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- Original Prompt
- Ellen Joe
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
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Show moreエレン・ジョー(ゼンレスゾーンゼロ)
祐二
character: ellen_joe, copyright: zenless_zone_zero
Artists: John Kafka, Wanke, Fuzichoco, Quasarcake, (Nixeu:0.8), Characters: Ellen Joe, Work: Zenless Zone Zero, 1 girl, solo, full body, (composition looking up from below:1.2), low angle, slightly tilted composition (Dutch angle), depth of field, foreshortening, foreground and background blur, bokeh, sitting, sitting on a stool (chair), bar stool, black round stool, crossing legs, leaning forward, tilting head, arms resting on knees, hands hanging limply, holding a lollipop (candy), red lollipop, lollipop near mouth, black hair, short hair, bob cut, red mesh (inner color), two-tone hair, hair covering one eye, side hair, red eyes, half-open eyes, (expressionless:1.2), vacant expression, devoid of emotion, flat eyebrows, mouth open, (sharp teeth:1.2), shark-like teeth, fangs, staring at viewer, vacant gaze, maid, maid headdress, white frilled headdress, spiked headdress, maid outfit, black dress, puff sleeves, white frilled collar, spiked collar ornament, white apron, frilled apron, overlapping white frills, thick black belt, silver buckle, belt chain, white wrist cuffs, black cuff bands, red nails, black pantyhose, argyle pattern pantyhose, black shoes, strap shoes (Mary Janes), red soles and heels, shark tail, large tail, dark gray tail, fin, tail curled under the chair, kitchen, indoors, cafe kitchen, wooden cabinets, kitchen timer, order slips, slips clipped to a rail, ketchup and mustard bottles, toaster, counter shelf, warm indoor lighting, soft ceiling lighting, black, white, and red color scheme, red accents, warm brown background, soft shadows, painterly anime style, smooth and soft shading, glossy highlights, subtle film grain. A cold and somewhat indifferent atmosphere.
A composition captured from a low angle, featuring a "maid with a shark tail" sitting on a black round bar stool in a warm wood-toned cafe kitchen. The frame is slightly tilted, and the background melts into a soft brown bokeh due to a shallow depth of field. She is sitting on the flat black seat of the stool, with one leg crossed high over the other knee. Because of this, both shins extend toward the camera, and her black strap shoes with red soles and red heels are captured closest to the camera with a soft blur. She leans forward over her crossed legs, tilting her head. Her left forearm rests on the crossed leg, and from the wrist down, her hand hangs limply outside the knee, with red-painted fingertips appearing relaxed. Her right hand is raised near her face, pinching the white stick of a red round candy against her open lips with her thumb and index finger. Her other fingers are lightly bent, and the red nails reflect the light. Her black bob hair hangs over one eye, and two red mesh streaks are visible beside it. Her expression is completely devoid of emotion. Her eyebrows are flat, her red eyes are half-open, and her vacant gaze is directed toward the viewer. Her mouth is slightly open to accommodate the thickness of the candy, revealing small, sharp shark teeth. There is no smile at the corners of her mouth, her cheeks are pale and still, and her entire face gives an inorganic impression devoid of emotion. On her head is a maid headdress with white frills, and on the band part, dark gray spikes mimicking shark teeth are lined up in a jagged row. The black maid outfit has puff sleeves, and the neck is adorned with a white frilled collar featuring black spike ornaments. A thick black belt with a silver buckle is wrapped around her waist, with a single chain hanging down toward her left hip. From the edge of the stool, the frills of the white apron overlap and spill over. White frilled cuffs with black lines are wrapped around both wrists. Her legs are encased in black pantyhose, and a darker-colored argyle (diamond) pattern emerges faintly on the outside of her thighs. The nylon fabric is stretched over the knees and shins, emitting a soft gloss. From behind her, a large dark gray shark tail with a pointed fin extends, curving around the legs of the stool toward the front left. The parts closest to the lens are expressed with blur. In the background kitchen, there are warm wooden cabinets with a small white kitchen timer attached to a door. Additionally, order slips with illegible scribbles are hung on a rail, and red ketchup and yellow mustard bottles are placed on the counter shelf next to a toaster, all of which melt into a soft bokeh. Warm light streaming in from the top right illuminates her face, hands, and the top of her thighs, while the back of the stool, the folds of the dress, and the shadowed parts of her legs sink into a cold, dark gray. The seat of the stool casts a soft shadow on the frills of the dress beneath it. The overall color tone is based on black, white, and red, combined with warm browns. Red appears only in her eyes, hair mesh, nails, candy, shoe soles, and the blurred ketchup bottle. Smooth, painterly anime-style depiction, glossy highlights, and a subtle layer of film grain overall. A cold and indifferent atmosphere. NSFW.
