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Mashpotato Johnson
Show Parameters
- Original Prompt
- Vampire woman, big boobs, cleavage, smiling, gigantic, holding little woman in hand, close up on vampires face, little woman kissing vampires face
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
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2girls, size difference, giantess, vampire, pale skin, long black hair, straight hair, red eyes, fangs, smiling, open mouth, closed-lip smile, crimson velvet high-collared gown, black lace trim, long flared sleeves, gigantic, towering, holding person, open palm, tiny person, size contrast, looking down, looking at another, from below, low angle, foreshortening, dutch angle, dramatic perspective, gothic hall, candlelight, two subjects
Seen from a low angle tilted slightly off vertical, a gigantic pale woman in a crimson velvet gown dominates the frame, her head near the top edge and her long flared sleeve sweeping down toward the viewer, while the small figure sits cupped in her open palm at mid-frame. She is standing with her weight on one hip, her torso turned a quarter away and her chin tipped down toward the palm; her smile is warm and closed-lipped with the tips of two fangs just showing past her lower lip, and her red eyes are fixed on the tiny person. Her long straight black hair falls behind her shoulders and slides forward across the velvet collar as she leans in. In her right hand, palm up and fingers slightly curled to make a shallow cradle, a thumb's width of a person stands with both boots planted on the heel of her hand: a little figure in a beige cotton tunic and brown leather trousers, one hand braced against the base of her thumb, head tipped back to meet her gaze, mouth parted in a startled gasp. Contact reads at every point: the tiny heels pressing dents into the palm's flesh, her fingers curling just short of touching the small back, the shadow of her hand falling across the little figure's upturned face. Behind them, a dim gothic hall recedes with pointed arches and tall candles; the candles are the only light source, guttering low, throwing warm amber up the underside of her jaw and along the ridge of her sleeve while everything beyond the candle pool stays deep charcoal shadow. Palette held to crimson, black, warm candle amber and the pale bone-white of her skin against the beige of the tunic, nothing else admitted. Faint dust motes hang in the still air between her face and her hand. Intimate, ominous tenderness.
Mashpotato Johnson
1girl, 1boy, vampire, gigantic, size difference, extreme size difference, giant, smiling, open smile, fangs, holding person, holding in hand, tiny person, close-up, face focus, from below, looking down, from above on the tiny figure, long crimson hair, sleek hair, pale skin, red eyes, black velvet gown, high collar, silver lace trim, red lips, one fang visible, half-closed eyes, head tilted down, fingers curled around the tiny body, kneeling tiny figure, tan linen tunic, brown leather trousers, dark background, deep red palette, single warm light source, shadow from fingers, awe, quiet dread
The camera sits low and close, tilted slightly up into the vampire woman's face so her chin and jaw fill the lower third of the frame and the crown of her crimson hair is cropped off at the top edge; her head is tilted down toward her own raised hand, and the extreme close-up makes the crimson hair and pale skin read as monumental alongside the single sharp fang resting over her lower lip. She is gigantic relative to the tiny person, and the scale difference is carried by her hand entering from the lower right of the frame, palm cupped upward, the four fingers curling over the tiny figure like a cage of pale marble. The tiny person kneels in the center of her palm, one hand braced against the base of her thumb, the other gripping the curl of her index finger, head turned up toward her face; their simple tan linen tunic and brown leather trousers are creased by the curl of their posture, and their body is smaller than one of her fingernails. Her smiling mouth is parted just enough to show the fang, her eyes half-lidded and fixed downward on the figure in her palm, one brow faintly arched — the smile is fond and sharp at once, lips curved without showing teeth beyond that one point. Her other hand does not enter frame. A single warm lamp source from the upper left rakes across the left side of her face, catching the silver lace trim along the high velvet collar and the rim of her cheekbone; the right side of her face falls into deep warm shadow, and the tiny figure in her palm sits in the shadow cast by her fingers, lit only by the spill around the edges. The background is near-black and empty, barely readable as a room, keeping all detail on her face, her lips, her eyes, her hand, and the tiny curl of the person within it. Deep crimson, near-black and pale skin dominate the palette, with the tan linen as the only muted note. The mood is tender and quietly menacing.
