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View detailsEugenie Holt
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- Original Prompt
- thijikoy on twitter, thijikoy art style, artistic style, ultra‑detailed background, perspective, dynamic art, detailed objects, ultra‑high image quality, clear brushstrokes, correct body anatomy, (thijikoy artist), furina (genshin impact), Dynamic art, Dynamic pose
- Mode
- pro
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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Show moreeh
character: furina_(genshin_impact), artist: thijikoy, copyright: genshin_impact
1girl, solo, furina_(genshin_impact), blue_hair, long_hair, white_hair, streaked_hair, multicolored_hair, ahoge, hair_between_eyes, blue_eyes, heterochromia, top_hat, blue_hat, bow, jacket, long_sleeves, ascot, gloves, ouji_fashion, dynamic pose, twisting mid-spin, arms outstretched, one arm raised, looking up, from below, foreshortening, dutch angle, wide shot, ultra-detailed background, detailed objects, perspective, clear brushstrokes, dynamic composition, motion blur on hair, floating petals, no text, empty hands, bare of signage
Seen from below on a canted dutch angle, the shot tilts the world so the far end of the plaza climbs diagonally toward the upper right corner while she fills the left third of the frame, and the wide lens stretches her raised forearm so it looms large and soft-edged near the top of the frame. A slight girl with long blue hair cut through by white streaks and a single strand falling between her eyes whirls mid-spin: her weight rides on the ball of her left foot while her right leg sweeps out behind and her boot leaves the wet stone; her left arm is flung straight up to the sky, her right arm sweeps low and back across her body with the long jacket sleeve dragged out by the turn, and her chin is thrown back so the blue top hat with its small bow tips and hangs by a thread of shadow across her brow. One blue eye and one paler iris go up and off past the frame edge, tracking something the viewer cannot see, and her lips part on a caught breath. Her gloves are empty, her fingers open and spread to the air, nothing held. Behind and around her the square opens in unsparing depth: a colonnade of pale pillars recedes in forced perspective, an ornate lamp post in the right foreground is passed by her motion, stone urns, a balustrade, wet flagstones scored with mortar and dark weed at the joints, and, higher, a great facade with carved moldings and a clock tower reduced by distance but never flattened. Every surface is worked with clear, legible brushstrokes: broad loaded strokes on the foreground stones, thin dry strokes on the distant stonework, sharp wet strokes in the highlights. Low evening sun comes in from behind her to the left, so she reads partly as a rimmed silhouette with a hot line of light down her arm and the hat's brim, the flagstones throw long shadows toward the camera, and every lit edge in the background glows while the recesses of the colonnade go deep and cool blue-violet. Palette is cool stone grey and deep blue against the warm gold of that low sun, with a single run of saturated salt-white and blue in her hair and fin-like coat-tails. A shallow pool of rainwater in the foreground holds an inverted, darker and softer image of her spinning figure, ripples breaking it into broken strokes; loose petals kicked up by her turn hang in the air, brightest where the low sun strikes their little upward-facing faces. Exhilarated, buoyant.
