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爽やかな学校の廊下を歩く彼女
光あふれる学校の廊下を、彼女が少し照れくさそうに歩いてくる姿を描きました。揺れる黒髪と、青いプリーツスカートがとても爽やかで、思わず目を奪われてしまいます。この瞬間のきらめきを気に入ってくれたら、いいねとフォローをお願いします！コメントでの感想も待っていますね。
Show Parameters
- Original Prompt
- 神崎アオイ、アニメ風、高校生、スレンダーグラマー、B90/W62/H91、制服、ワイシャツ、ミドルプリーツスカート、学校の廊下、ポニーテールヘアー、正面、歩く
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- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Model & LoRA used
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character: teruhashi_kokomi
1girl, solo, teruhashi_kokomi, long blue hair, blue eyes, hair bow, white dress shirt, long sleeves, miniskirt, school uniform, slender, curvy, beautiful girl, full body, facing viewer, walking, mid-stride, school hallway, school corridor, indoors, from front, eye-level, cowboy shot, window light, light smile, closed mouth, looking at viewer,
A front view at near eye-level, slightly below the character's eyeline, in a cowboy shot that shows her from the top of her head to just below the knees; the corridor's one-point perspective runs straight back behind her and its converging lines meet at a point behind her head. She walks toward the camera down the middle of the hallway, caught mid-stride: her left foot planted flat and taking her full weight, her right foot just lifting, heel off the floor, toes still down, that knee slightly bent and her hips tilted a few degrees with the stride so the hem of the miniskirt swings a little toward her trailing side. Her torso stays square and upright, shoulders level, chin lifted a touch; both arms hang naturally with the right arm swung slightly forward and the left back, hands loosely relaxed, fingers gentle. Her long blue hair falls behind her shoulders and shifts with the walk, a few strands lifting away from her cheek on the forward swing. Both eyes look directly into the lens, lids relaxed and level with a faint closed-lip smile whose one corner is a touch higher; the expression is mild, composed, quietly self-possessed rather than eager. She wears a crisp white dress shirt, buttoned up the front with the collar closed at the neck, sleeves long to the wrists; the shirt is tucked into a short dark pleated miniskirt, its hem clear of her thigh tops, the pleats hanging in sharp flat folds. The shirt's fabric pulls into a few soft diagonal creases from the near shoulder to the armpit and again at the waist above the waistband with the stride; the skirt's pleats open slightly on the leading leg. The hallway is a school corridor with a pale wall on the left running to the far end, a row of ceiling lights overhead, and a long band of windows on the right; the floor is smooth and pale, and the reflections stretch toward the viewer as long soft vertical streaks beneath her feet. Daylight enters from the windows on the right as the only light source: it strikes the right side of her face, her right shoulder, and the right panels of the hallway wall, lighting the blouse to a clean bright white there while the left side of her face and the left wall fall a couple of stops darker and cooler; a faint soft shadow of her stride falls on the floor to her left and shortens under the planted foot. The palette is held to the white of the shirt, the dark navy of the skirt, the blue of her hair and eyes, the pale grey-cream corridor and the cool window light. The corridor is empty of other people, its far end simplified into pale shapes and a faint door frame. Serene, polished.
user-1933930960950615780
a9
Girl
absol9312
最
校園時光・黑髮少女
最愛貓咪
character: toujou_aya
1girl, solo, full body, toujou aya, long hair, black hair, straight hair, grey eyes, large breasts, white long sleeve shirt, sleeves down to wrists, navy sleeveless sweater, v-neck sweater vest, red necktie, striped tie, diagonal gold stripe on tie, navy pleated skirt, maroon plaid skirt, maroon checkered skirt, white socks, shoes, loafers, school uniform, standing, from below, full body, slight low angle, looking at viewer, light smile, half-closed eyes, one hand on hip, other hand adjusting necktie, head tilt, weight on one leg, crossed legs, indoor, corridor, window light, clean linework
The camera sits low and close to the floor, looking up the length of a single standing girl so that her whole body fills a tall vertical frame from the soles of her shoes to the crown of her head, the slight upward angle giving her presence without distorting her proportions. She is the only figure in the image, and she stands three-quarters toward the lens rather than square to it: her weight rides on her right leg with her left knee crossed loosely in front, her right hip cocked out, her left hand planted flat on that hip with the fingers spread over the maroon checkered wool of the skirt, while her right hand rises to her throat and pinches the knot of the necktie, pulling it a half-inch straighter. Both the white long-sleeved shirt cuffs and the sleeveless navy sweater move with the raised arm: the sweater's armhole edge digs a soft crease into the white sleeve beneath it, and the sleeve fabric bunches at her elbow. The navy vest hangs over the white shirt, its v-neck opening exposing a triangle of white collar and the top of the red necktie, which falls from her fingers down the center of her chest and ends above the sweater's hem; the diagonal gold stripe on the tie catches the light and runs left-to-right across the red silk, and the silk curves slightly over the swell of her large breasts so the stripe bends with the fabric rather than lying flat. Her long black hair falls past her shoulder blades and swings a little toward her left hip from the tilt of her head, its lowest strands ending at the small of her back. The pleated skirt is a single garment that reads as navy in its deep folds and maroon plaid across its lit panels, the check lines running through the maroon squares, the pleats opening in a wide bell from her hips to just above her knees. Below the hem, white socks rise from her shoes to mid-calf, and her shoes are dark leather loafers, one toe pointed at the floor and the other planted. Her face is tilted a few degrees to one side, her grey eyes looking straight into the lens with the lids lowered a fraction and one corner of her mouth lifted in a small closed-lipped smile, one eyebrow a touch higher than the other, and a single strand of hair fallen across her cheek.
The light comes from one tall window behind her right shoulder, out of frame, cool late-afternoon daylight that strikes the white shirt cuff, the edge of her jaw, the shoulder of the navy sweater and the knee of her crossed leg, and leaves the far side of her face, the inside of the raised arm and the back folds of the skirt in a soft grey shadow; her shadow stretches long and thin across the floor toward the lower-left corner of the frame. The ground is a polished wooden corridor floor with pale reflections of her shoes, and behind her the wall falls into a shallow, unlit hallway with a single blurred doorframe, so her figure stays fully separated from the background. The palette is disciplined and limited to the navy of the vest and skirt, the maroon plaid of the skirt, the red and gold of the tie, the white of the shirt and socks, and the black of her hair, with skin the soft warm exception. Her hair catches a thin rim of window light along its outer edge, while the hair on the shadowed side of her head stays matte and detail-flattened, and the glossy highlights sit only on the lit curve of the tie silk, her lower lip and the polished toe of her shoe. The rendering uses clean linework with smooth glossy skin and expressive grey eyes, quiet and effortlessly stylish.
きのこ
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