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AI art "諏訪子" featuring #Touhou Project and #Moriya Suwako

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諏訪子

#Touhou Project #Moriya Suwako

Published on Nov 1, 2026

マルス

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character: moriya_suwako 1girl, solo, moriya_suwako, blonde hair, medium hair, long hair, yellow eyes, hair ribbon, hat, brown hat, sitting, seiza, hands on own thighs, purple kariginu, frog print, frog pattern, miko outfit underneath, white sleeves, wide sleeves, short furisode sleeves, sleeves spread out, outstretched sleeves, short red hakama, knees visible, bare knees, japanese-style room, washitsu, tatami floor, shoji, from above, dutch angle, looking up at viewer, light smile, closed mouth, head tilt, sidelit The camera looks down from above and slightly off-axis, tilted a few degrees so the tatami seams run as diagonals beneath her. She sits seiza at the center of the washitsu floor, hips on her heels, both shins flat against the tatami, knees bared where the short red hakama ends at mid-thigh; the pleats of the red fabric fan out in flat arcs around her knees and pool in small folds where they meet the mat. Her torso is turned a touch toward the left of frame while her face lifts back up toward the lens, chin raised, one brow faintly raised, lips together in a small closed smile; her eyes meet the viewer's. Both arms are held out and down from the shoulders, elbows softly bent, palms open toward the floor as she spreads the sleeves horizontally to either side: the short white furisode sleeves hang away from her forearms and open outward in flat, wide triangles of white cloth that catch the light along their outer folds, their hems swinging a little forward from the movement. The purple kariginu sits over the white miko garment, its own wide sleeves left full-length and hanging from her wrists; across the purple silk the frog motif repeats in darker and lighter green patches, and where the cloth lifts along her forearms the frogs stretch and overlap the fold lines, each one riding the curvature of the fabric rather than lying flat. The white miko collar shows above the kariginu's neckline, the red hakama's waistband crosses her middle beneath it, and the hat rests on her head with its brim throwing a soft shadow band across her forehead; the long blonde hair falls behind her shoulders in a heavy mass down her back and a pair of ribboned locks swing forward past her cheeks. Light comes in low from the shoji at the right of frame: it rakes across the tatami in long bright bars, strikes the right side of her face, the right sleeve's white outer face and the tops of her thighs, and leaves the left half of her body in cooler shadow, a crisp cast shadow of the paper lattice lying across the mat beside her. The room is otherwise sparsely furnished -- a low wooden alcove post at the back left, a hanging scroll's edge just inside frame, the paper screens receding into shallow focus -- so the detail budget stays on her face, hands, the frog-printed purple cloth and the spread white sleeves. Palette of warm straw tatami, cool white paper light, deep red and royal purple with green frog accents. Quiet, composed.

諏訪子

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