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2026年：ラブライブニセコイ19周年

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nisekoi #Nozomi Tojo #Eli Ayase #Honoka Kousaka #Yazawa Nico #Nishikino Maki #Sonoda Umi #Minami Kotori #Koizumi Hanayo #Hoshizora Rin #Love Live!#Amana Osaki #Tenka Osaki

Published on Nov 1, 2026

Ivana Aurelia

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character: ayase_eli, sonoda_umi, tojo_nozomi, koizumi_hanayo, hoshizora_rin, nishikino_maki, yazawa_nico, kosaka_honoka, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, kimono, japanese village, wide shot, from above, slight dutch angle, day, outdoors, kosaka honoka, orange hair, short hair, hair between eyes, blue eyes, ayase eli, blonde hair, long hair, ponytail, blue eyes, minami kotori, brown hair, long hair, yellow eyes, tojo nozomi, purple hair, long hair, twintails, green eyes, sonoda umi, blue hair, long hair, hair between eyes, yellow eyes, koizumi hanayo, brown hair, short hair, purple eyes, hoshizora rin, orange hair, short hair, yellow eyes, nishikino maki, red hair, short hair, purple eyes, yazawa nico, black hair, long hair, twintails, red eyes, osaki amana, red hair, brown hair, long hair, swept bangs, yellow eyes, osaki tenka, brown hair, long hair, hair between eyes, yellow eyes, kimono, obi, geta, wooden buildings, stone path, paper lanterns, cherry blossoms, smiling, open mouth, looking at another, walking, leaning forward, waving, head tilt, arms up, pointing, looking back, candid, warm sunlight, dappled shadows, vibrant palette The camera looks down from a low earthen embankment at a slight dutch tilt, the eleven girls strung along a curving stone path that threads between dark-timbered machiya townhouses with deep tiled eaves and lattice fronts. Foreground left, Honoka leads the line, caught mid-hop off one geta, sleeve swinging, arm flung up toward the eaves where a paper lantern hangs; her gaze tips up at it while Kotori, half a step behind, has turned her chin over her shoulder to look back at the others with a soft open-mouthed laugh, one hand lifting her hem clear of the stones. Eli walks at the group's crest, weight on her back foot, ponytail and long sleeve trailing as she points ahead down the lane, eyes on the far turn of the street rather than the lens. Nozomi and Umi walk hip to hip, Nozomi leaning in with a sly sideways glance at Umi's profile, Umi looking down at the obi she is retying with both hands, brow faintly knit. Rin skips at the path's outer edge on the ball of one foot, both arms raised, face tipped up toward the falling petals; Hanayo, close beside her, clutches her sleeve cuff at her chest with a small startled smile aimed at Rin's bouncing geta. Maki walks at the group's right flank, half turned away, one hand tucked into her obi, eyes cut sideways toward the lanterns and a closed, self-conscious mouth. Nico brings up the rear with the broadest posture of all, chin high, one finger lifted in a lecturing point toward the camera's lower edge, grin wide and lopsided. Amana and Tenka share the back of the frame on the path's far curve, Amana stretching up on tiptoe to touch a low cherry branch, Tenka's hand closed around her sister's other wrist to steady her, both faces tipped toward the blossom rather than the viewer. Each kimono is a distinct colour so the line reads as eleven separate silhouettes from above: Honoka in saffron orange with a white obi, Eli in deep navy with a silver-grey obi, Kotori in pale mint with a cream obi, Nozomi in violet with a gold obi, Umi in indigo with a white obi, Hanayo in warm rose with a plum obi, Rin in tangerine with a yellow obi, Maki in crimson with a black obi, Nico in black with a vivid red obi, Amana in coral pink with a soft yellow obi, Tenka in muted teal with a brown obi. Every sleeve is wide and hanging, every hem gathered clear of the stone; no earrings, no western jewellery -- bare lobes under every swept hairstyle, hair held only by the ornament the girls already wear. The light comes from one warm low sun at frame right, raking across the lane so the timbers throw long shadows to the left and the far townhouses fall into a cool blue shade; sunlit petals on the path are bright while the ones in shadow are duller and softly blurred, and the little puffs of dust lifted by the geta hang only where the light strikes them. Cherry petals fall on every upward-facing surface -- eaves, shoulders, obi knots -- but not on the undersides of anything. Flat cel shading with crisp linework, saturated warm palette against cool shade, high-contrast colour blocking. Sunlit, buoyant.

2026年：ラブライブニセコイ19周年

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