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AI artwork featuring #zetaCollab
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エンドルフィン

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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エンドルフィン

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from behind, back view, looking away, one girl, solo, female, young woman, black bob cut, short hair, straight hair, blunt bangs visible past the cheek at the edge of the turned face, dark brown eyes barely seen at the profile edge, off-shoulder cream knit sweater, sleeve pushed to the elbow, high-waisted charcoal pleated skirt, black tights, brown leather ankle boots, standing on one leg, weight on the right leg, left foot lifted and held behind, arms raised, both hands gathering hair at the nape, elbows out, head tilted down, upper body slightly turned to the right, looking down, from below, cowboy shot, close-up of back, outdoors, empty asphalt rooftop, low concrete parapet with weathered paint, chain-link fence section to the right, late afternoon, backlighting, warm rim light, long cast shadow, clear sky, palette of cream, charcoal, warm brown and pale orange sky, quiet, candid The camera sits low behind her and slightly to her left, a from-below cowboy shot framing her from the small of her back up over her shoulders, so the black bob and the nape of her neck fill the upper third of the frame while the flat gray rooftop runs out toward the parapet. She is turned away, and only the outermost sliver of her cheek and one downcast eyelash line register past the blunt fringe at the right edge of her silhouette; her gaze falls to the concrete in front of her boots, toward nothing in particular. Her right leg carries all her weight, hip pushed out to the right, and the pleated skirt hangs with one fold flattened where her thigh presses it; her left foot is lifted behind her, toe of the ankle boot hovering a hand's width above the ground, knee bent. Both arms are up and back, elbows flared, hands working at the nape of her neck as if she is gathering the short hair into a twist that will not hold; the cream knit has slipped off her left shoulder, the pushed-up sleeve bunching at her elbow, and the fabric pulls in a taut diagonal across her shoulder blades. The light comes from behind and above her, the sun low and off to the upper right, so her whole front-facing side is in shadow and a bright warm rim climbs the edge of her shoulder, the crown of the bob, and the lifted boot's heel; her long shadow stretches forward across the concrete toward the parapet, and the chain-link throws a soft shifting lattice of shade onto the last few meters of roof. The palette holds to cream, charcoal, warm brown leather and a pale orange sky, with the concrete's cold gray-blue sitting under all of it. Wind moves the hem of the skirt and one loose strand at the nape, and the sun catching the fine hairs on her forearms is the only bright thing on her shadowed side, quiet and unguarded.
Show Parameters
Original Prompt
from behind
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.66k

