lens — a guard checking the approach before he moves. Behind him, half-eclipsed by his torso and shoulder, a smaller figure in white stands at the corridor's midpoint: a white princess, pale gown and a white hood falling over her hair, her hands folded at her front, and only her white shoulder, the edge of the hood and one hand are visible past his arm; he stands directly between her and the corridor's mouth. Below him the flagstones run toward the camera, and the cold blue-white light from a high arrow-slit strikes his left profile, temple, cheekbone and the bridge of his nose, leaving the right side of his face and the corridor behind the princess in shadow; the small warm candle behind his hip is a second, weaker source, rimming his forearm and throwing his shadow long and thin up the wall in front of him. Palette of cold slate blue and bone white with black wool and the single warm note of his red-brown eyes. Quiet, immovable watchfulness.
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Original Prompt
王蘭/おうらん 逞しい体つき、やや筋肉質 白姫のボディーガード 短髪、赤茶の瞳 無口 男性 26歳
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.70k

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1boy, solo, male, dark black hair, short black hair, gray eyes, sharp eyes, narrow eyes, black formal uniform, black military uniform, high collar, silver buttons, old silver wristwatch, watch on left wrist, cowboy shot, from side, profile, looking to the side, keen gaze, hands behind back, dutch angle A man seen from the side in a three-quarter profile against a seamless dark charcoal studio sweep that fills the entire frame behind him with no horizon line and no set dressing; his body is angled away toward the left of frame while his head is turned so the near side of his face is fully visible, chin slightly lifted, and his grey eyes are narrow and level, fixed on something just outside the left edge of the frame with a cold, evaluating stillness — one eyebrow lowered a fraction, lips pressed shut in a flat line, no smile. His deep black hair is short, straight and dense, cut close at the temples and left slightly disordered at the crown where a few strands stand up, with a hard white specular streak along the top curve; it catches the light as a solid black mass with almost no warm tone in it. His skin is pale and matte, and the single light source is a tall soft key raking from the upper left of the frame, striking the near cheekbone, the bridge of his nose, the corner of his jaw and the top of his collar, leaving the far side of his face and the back of his neck in cool shadow that merges into the charcoal ground so the silhouette edge on the right is nearly lost and the lit edge on the left is razor-sharp. The black formal uniform is a high-collared, close-cut military tunic with a stiff standing collar buttoned to the throat, a single row of small matte silver buttons down the chest, and a narrow belt at the waist; the fabric is heavy, matte wool that swallows the light except along the shoulder seam and the pressed ridge of the collar, where a thin cool highlight rides. His left arm is bent behind his back, and the sleeve cuff slides back far enough to bare the wrist, where an old silver wristwatch sits — round case, thin worn bezel, faint scuffs and a dulled patina on the metal, a domed glass with a hairline scratch, and a narrow black leather strap that has darkened and cracked slightly where it flexes; the watch is the closest object to the lens and reads as the sharpest, most detailed thing in the frame, the polished curve of its bezel throwing one small hard pinpoint of light back toward the key. His right arm hangs out of sight behind the line of his torso, shoulder pulled back so his chest opens slightly and the tunic stretches taut across it, weight settled on the far leg with the near hip dropped — a still, coiled stance rather than a relaxed one. Cool, desaturated palette of black, charcoal and gunmetal silver, with the only warmth being the faint aged brass tone in the watch's lugs; the camera is tilted a few degrees so the vertical line of his collar and the left frame edge are subtly off-plumb, and the shallow depth of field keeps his near shoulder and the watch crisp while the far shoulder feathers softly into the dark. Austere, watchful.
뮤

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