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GAKUENTANTEI CHARLOTTE

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GAKUENTANTEI CHARLOTTE

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1girl, solo, vampire, pale skin, long straight black hair, black hair, hime cut, small white ribbon bow, red eyes, small fangs, cute, huge breasts, large breasts, high-collared white victorian blouse, long sleeves, lace cuffs, navy blue pleated skirt, modest skirt, opaque black tights, black mary jane shoes, from below, close-up, cowboy shot, dutch angle, leaning forward, head tilt, looking down at viewer, sidelong glance, one eye closed, light smile, closed mouth, fang peek, arms behind back, hands clasped behind back, night, moonlight, empty stone courtyard, gothic architecture, bare stone wall, The camera sits low and tilted a few degrees off level, looking up from knee height: a cute vampire girl leans far forward over the lens, framed from mid-thigh to above the crown as a slow dutch angle tips the courtyard stones aslant. She is bent at the waist, hands clasped behind her back so both cuffs press against the small of her spine, and the loose weight of her chest hangs forward into the near foreground, the high lace-edged collar of the white Victorian blouse buttoned to the throat while the blouse strains softly over the bust and the modest navy pleated skirt falls straight below it, its point pleats catching a bright rim of light; her black tights and black mary-jane shoes rest close together on the flagstones, weight on the left foot, right toe turned inward for balance. Her long straight black hair slides over one shoulder and hangs down into the frame, the tips of it swinging forward past her lifted chin, and the small white ribbon bow sits high at the back-left of her head, its loops tilted by the angle of her neck. Her head is cocked to one side, one eye closed in a lazy wink, the other looking down the lens with a sidelong sideways glance over her cheek, one brow lifted, a closed-lipped light smile that lets a single small fang peek from the corner of her mouth. No earrings, both ears bare and unobstructed; the hair carries only the one ribbon, completely unadorned everywhere else. The only light is cold moonlight from high behind her left shoulder: it rims the crown of her head and the outer edge of one sleeve in a thin silver line, rakes across the leading curve of the blouse and the tops of her knuckles, and drops her face's shadowed side and the open folds of the skirt into a dense indigo dusk; her shadow is thrown forward onto the flagstones beneath the lens, shortened and pinched because the light falls so steeply. The palette holds to cold blue-grey stone, deep indigo shadow and the clarity of white cotton, with one warm note of rose in the wink-side cheek. Behind her, the courtyard steps and a bare stone wall recede out of focus, moss dark in the seams of the flagstones. Direct, playful, quietly wicked.
Show Parameters
Original Prompt
ๅทจไนณใงๅฏๆ„›ใ„ๆธ…ๆฅš็ณปๅธ่ก€้ฌผใฎๅฅณใฎๅญ
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.73k