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AI artwork
エ
from behind, back view, looking away, one girl, solo, female, young woman, black bob cut, short hair, straight hair, blunt bangs visible past the cheek at the edge of the turned face, dark brown eyes barely seen at the profile edge, off-shoulder cream knit sweater, sleeve pushed to the elbow, high-waisted charcoal pleated skirt, black tights, brown leather ankle boots, standing on one leg, weight on the right leg, left foot lifted and held behind, arms raised, both hands gathering hair at the nape, elbows out, head tilted down, upper body slightly turned to the right, looking down, from below, cowboy shot, close-up of back, outdoors, empty asphalt rooftop, low concrete parapet with weathered paint, chain-link fence section to the right, late afternoon, backlighting, warm rim light, long cast shadow, clear sky, palette of cream, charcoal, warm brown and pale orange sky, quiet, candid The camera sits low behind her and slightly to her left, a from-below cowboy shot framing her from the small of her back up over her shoulders, so the black bob and the nape of her neck fill the upper third of the frame while the flat gray rooftop runs out toward the parapet. She is turned away, and only the outermost sliver of her cheek and one downcast eyelash line register past the blunt fringe at the right edge of her silhouette; her gaze falls to the concrete in front of her boots, toward nothing in particular. Her right leg carries all her weight, hip pushed out to the right, and the pleated skirt hangs with one fold flattened where her thigh presses it; her left foot is lifted behind her, toe of the ankle boot hovering a hand's width above the ground, knee bent. Both arms are up and back, elbows flared, hands working at the nape of her neck as if she is gathering the short hair into a twist that will not hold; the cream knit has slipped off her left shoulder, the pushed-up sleeve bunching at her elbow, and the fabric pulls in a taut diagonal across her shoulder blades. The light comes from behind and above her, the sun low and off to the upper right, so her whole front-facing side is in shadow and a bright warm rim climbs the edge of her shoulder, the crown of the bob, and the lifted boot's heel; her long shadow stretches forward across the concrete toward the parapet, and the chain-link throws a soft shifting lattice of shade onto the last few meters of roof. The palette holds to cream, charcoal, warm brown leather and a pale orange sky, with the concrete's cold gray-blue sitting under all of it. Wind moves the hem of the skirt and one loose strand at the nape, and the sun catching the fine hairs on her forearms is the only bright thing on her shadowed side, quiet and unguarded.
エンドルフィン
#zetaCollab
AI artwork
エ
from behind, back view, looking away, one girl, solo, female, young woman, black bob cut, short hair, straight hair, blunt bangs visible past the cheek at the edge of the turned face, dark brown eyes barely seen at the profile edge, off-shoulder cream knit sweater, sleeve pushed to the elbow, high-waisted charcoal pleated skirt, black tights, brown leather ankle boots, standing on one leg, weight on the right leg, left foot lifted and held behind, arms raised, both hands gathering hair at the nape, elbows out, head tilted down, upper body slightly turned to the right, looking down, from below, cowboy shot, close-up of back, outdoors, empty asphalt rooftop, low concrete parapet with weathered paint, chain-link fence section to the right, late afternoon, backlighting, warm rim light, long cast shadow, clear sky, palette of cream, charcoal, warm brown and pale orange sky, quiet, candid The camera sits low behind her and slightly to her left, a from-below cowboy shot framing her from the small of her back up over her shoulders, so the black bob and the nape of her neck fill the upper third of the frame while the flat gray rooftop runs out toward the parapet. She is turned away, and only the outermost sliver of her cheek and one downcast eyelash line register past the blunt fringe at the right edge of her silhouette; her gaze falls to the concrete in front of her boots, toward nothing in particular. Her right leg carries all her weight, hip pushed out to the right, and the pleated skirt hangs with one fold flattened where her thigh presses it; her left foot is lifted behind her, toe of the ankle boot hovering a hand's width above the ground, knee bent. Both arms are up and back, elbows flared, hands working at the nape of her neck as if she is gathering the short hair into a twist that will not hold; the cream knit has slipped off her left shoulder, the pushed-up sleeve bunching at her elbow, and the fabric pulls in a taut diagonal across her shoulder blades. The light comes from behind and above her, the sun low and off to the upper right, so her whole front-facing side is in shadow and a bright warm rim climbs the edge of her shoulder, the crown of the bob, and the lifted boot's heel; her long shadow stretches forward across the concrete toward the parapet, and the chain-link throws a soft shifting lattice of shade onto the last few meters of roof. The palette holds to cream, charcoal, warm brown leather and a pale orange sky, with the concrete's cold gray-blue sitting under all of it. Wind moves the hem of the skirt and one loose strand at the nape, and the sun catching the fine hairs on her forearms is the only bright thing on her shadowed side, quiet and unguarded.
エンドルフィン
#zetaCollab
AI artwork
エ
from behind, back view, looking away, one girl, solo, female, young woman, black bob cut, short hair, straight hair, blunt bangs visible past the cheek at the edge of the turned face, dark brown eyes barely seen at the profile edge, off-shoulder cream knit sweater, sleeve pushed to the elbow, high-waisted charcoal pleated skirt, black tights, brown leather ankle boots, standing on one leg, weight on the right leg, left foot lifted and held behind, arms raised, both hands gathering hair at the nape, elbows out, head tilted down, upper body slightly turned to the right, looking down, from below, cowboy shot, close-up of back, outdoors, empty asphalt rooftop, low concrete parapet with weathered paint, chain-link fence section to the right, late afternoon, backlighting, warm rim light, long cast shadow, clear sky, palette of cream, charcoal, warm brown and pale orange sky, quiet, candid The camera sits low behind her and slightly to her left, a from-below cowboy shot framing her from the small of her back up over her shoulders, so the black bob and the nape of her neck fill the upper third of the frame while the flat gray rooftop runs out toward the parapet. She is turned away, and only the outermost sliver of her cheek and one downcast eyelash line register past the blunt fringe at the right edge of her silhouette; her gaze falls to the concrete in front of her boots, toward nothing in particular. Her right leg carries all her weight, hip pushed out to the right, and the pleated skirt hangs with one fold flattened where her thigh presses it; her left foot is lifted behind her, toe of the ankle boot hovering a hand's width above the ground, knee bent. Both arms are up and back, elbows flared, hands working at the nape of her neck as if she is gathering the short hair into a twist that will not hold; the cream knit has slipped off her left shoulder, the pushed-up sleeve bunching at her elbow, and the fabric pulls in a taut diagonal across her shoulder blades. The light comes from behind and above her, the sun low and off to the upper right, so her whole front-facing side is in shadow and a bright warm rim climbs the edge of her shoulder, the crown of the bob, and the lifted boot's heel; her long shadow stretches forward across the concrete toward the parapet, and the chain-link throws a soft shifting lattice of shade onto the last few meters of roof. The palette holds to cream, charcoal, warm brown leather and a pale orange sky, with the concrete's cold gray-blue sitting under all of it. Wind moves the hem of the skirt and one loose strand at the nape, and the sun catching the fine hairs on her forearms is the only bright thing on her shadowed side, quiet and unguarded.
エンドルフィン
#zetaCollab

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