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Newtothegame

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Newtothegame

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futanari, 2girls? no, 2 characters, 1girl, 1boy, large woman, tall woman, red hair, long hair, wavy hair, half-lidded eyes, seductive smile, black dress, elegant dress, long dress, tight dress, deep plunging neckline, cleavage, sleeveless dress, holding wine glass, drinking, small boy, feminine boy, platinum hair, short hair, bob cut, pastel pink suit, jacket, collared shirt, holding water glass, sitting together, facing each other, across from each other, smiling at each other, tender expression, loving gaze, mutual gaze, eye contact, looking at another, restaurant, elegant interior, fine dining, dim lighting, candlelight, warm light, table with white cloth, wine bottle, tableware, depth of field, bokeh, intimate atmosphere, from side, profile, cowboy shot, warm color palette, glossy rendering, soft lighting, mature anime style A three-quarter profile view across a candlelit restaurant table: the large woman sits on the left of frame facing right, the small feminine boy sits on the right facing left, their bodies angled toward each other and the white-clothed table between them. The woman is tall and broad-shouldered, her long wavy red hair falling over one bare shoulder and pooling behind her back; her black long tight dress hugs her torso and narrows at the waist, its deep plunging collar cutting a long V between her breasts, the fabric catching a thin sheen of candlelight along the stretched seam at her hip. Her right forearm rests on the table edge, wrist loose, fingers curled around the stem of a red wine glass, the bowl tilted slightly toward her lips but held just below them, not yet drunk; her left hand rests flat and relaxed on the tablecloth beside her plate. Her chin dips slightly, her head tilts toward the boy, her eyes half-lidded and fixed on his face, lips parted in a soft tender smile, warm candle glow reflected in her irises. The boy is small and slender, sunk slightly into his chair so his head sits below the woman's eye level; he leans forward on his forearms, both elbows on the table edge, his hands wrapped around a clear glass of water, condensation beading down its side and pooling a small wet ring on the cloth. His platinum hair is soft and finely layered, catching the candle flames as pale gold streaks; his pastel pink suit is neatly tailored, a pale shirt buttoned to the throat under an open jacket, cufflinks glinting. He tilts his face up toward her, chin raised, eyes wide and bright with a gentle closed-lip smile that softens at the corners, a faint blush warming his cheeks under her gaze. The light source is a low cluster of candles at the table centre plus dim warm sconces along the far wall; the candle flames sit in the foreground between their hands, throwing a warm pool over the tablecloth, gilding the underside of the woman's jaw, her collarbones and the boy's cheekbones, while their backs and the far room fall into soft brown darkness. Behind them the restaurant recedes in shallow depth: blurred white tablecloths on empty tables, dark wood panelling, a faint chandelier bokeh drifting in the upper background, a distant waiter out of focus. The woman's wine glass throws a small dark red caustic onto the cloth beside her plate; the boy's water glass shows a pale distorted highlight of the candle flame, brighter and sharper on the side facing the heat. Palette limited to deep reds, warm amber candlelight, ivory cloth, black of the dress and the pastel pink of his suit, nothing cold admitted. Low candlelight softened by glossy rendering, tender and intimate.
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Original Prompt
A large red haired futanari women in a black elegant long tight dress with a deep cut collar accompanied by a small feminine boy with platinum hair in a pastel pink suit sit at an elegantly lit restaurant together. The women has a glass of wine while the boy has a glass of water. They smile at each other with tender love
Mode
flash
Size
1104 x 1824
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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tb
character: tsukishiro_yanagi 2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it. On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them. On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other. Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room. The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
#Yanagi Tsukishiro
AI artwork
tb
character: tsukishiro_yanagi 2girls, no, 1girl, 1boy, 2 people total, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, hair intakes, ring hair ornament, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, button blouse, corset, skirt, thigh highs, sitting, at table, white hair, medium hair, blue eyes, toned body, sweater, jeans, restaurant, date, looking at each other, leaning forward, elbow on table, chin rest, hand on chin, head tilt, light smile, blush, cowboy shot, from above, dutch angle, depth of field, warm interior lighting, candlelight, window seat The camera looks down from a shallow high angle, tilted a few degrees off level, in a cowboy shot that holds both figures from the waist up where they sit across a narrow two-person restaurant table. The table's near edge cuts the bottom of the frame; the two face each other along a diagonal, so both are three-quarter to the lens rather than square to it. On the left of frame the woman sits with her weight rocked forward onto her right forearm planted on the tabletop, her left hand curled loosely around the stem of a wine glass, fingers spread against the glass and nails catching the candle. Her chin rests on the back of her right hand, cheek pressed slightly into the knuckle of her index finger, elbow denting the white tablecloth into a small crease. Her long pink hair falls in straight heavy panels past her shoulders, two long sidelocks dropping in front of her ears, hair between her eyes parting down the centre of her brow, and the ring-shaped hair ornament is caught at the left side of her head where the light rims it. Behind the rimless eyeglasses — thin wire arms vanishing into her hair, no frame across the brow, lenses catching two small pale rectangles of candle reflection — her violet eyes are lifted and fixed on the man's face, lids low, the corner of her mouth pulled into a faint closed-lip smile. The button blouse is open at the collar with the top button undone, cloth taut across her chest and tucked down into a cinched corset that bites the waist and flares over wide hips; the skirt spreads across her seat. Her thighs are pressed together under the table edge, thigh highs ending high on them. On the right the man leans in on his left elbow, right hand flat on the table with his fingers an inch from hers, not quite touching. His medium-length white hair falls forward over one brow as he tips his head down toward her, blue eyes on her eyes, one eyebrow lifted, a lopsided grin showing a sliver of teeth. His sweater's knit ribbing is visible at the cuff and collar, the sleeves pushed to the forearm, and the shoulder line reads as a toned frame under the wool; jeans below the table. His shoulders are angled so one crowds nearer the table edge than the other. Light comes only from the small candle on the table between them and the warm pendants strung behind — the candle is the key, a low warm source below their chins that lights the underside of her jaw, the rim of his collar and the tops of the glasses, and throws both their shadows long and soft up the wall behind. Beyond the table the restaurant falls into warm amber gloom: a window at their backs, its glass a dark blue mirror with the street's blurred lights doubled and dimmer than their sources, empty chair backs, one distant table with an illegible chalked menu board. Red, cream and warm amber hold the palette: red in the wine, the candle glow, a hint of it on her nail beds; cream in the cloth and blouse; amber in the room. The candle's small flame bends toward the man because she has just leaned in — its light travels with the lean, so the bright edge of her cheek and the shadow under her chin shift a half-step his way. Quiet, warm, unhurried.
Trevor Belmont
#Yanagi Tsukishiro

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