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AI artwork
gc
1girl, solo, vampire, pale skin, long straight black hair, black hair, hime cut, small white ribbon bow, red eyes, small fangs, cute, huge breasts, large breasts, high-collared white victorian blouse, long sleeves, lace cuffs, navy blue pleated skirt, modest skirt, opaque black tights, black mary jane shoes, from below, close-up, cowboy shot, dutch angle, leaning forward, head tilt, looking down at viewer, sidelong glance, one eye closed, light smile, closed mouth, fang peek, arms behind back, hands clasped behind back, night, moonlight, empty stone courtyard, gothic architecture, bare stone wall, The camera sits low and tilted a few degrees off level, looking up from knee height: a cute vampire girl leans far forward over the lens, framed from mid-thigh to above the crown as a slow dutch angle tips the courtyard stones aslant. She is bent at the waist, hands clasped behind her back so both cuffs press against the small of her spine, and the loose weight of her chest hangs forward into the near foreground, the high lace-edged collar of the white Victorian blouse buttoned to the throat while the blouse strains softly over the bust and the modest navy pleated skirt falls straight below it, its point pleats catching a bright rim of light; her black tights and black mary-jane shoes rest close together on the flagstones, weight on the left foot, right toe turned inward for balance. Her long straight black hair slides over one shoulder and hangs down into the frame, the tips of it swinging forward past her lifted chin, and the small white ribbon bow sits high at the back-left of her head, its loops tilted by the angle of her neck. Her head is cocked to one side, one eye closed in a lazy wink, the other looking down the lens with a sidelong sideways glance over her cheek, one brow lifted, a closed-lipped light smile that lets a single small fang peek from the corner of her mouth. No earrings, both ears bare and unobstructed; the hair carries only the one ribbon, completely unadorned everywhere else. The only light is cold moonlight from high behind her left shoulder: it rims the crown of her head and the outer edge of one sleeve in a thin silver line, rakes across the leading curve of the blouse and the tops of her knuckles, and drops her face's shadowed side and the open folds of the skirt into a dense indigo dusk; her shadow is thrown forward onto the flagstones beneath the lens, shortened and pinched because the light falls so steeply. The palette holds to cold blue-grey stone, deep indigo shadow and the clarity of white cotton, with one warm note of rose in the wink-side cheek. Behind her, the courtyard steps and a bare stone wall recede out of focus, moss dark in the seams of the flagstones. Direct, playful, quietly wicked.
GAKUENTANTEI CHARLOTTE
AI artwork
gc
1girl, solo, vampire, pale skin, long straight black hair, black hair, hime cut, small white ribbon bow, red eyes, small fangs, cute, huge breasts, large breasts, high-collared white victorian blouse, long sleeves, lace cuffs, navy blue pleated skirt, modest skirt, opaque black tights, black mary jane shoes, from below, close-up, cowboy shot, dutch angle, leaning forward, head tilt, looking down at viewer, sidelong glance, one eye closed, light smile, closed mouth, fang peek, arms behind back, hands clasped behind back, night, moonlight, empty stone courtyard, gothic architecture, bare stone wall, The camera sits low and tilted a few degrees off level, looking up from knee height: a cute vampire girl leans far forward over the lens, framed from mid-thigh to above the crown as a slow dutch angle tips the courtyard stones aslant. She is bent at the waist, hands clasped behind her back so both cuffs press against the small of her spine, and the loose weight of her chest hangs forward into the near foreground, the high lace-edged collar of the white Victorian blouse buttoned to the throat while the blouse strains softly over the bust and the modest navy pleated skirt falls straight below it, its point pleats catching a bright rim of light; her black tights and black mary-jane shoes rest close together on the flagstones, weight on the left foot, right toe turned inward for balance. Her long straight black hair slides over one shoulder and hangs down into the frame, the tips of it swinging forward past her lifted chin, and the small white ribbon bow sits high at the back-left of her head, its loops tilted by the angle of her neck. Her head is cocked to one side, one eye closed in a lazy wink, the other looking down the lens with a sidelong sideways glance over her cheek, one brow lifted, a closed-lipped light smile that lets a single small fang peek from the corner of her mouth. No earrings, both ears bare and unobstructed; the hair carries only the one ribbon, completely unadorned everywhere else. The only light is cold moonlight from high behind her left shoulder: it rims the crown of her head and the outer edge of one sleeve in a thin silver line, rakes across the leading curve of the blouse and the tops of her knuckles, and drops her face's shadowed side and the open folds of the skirt into a dense indigo dusk; her shadow is thrown forward onto the flagstones beneath the lens, shortened and pinched because the light falls so steeply. The palette holds to cold blue-grey stone, deep indigo shadow and the clarity of white cotton, with one warm note of rose in the wink-side cheek. Behind her, the courtyard steps and a bare stone wall recede out of focus, moss dark in the seams of the flagstones. Direct, playful, quietly wicked.
GAKUENTANTEI CHARLOTTE
AI artwork
gc
1girl, solo, vampire, pale skin, long straight black hair, black hair, hime cut, small white ribbon bow, red eyes, small fangs, cute, huge breasts, large breasts, high-collared white victorian blouse, long sleeves, lace cuffs, navy blue pleated skirt, modest skirt, opaque black tights, black mary jane shoes, from below, close-up, cowboy shot, dutch angle, leaning forward, head tilt, looking down at viewer, sidelong glance, one eye closed, light smile, closed mouth, fang peek, arms behind back, hands clasped behind back, night, moonlight, empty stone courtyard, gothic architecture, bare stone wall, The camera sits low and tilted a few degrees off level, looking up from knee height: a cute vampire girl leans far forward over the lens, framed from mid-thigh to above the crown as a slow dutch angle tips the courtyard stones aslant. She is bent at the waist, hands clasped behind her back so both cuffs press against the small of her spine, and the loose weight of her chest hangs forward into the near foreground, the high lace-edged collar of the white Victorian blouse buttoned to the throat while the blouse strains softly over the bust and the modest navy pleated skirt falls straight below it, its point pleats catching a bright rim of light; her black tights and black mary-jane shoes rest close together on the flagstones, weight on the left foot, right toe turned inward for balance. Her long straight black hair slides over one shoulder and hangs down into the frame, the tips of it swinging forward past her lifted chin, and the small white ribbon bow sits high at the back-left of her head, its loops tilted by the angle of her neck. Her head is cocked to one side, one eye closed in a lazy wink, the other looking down the lens with a sidelong sideways glance over her cheek, one brow lifted, a closed-lipped light smile that lets a single small fang peek from the corner of her mouth. No earrings, both ears bare and unobstructed; the hair carries only the one ribbon, completely unadorned everywhere else. The only light is cold moonlight from high behind her left shoulder: it rims the crown of her head and the outer edge of one sleeve in a thin silver line, rakes across the leading curve of the blouse and the tops of her knuckles, and drops her face's shadowed side and the open folds of the skirt into a dense indigo dusk; her shadow is thrown forward onto the flagstones beneath the lens, shortened and pinched because the light falls so steeply. The palette holds to cold blue-grey stone, deep indigo shadow and the clarity of white cotton, with one warm note of rose in the wink-side cheek. Behind her, the courtyard steps and a bare stone wall recede out of focus, moss dark in the seams of the flagstones. Direct, playful, quietly wicked.
GAKUENTANTEI CHARLOTTE

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