Mashpotato Johnson
2girls, size difference, giantess, vampire, pale skin, long black hair, straight hair, red eyes, fangs, smiling, open mouth, closed-lip smile, crimson velvet high-collared gown, black lace trim, long flared sleeves, gigantic, towering, holding person, open palm, tiny person, size contrast, looking down, looking at another, from below, low angle, foreshortening, dutch angle, dramatic perspective, gothic hall, candlelight, two subjects
Seen from a low angle tilted slightly off vertical, a gigantic pale woman in a crimson velvet gown dominates the frame, her head near the top edge and her long flared sleeve sweeping down toward the viewer, while the small figure sits cupped in her open palm at mid-frame. She is standing with her weight on one hip, her torso turned a quarter away and her chin tipped down toward the palm; her smile is warm and closed-lipped with the tips of two fangs just showing past her lower lip, and her red eyes are fixed on the tiny person. Her long straight black hair falls behind her shoulders and slides forward across the velvet collar as she leans in. In her right hand, palm up and fingers slightly curled to make a shallow cradle, a thumb's width of a person stands with both boots planted on the heel of her hand: a little figure in a beige cotton tunic and brown leather trousers, one hand braced against the base of her thumb, head tipped back to meet her gaze, mouth parted in a startled gasp. Contact reads at every point: the tiny heels pressing dents into the palm's flesh, her fingers curling just short of touching the small back, the shadow of her hand falling across the little figure's upturned face. Behind them, a dim gothic hall recedes with pointed arches and tall candles; the candles are the only light source, guttering low, throwing warm amber up the underside of her jaw and along the ridge of her sleeve while everything beyond the candle pool stays deep charcoal shadow. Palette held to crimson, black, warm candle amber and the pale bone-white of her skin against the beige of the tunic, nothing else admitted. Faint dust motes hang in the still air between her face and her hand. Intimate, ominous tenderness.
Mashpotato Johnson
2girls, size difference, giantess, vampire, pale skin, long black hair, straight hair, red eyes, fangs, smiling, open mouth, closed-lip smile, crimson velvet high-collared gown, black lace trim, long flared sleeves, gigantic, towering, holding person, open palm, tiny person, size contrast, looking down, looking at another, from below, low angle, foreshortening, dutch angle, dramatic perspective, gothic hall, candlelight, two subjects
Seen from a low angle tilted slightly off vertical, a gigantic pale woman in a crimson velvet gown dominates the frame, her head near the top edge and her long flared sleeve sweeping down toward the viewer, while the small figure sits cupped in her open palm at mid-frame. She is standing with her weight on one hip, her torso turned a quarter away and her chin tipped down toward the palm; her smile is warm and closed-lipped with the tips of two fangs just showing past her lower lip, and her red eyes are fixed on the tiny person. Her long straight black hair falls behind her shoulders and slides forward across the velvet collar as she leans in. In her right hand, palm up and fingers slightly curled to make a shallow cradle, a thumb's width of a person stands with both boots planted on the heel of her hand: a little figure in a beige cotton tunic and brown leather trousers, one hand braced against the base of her thumb, head tipped back to meet her gaze, mouth parted in a startled gasp. Contact reads at every point: the tiny heels pressing dents into the palm's flesh, her fingers curling just short of touching the small back, the shadow of her hand falling across the little figure's upturned face. Behind them, a dim gothic hall recedes with pointed arches and tall candles; the candles are the only light source, guttering low, throwing warm amber up the underside of her jaw and along the ridge of her sleeve while everything beyond the candle pool stays deep charcoal shadow. Palette held to crimson, black, warm candle amber and the pale bone-white of her skin against the beige of the tunic, nothing else admitted. Faint dust motes hang in the still air between her face and her hand. Intimate, ominous tenderness.
Mashpotato Johnson
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