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AI art "Emo Dynastic Court Consort"
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Emo Dynastic Court Consort

Avatar image of Dermot

Dermot

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A full body shot at eye level featuring a petite young woman with bright coral hair, porcelain skin, and gold eyes with heavy black liner, appearing in three side-by-side panes separated by red lacquered pillars. On the left, she lies on a pavilion bench in a black and grey hanfu with a coral skirt, resting her cheek on her hand and gazing wistfully at koi fish under soft lantern light. In the middle, she stands in a small boat amidst thick fog and pink lotus blossoms, pushing a pole with both hands, her hanfu slipping off her shoulders to reveal her collarbones under a pale, white sun. On the right, she sits defiantly on a marble balustrade in a cropped black and coral striped top and short slit skirt with thigh-high stockings, her face tipped toward a grey dawn sky under hard red lantern light. The setting transitions from a sunny palace pavilion to a misty pond and then to a cold marble courtyard with a raven on the roof. The style is a graphite pencil sketch with visible cross-hatching and a desaturated palette of black, coral, and jade.
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Original Prompt
A full body shot framed head to toe at eye level, wide enough to take in all three figures. The image shows the same woman three times side by side, left to right, in three panes, each its own scene. She is a young woman in her 20s, a lonely consort of the imperial palace, waiting in her pavilion on a long afternoon. The image has a emo imperial-court vibe of a lonely consort of the imperial palace with a heavy coral swept fringe and black-lined eyes, hanfu in black, grey and coral with striped inner sleeves, jade hairpins carved into broken hearts, a studded brocade sash, black-painted nails on a pipa, and sad songs sung to the koi in the palace ponds, and the mood moves from wistful, lonely and gentle on the left to fierce, sad and sultry on the right. She is exquisite, a woman with a petite, athletic build: very short, with small, square shoulders, a smoothly toned body, a small waist, small, firm hips and firm, toned thighs, and medium, rounded breasts. Her skin is a porcelain fair, and her face is delicate and lovely, with a small, oval shape, softly rounded cheekbones, large, gold eyes ringed in heavy black liner, fine willow-leaf brows, a small, straight nose and a small, full, rosy mouth. Her short hair is a bright coral. The setting is three scenes side by side: on the far left, a consort's pavilion in the imperial palace on a clear afternoon, red lacquered pillars and a tiled roof with dragon finials, rows of red silk lanterns lit along the eaves even by day, a lacquered table with a pot of tea gone cold, a single jade cup and a striped silk cushion, a pond of koi and lotus below the railing, willows trailing, and the golden roofs of the palace stretching away beyond the walls; in the middle, the great lotus pond of the imperial palace at midday in thick fog, a small lacquered boat drifting among broad lotus leaves and pink blossoms, a zigzag bridge and a pavilion only half seen in the mist, a red lantern glowing faintly on the bridge, black and white koi rising round the boat, a striped silk cushion and a pipa in the bottom of the boat, and the pale sun a white disc high above the fog; and on the far right, an inner courtyard of the imperial palace at dawn on an overcast morning, white marble flagstones and carved dragon balustrades, bronze cranes and incense burners, a striped black and coral silk awning over the gallery, paper broken hearts tied to the plum branches, red lanterns on tall poles still burning brightly, a moon gate onto a plum garden, the red walls and golden roofs grey in the dull dawn, and a single raven on the ridge of the roof. The whole scene is fully detailed. Two tall red lacquered palace pillars striped in black and coral and hung with jade broken hearts run from the top of the picture to the bottom, splitting the image into three panes, one scene in each. The first, on the far left, facing the viewer, she lies on her side along the pavilion bench with the pipa resting against her and her cheek on her hand, gazing at the koi. Her expression is wistful and lonely, a small, sad smile. Her hair is cut short with a long, heavy swept fringe, two jade broken-heart hairpins at the back. She wears a layered hanfu of black and grey silk with coral and black striped inner sleeves, a wide black brocade sash studded with silver, a long coral skirt to the floor and black embroidered shoes, her nails painted black. Her makeup is heavy black liner, a pale face and a coral lip. The second, in the middle, in three-quarter view, facing the viewer, she stands up in the little boat with a long pole in both hands, pushing it through the lotus leaves. Her expression is dreamy and aching, a faint, longing smile. Her hair is loose and tousled with the fringe across one eye. She wears her layered black and grey hanfu loosened and slipping off both shoulders, held only by the loosened studded brocade sash, the striped inner sleeves falling off her arms, leaving her shoulders, her collarbones and the upper curves of her breasts bare, and the long coral skirt. Her makeup is softened black liner and a coral lip. The third, on the far right, facing the viewer, she sits on the marble balustrade with her ribbons pooled in her lap and her shoes swinging, her face tipped up to the grey sky. Her expression is fierce and sad, a slow, defiant smile. Her hair is with the swept fringe pinned back by a jade broken-heart hairpin. She wears a tiny cropped black and coral striped silk top with a mandarin collar, ending high on her ribs, a short black brocade skirt slit high at both sides with the studded sash, black and coral striped thigh-high stockings, black arm warmers and black embroidered shoes, so that her shoulders, her midriff and her thighs above the stockings are bare. Her makeup is glittering black liner and a glossy coral lip. Each pane has its own light. On the far left, artificial light as a soft light: the rows of red silk lanterns along the eaves spread a soft, warm glow over her, gently lighting her face, her coral fringe and the black silk with almost no shadow. Black and coral dominate, with grey, lantern red, jade and palace gold as the accents. In the middle, outdoor natural light from above: the pale sun high above the fog pours a soft white light straight down onto her, glowing on her coral hair, her bare shoulders and the silk, the fog round the boat lit white. Black and fog white dominate, with coral, lotus pink and jade as the accents. On the far right, artificial light as a hard light: the red lanterns on their tall poles throw hard red light across her, cutting crisp shadows on the marble and flashing on the silk, the jade and her bare skin, while the overcast dawn stays grey round her. Black and coral dominate, with lantern red, marble white and jade as the accents. Pencil Sketch style: genuine graphite sketching with loose, visible hand-drawn hatching and cross-hatching built up for shading, a muted, desaturated but genuinely coloured palette of black, coral, grey, fog white, lantern red and jade, and a raw, sketchy finish rather than a fully rendered one, with the background drawn in lighter, looser strokes.
Mode
standard
Size
1536 x 864

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.41k

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