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yabekun.#0

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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character: march_7th_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, march 7th (honkai: star rail), pink hair, medium hair, long hair, hair between eyes, hair ornament, blue eyes, pink eyes, two-tone eyes, white shirt, long sleeves, jacket, black gloves, skirt, earrings, jewelry, space train station, futuristic station platform, train passing, wind, skirt lift, wind lift, holding skirt down, both hands on skirt, panties, white panties, visible panties, unaware, oblivious, light smile, looking to the side, from below, full body, dutch angle, motion lines, flying hair, floating hair, cloth blowback, standing on one leg, blush, parted lips, windblown From a low dutch angle near the platform floor, a single girl stands alone on the polished deck of a space train station, the camera tilted so the receding vault of the terminal climbs diagonally behind her. She is caught mid-stumble: her weight thrown onto her back foot, the front foot lifting off the deck, one shoulder dropping as she twists toward the passing train. A silver train streaks through the platform behind her, its slipstream tearing across the deck and whipping her long pink hair and the twin tails out sideways, the strands between her eyes snapping across her cheek. Her white shirt and jacket flap hard against her body, sleeves ballooning. The blast catches her skirt and flips it up and out to her left thigh, the fabric snapping taut in the wind. Both black-gloved hands dive down and grab the hem, fingers clutching the cloth and dragging it toward her legs, elbows pressed in, shoulders hunched in a frantic cover-up — but the wind overpowers her grip and the skirt stays lifted. Under it, plain white panties are fully exposed to the camera, framed by the gap where her hands pull the fabric aside; she does not know. Her face angles away from the lens and slightly up toward the departure board: chin lifted, a light, unbothered closed-lip half-smile, eyes crinkled and looking off to the side at the train, brows relaxed, utterly oblivious to what the wind and the low camera have revealed. A faint blush sits high on her cheeks from the rush of air, not from embarrassment. Behind her the platform's ribbed arch and lit strip signage curve with the deck's perspective, the lettering on the far signs worn and illegible at this distance. Cold pale-blue station light floods down from the ceiling strips, rimming her hair and the edge of the lifted skirt in a thin silver line; a long soft shadow of her legs stretches across the deck toward the camera and bends where the skirt's shadow breaks. Overhead, small dust and paper scraps swirl visibly across the deck in the same direction as the fabric, tracking the gust. Steel blue, white and her pink hair are the palette, with the white of the shirt and the panties reading as the brightest notes. Effortlessly breezy, faintly comic.
Rena

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