Mizuki
rc
character: ellen_joe
2girls, front view, sitting on lap, sitting on chair, shark girl, shark tail, multicolored hair, black hair, red inner hair, short hair, red eyes, maid headdress, maid apron, layered clothing, black sweater, long sleeves, tight black pants, black spots, black nails, farting, small puff of smoke, blush, flustered, embarrassed, indoors, soft lighting. A direct front view captures two women seated together indoors on a wide upholstered armchair. A young woman with choppy black hair revealing vivid crimson inner layers, sharp red eyes, and a broad dark grey shark tail sits across the lap of a mature woman who faces squarely forward toward the viewer. The seated woman rests her hands gently at the younger woman's waist for balance, her thighs bearing her weight while the dense foam cushion of the armchair compresses visibly beneath both bodies. Small distinct black beauty marks dot the pale skin of the younger woman's neck and arms, complementing her black-painted fingernails. She is dressed in a thick, fitted black long-sleeved sweater beneath a ruffled black and white maid apron dress, complete with a white frilled maid headband, while sleek, skin-tight black pants contour her hips and legs. Her cheeks and nose bridge are flushed with a heavy pink blush as she looks aside in mortified embarrassment, caught in the middle of passing gas, visualized by a small, wispy puff of white translucent vapor rising behind her lower back. Gentle, warm indoor lighting from an overhead room lamp casts soft contact shadows beneath her thighs and along the folds of the dark fabric, keeping the palette anchored in matte blacks, clean apron whites, and warm cream tones, contrasted sharply by the vibrant red of her inner hair and the rosy flush on her face. Flustered comedic tension.
Ronaldinho cristiano
character: ellen_joe, copyright: zenless_zone_zero
1girl, solo, ellen_joe, black hair, short hair, red inner hair streaks, colored inner hair, red eyes, maid headdress, hair ornament, sharp black eyeshadow, makeup, black maid dress, short sleeves, black pantyhose, fish tail curling behind her, hourglass figure, large breasts, wide hips, narrow waist, voluptuous, forming a heart shape with both hands, hands clasped together at chest height forming a heart, unamused deadpan stare, jitome, half-closed eyes, flat mouth, slight blush, blush on cheeks, translucent body, translucent hair, ethereal glow, light aura, sparkles, from below, cowboy shot, looking at viewer,
Shot from below at a slight upward angle in a three-quarter view, she stands with her weight loaded on her back hip, one knee bent and turned inward so the hourglass silhouette of narrow waist and wide hips reads as a single clean curve; her shoulders are square to the viewer and her chin is tipped a few degrees down, which makes the heavy-lidded, half-closed eyes look down at the lens with flat contempt. Both hands meet at chest height, fingers interlocked with the index fingers and thumbs joined into a heart shape directly in front of her sternum; the heart is drawn where the light passes through it, and the fingertips press together with just enough weight to dimple the skin. Her mouth sits in an expressionless horizontal line with no smile on it at all, and across both cheekbones a soft pink bloom spreads and darkens toward the ears -- the only thing on her face contradicting the stare.
Her body is semi-translucent, skin and dress both faintly see-through like frosted glass, so that the heart shape she holds shows the dark edge of the maid dress collar behind it; overlapping parts of her own figure deepen in tone where they cross, like stacked panes of glass, and along her arms and hips the silhouette glows with a pale mist that spills a few centimetres past her outline. Behind her is a completely empty, seamless cool-grey studio field with no horizon line, no props and no second figure. A single soft key light comes from high front-left, catching the translucent edges of her hair and shoulders as a bright rim, passing through the heart her hands make and throwing a faint luminous heart-shaped caustic onto the flat grey behind her, offset down and to the right; a dimmer fill from the right keeps the shadow side of her hips and thighs readable, and beyond the falloff the field goes to a quiet even grey. Palette is restrained: black of the dress, the deep red of her eye makeup and inner hair streaks, the pinkish blush, and the cold blue-white of the aura and glow against neutral grey, nothing else admitted; the dress and pantyhose keep a matte finish so all the shimmer belongs to the translucent light alone. The small floating motes around her cling to her outline rather than filling the frame, brightest where the key light passes through her. Cool, deadpan, secretly warm.
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