Eugenie Holt
eh
character: furina_(genshin_impact), artist: thijikoy, copyright: genshin_impact
1girl, solo, furina_(genshin_impact), blue_hair, long_hair, white_hair, streaked_hair, multicolored_hair, ahoge, hair_between_eyes, blue_eyes, heterochromia, top_hat, blue_hat, bow, jacket, long_sleeves, ascot, gloves, ouji_fashion, dynamic pose, twisting mid-spin, arms outstretched, one arm raised, looking up, from below, foreshortening, dutch angle, wide shot, ultra-detailed background, detailed objects, perspective, clear brushstrokes, dynamic composition, motion blur on hair, floating petals, no text, empty hands, bare of signage
Seen from below on a canted dutch angle, the shot tilts the world so the far end of the plaza climbs diagonally toward the upper right corner while she fills the left third of the frame, and the wide lens stretches her raised forearm so it looms large and soft-edged near the top of the frame. A slight girl with long blue hair cut through by white streaks and a single strand falling between her eyes whirls mid-spin: her weight rides on the ball of her left foot while her right leg sweeps out behind and her boot leaves the wet stone; her left arm is flung straight up to the sky, her right arm sweeps low and back across her body with the long jacket sleeve dragged out by the turn, and her chin is thrown back so the blue top hat with its small bow tips and hangs by a thread of shadow across her brow. One blue eye and one paler iris go up and off past the frame edge, tracking something the viewer cannot see, and her lips part on a caught breath. Her gloves are empty, her fingers open and spread to the air, nothing held. Behind and around her the square opens in unsparing depth: a colonnade of pale pillars recedes in forced perspective, an ornate lamp post in the right foreground is passed by her motion, stone urns, a balustrade, wet flagstones scored with mortar and dark weed at the joints, and, higher, a great facade with carved moldings and a clock tower reduced by distance but never flattened. Every surface is worked with clear, legible brushstrokes: broad loaded strokes on the foreground stones, thin dry strokes on the distant stonework, sharp wet strokes in the highlights. Low evening sun comes in from behind her to the left, so she reads partly as a rimmed silhouette with a hot line of light down her arm and the hat's brim, the flagstones throw long shadows toward the camera, and every lit edge in the background glows while the recesses of the colonnade go deep and cool blue-violet. Palette is cool stone grey and deep blue against the warm gold of that low sun, with a single run of saturated salt-white and blue in her hair and fin-like coat-tails. A shallow pool of rainwater in the foreground holds an inverted, darker and softer image of her spinning figure, ripples breaking it into broken strokes; loose petals kicked up by her turn hang in the air, brightest where the low sun strikes their little upward-facing faces. Exhilarated, buoyant.
Eugenie Holt
eh
character: furina_(genshin_impact), artist: thijikoy, copyright: genshin_impact
1girl, solo, furina_(genshin_impact), blue_hair, long_hair, white_hair, streaked_hair, multicolored_hair, ahoge, hair_between_eyes, blue_eyes, heterochromia, top_hat, blue_hat, bow, jacket, long_sleeves, ascot, gloves, ouji_fashion, dynamic pose, twisting mid-spin, arms outstretched, one arm raised, looking up, from below, foreshortening, dutch angle, wide shot, ultra-detailed background, detailed objects, perspective, clear brushstrokes, dynamic composition, motion blur on hair, floating petals, no text, empty hands, bare of signage
Seen from below on a canted dutch angle, the shot tilts the world so the far end of the plaza climbs diagonally toward the upper right corner while she fills the left third of the frame, and the wide lens stretches her raised forearm so it looms large and soft-edged near the top of the frame. A slight girl with long blue hair cut through by white streaks and a single strand falling between her eyes whirls mid-spin: her weight rides on the ball of her left foot while her right leg sweeps out behind and her boot leaves the wet stone; her left arm is flung straight up to the sky, her right arm sweeps low and back across her body with the long jacket sleeve dragged out by the turn, and her chin is thrown back so the blue top hat with its small bow tips and hangs by a thread of shadow across her brow. One blue eye and one paler iris go up and off past the frame edge, tracking something the viewer cannot see, and her lips part on a caught breath. Her gloves are empty, her fingers open and spread to the air, nothing held. Behind and around her the square opens in unsparing depth: a colonnade of pale pillars recedes in forced perspective, an ornate lamp post in the right foreground is passed by her motion, stone urns, a balustrade, wet flagstones scored with mortar and dark weed at the joints, and, higher, a great facade with carved moldings and a clock tower reduced by distance but never flattened. Every surface is worked with clear, legible brushstrokes: broad loaded strokes on the foreground stones, thin dry strokes on the distant stonework, sharp wet strokes in the highlights. Low evening sun comes in from behind her to the left, so she reads partly as a rimmed silhouette with a hot line of light down her arm and the hat's brim, the flagstones throw long shadows toward the camera, and every lit edge in the background glows while the recesses of the colonnade go deep and cool blue-violet. Palette is cool stone grey and deep blue against the warm gold of that low sun, with a single run of saturated salt-white and blue in her hair and fin-like coat-tails. A shallow pool of rainwater in the foreground holds an inverted, darker and softer image of her spinning figure, ripples breaking it into broken strokes; loose petals kicked up by her turn hang in the air, brightest where the low sun strikes their little upward-facing faces. Exhilarated, buoyant.
Eugenie Holt
幕開け
Utah/龍愛
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