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AI art "一期一振 - 航空機の南極点初着陸" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
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一期一振 - 航空機の南極点初着陸

Contest Entry
2nd "Favorite Work" Contest
#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri A square 1:1 wide composition inspired by the first aircraft landing at the geographic South Pole in 1956. An imagined solitary Ichigo Hitofuri stands in the left foreground on continuous wind-packed snow, looking with open astonishment toward a ski-equipped United States Navy R4D-5L Skytrain parked on the right. The camera is low, near the level of the snowy surface, looking diagonally across the scene. His whole figure occupies about half the image height, while the airplane's long silver fuselage, broad wing, two radial engines, and landing skis establish the much larger scale of the aircraft. The flat horizon and broad pale sky give the scene the space of an Antarctic expedition. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, refined Japanese male features, elegant delicate face, non-westernized facial proportions, (golden outer iris:1.25). His head and chest turn toward the landed airplane on his right, with his chin lifted. The lifted brow and parted mouth are just discernible beneath his hood; the clearer expression of wonder comes from his braced stance and the way his whole upper body opens toward the aircraft. His right glove grips the edge of his hood at his cheek against the wind. His left arm hangs close to his side, its hand relaxed against the coat. His right foot is planted slightly forward, his left foot farther back, and the soles of both boots press into the same snowy surface that continues toward the airplane's landing skis. He wears a period-inspired dark navy heavy canvas polar parka over a thick gray wool sweater. Its fur-lined hood frames his face but leaves his aquamarine bangs and eyes visible. The coat has a broad storm flap fastened from the lower chest to the neck, with an inner zip closed beneath it; a short strip of knitted sweater appears at the throat. Wide sleeves end in dark ribbed inner cuffs beneath the insulated gloves. A woven utility belt draws the parka in gently at the natural waist without opening the closed front. Its lower portion extends to mid-thigh over bulky charcoal insulated trousers, with a narrow split at the side hem so he can stand securely. Thick snow boots have high protective gaiters. Wind presses the front of the canvas against his supporting leg while broad folds lift at the coat's side; fur, wool, canvas, and rubber remain materially different. The airplane is modeled on the twin-engine Douglas DC-3-derived Navy R4D-5L Skytrain called Que Sera Sera. Its rounded metal nose and cockpit windows face diagonally left; both propeller engines attach beneath the broad wing. Large skis support the main landing gear above the compacted snow, with dark contact shadows beneath them. The smooth pale fuselage carries restrained dark naval markings. The two propellers turn at idle, their blades softly blurred by rotation while the aircraft remains stationary on its skis. A shallow track in the snow runs from the foreground toward the airplane, connecting his standing place and the craft without making either float. The distant polar horizon remains almost featureless, with low irregular ridges of blown snow rather than mountains or a city. Hard, low Antarctic sunlight falls from the upper right through a thin veil of cloud, creating a soft blue-gray shadow on the left side of the parka and beneath the airplane. Snow provides a broad, weaker upward reflection. The silver aircraft has a small cool sheen along its upper fuselage, while the dark canvas absorbs more light. Fine windblown snow skims the ground without hiding his stance or the landing skis. single coherent lighting setup. masterpiece, best quality, detailed environment, male, painterly, sketch, expressive lineart, delicate rendering, soft shading, muted colors, subtle lighting, anime illustration, watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, ultra hd, detailed, ultra detailed illustration, stunning illustration, maximum resolution, harmonious color palette, sketch, watercolor, aesthetic
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Original Prompt
A square 1:1 wide composition inspired by the first aircraft landing at the geographic South Pole in 1956. An imagined solitary Ichigo Hitofuri stands in the left foreground on continuous wind-packed snow, looking with open astonishment toward a ski-equipped United States Navy R4D-5L Skytrain parked on the right. The camera is low, near the level of the snowy surface, looking diagonally across the scene. His whole figure occupies about half the image height, while the airplane's long silver fuselage, broad wing, two radial engines, and landing skis establish the much larger scale of the aircraft. The flat horizon and broad pale sky give the scene the space of an Antarctic expedition. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, refined Japanese male features, elegant delicate face, non-westernized facial proportions, (golden outer iris:1.25). His head and chest turn toward the landed airplane on his right, with his chin lifted. The lifted brow and parted mouth are just discernible beneath his hood; the clearer expression of wonder comes from his braced stance and the way his whole upper body opens toward the aircraft. His right glove grips the edge of his hood at his cheek against the wind. His left arm hangs close to his side, its hand relaxed against the coat. His right foot is planted slightly forward, his left foot farther back, and the soles of both boots press into the same snowy surface that continues toward the airplane's landing skis. He wears a period-inspired dark navy heavy canvas polar parka over a thick gray wool sweater. Its fur-lined hood frames his face but leaves his aquamarine bangs and eyes visible. The coat has a broad storm flap fastened from the lower chest to the neck, with an inner zip closed beneath it; a short strip of knitted sweater appears at the throat. Wide sleeves end in dark ribbed inner cuffs beneath the insulated gloves. A woven utility belt draws the parka in gently at the natural waist without opening the closed front. Its lower portion extends to mid-thigh over bulky charcoal insulated trousers, with a narrow split at the side hem so he can stand securely. Thick snow boots have high protective gaiters. Wind presses the front of the canvas against his supporting leg while broad folds lift at the coat's side; fur, wool, canvas, and rubber remain materially different. The airplane is modeled on the twin-engine Douglas DC-3-derived Navy R4D-5L Skytrain called Que Sera Sera. Its rounded metal nose and cockpit windows face diagonally left; both propeller engines attach beneath the broad wing. Large skis support the main landing gear above the compacted snow, with dark contact shadows beneath them. The smooth pale fuselage carries restrained dark naval markings. The two propellers turn at idle, their blades softly blurred by rotation while the aircraft remains stationary on its skis. A shallow track in the snow runs from the foreground toward the airplane, connecting his standing place and the craft without making either float. The distant polar horizon remains almost featureless, with low irregular ridges of blown snow rather than mountains or a city. Hard, low Antarctic sunlight falls from the upper right through a thin veil of cloud, creating a soft blue-gray shadow on the left side of the parka and beneath the airplane. Snow provides a broad, weaker upward reflection. The silver aircraft has a small cool sheen along its upper fuselage, while the dark canvas absorbs more light. Fine windblown snow skims the ground without hiding his stance or the landing skis. single coherent lighting setup. masterpiece, best quality, detailed environment, male, painterly, sketch, expressive lineart, delicate rendering, soft shading, muted colors, subtle lighting, anime illustration, watercolor sketch, delicate lineart, intricate details, detailed line rendering, clean linework, detailed eyes, contrasting accents, bright colors, ultra hd, detailed, ultra detailed illustration, stunning illustration, maximum resolution, harmonious color palette, sketch, watercolor, aesthetic
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