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AI art "Street Stroll with the Trap" featuring #Otokonoko, #Cross-dressing, #Shopping bag, #Boy, #Holding, #full body, #Cloudy sky and #Road
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Street Stroll with the Trap

There's just something so captivating about this character's confidence and cute crossdressing style that I can't get enough of! The way they carry themselves while out on a simple shopping trip, holding that donut, makes me want to join them for a walk. If you love this unique charm as much as I do, please hit like and follow for more lovely art!

#Otokonoko#Cross-dressing#Shopping bag#Boy#Holding#full body#Cloudy sky#Road
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1man, Aryen, tall man, brown hair, prince haircut, large round glasses, hyper pregnant, huge belly, black shoes, tight black pants, white long sleeve buttoned shirt, necktie, brick red turtleneck sweater under shirt, belly poking out from under shirt, walking in university parking lot, eating donut, holding paper bag of donuts, happy, relaxed, black briefcase on shoulder, sunset, mountains in background, 2boys, Toti and Rodolfo, 22 years old, grey tank top, black leggings, red and white boots, hiding behind bush, lascivious look, mischievous smile, mpregotaku, 2boy, yaoi, male focus, men only, boys love, homosexual, gay porn, KAWAII, masterpiece, ultra detailed
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Original Prompt
En el atardecer de un fresco día de otoño el profesor Aryen con la siguiente apariencia (Profesor alto cabello castaño corte de cabello príncipe, usa lentes grandes y redondos, estatura alta, muy embarazado con una gran barriga hiperpregnant muy prominente, viste zapatos negros, pantalón negro ajustado, camisa blanca de manga larga abotonada y corbata, bajo la camisa una camisa cuello de tortuga en color rojo ladrillo que cubre su barriga la cual sale ligeramente por debajo de la camisa blanca abotonada) se dirige a su auto caminando por el estacionamiento del campus universitario, come una dona la cual tomo de la bolsa que lleva, una bolsa de papel llena con donas azucaradas, se ve feliz y relajado, lleva al hombro un maletín negro con correa larga) el sol se oculta tras las montañas, escondidos tras un arbusto hay dos muchachos barones Toti y Rodolfo ambos de 22 años, los cuales visten top tank gris con leggins negros y zapatos color rojo con blanco tipo bota, ellos observan al maestro caminar con miradas lascivas y sonrisas traviesas.
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
11
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, simple background, twitter username

Model & LoRA used

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AI artwork
wy
1boy, solo, adult man, black hair, centerpart, medium hair, hair reaching collarbone, flared side hair, yellow eyes, tareme, droopy eyebrows, fake glasses, white shirt, blue hoodie, hood down, soft body, slightly plump, plump belly, belly, lifting shirt, shirt lift, hands gripping hem, embarrassed, blush, shy, gentle face, light smile, looking to the side, cowboy shot, from below, three-quarter view, simple background, pop illustration, bold linework, flat color, cel shading, white background, yellow accents, blue accents From a slightly low three-quarter angle, a single adult man stands against a completely empty pale cream field, a seamless studio ground with no horizon line, no props and no background scenery; the whole detail budget sits on him, the fabric and the light. He is caught mid-gesture: both hands have bunched the hem of his white shirt and drawn it upward, the shirt riding up over his ribs, and the blue hoodie is pushed open and shoved back off his shoulders so it hangs behind his upper arms instead of covering his torso. His soft, slightly plump belly is bare and fully exposed between the lifted hem and the waistband, the skin catching the light as a broad, gently rounded curve. His grip is specific: thumbs hooked into the folded fabric, the other fingers curled over the hem, knuckles raised, the cloth crimped and shadowed in the creases where his hands clench, and the sides of the white shirt stretched taut from the pull. His black hair is parted down the center, the back falling to his collarbone and flaring out to the sides in a soft outward flip at the ends, and the pose tips his head so the longer back strands swing against his neck. His yellow droopy eyes are turned off to the side rather than to the lens, lashes lowered, and a warm blush spreads across his cheeks and high on his ears; his droopy eyebrows tilt and a small, calm, gentle smile stays on his mouth, an embarrassed face that is still soft and quiet rather than distressed. The fake glasses sit slightly high on his nose from the tilt of his head, catching a thin highlight along one lens. One leg carries his weight and his hip slants away from the vertical, so the lifted shirt hangs at a slight diagonal; the far shoulder is dropped. The light comes from the upper left as a single clean source: bright highlights along the top of his hair, the bridge of his nose, the upper curve of his belly and the forearm nearest the camera, with cool flat shadow falling under the lifted shirt, beneath the belly overhang and across the right side of his face. The palette is disciplined to white, blue and warm skin tones with black hair and yellow eyes, flat and saturated, and the linework is bold, uniform and clearly closed, with crisp cel-shaded shadow shapes and no soft airbrush. The shirt lifts clear of the waistband and stays there mid-motion, the fabric holding the shape his hands have forced into it, giving the picture its small honest weight. Tender, gently teasing.
watanabe yuno

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