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Matty Murray

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Matty Murray

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character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
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Original Prompt
character: bakugou_katsuki — Adult pro hero Dynamight, tall and extremely muscular, lying flat on his BACK on a dark floor, actively struggling to escape — body twisting and writhing, spine arching up off the floor, knees bent and kicking, shoulders digging into the ground as he rocks in furious resistance. He wears his black final-season hero costume with orange X-chest harness straps, silver grenadier bracers, armored knee guards and boots. His hands are pinned behind his back under his body. Wide bands of silvery duct tape are wrapped over his arms, his biceps, his thighs, his knees and his ankles, and a band of tape cinches around his hips and crotch, the tape creasing and pulling taut with the strain of his thrashing muscles. His mouth is gagged with several thick layers of duct tape wrapped around his head, lips sealed flat, with a clear round bulge straining the tape outward where something is stuffed inside his mouth. Furious red eyes glaring up, brows crushed into a defiant scowl, sweat on his face, spiked ash-blond hair messy. Low side-angle shot skimming the floor, single hard spotlight from above casting deep dramatic shadows, moody noir lighting, high contrast, detailed anime style, sharp linework, cinematic composition.
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flash
Size
1104 x 1824
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character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
AI artwork
mm
character: bakugou_katsuki 1boy, solo, bakugou katsuki, adult, tall, extremely muscular, broad shoulders, thick arms, black final-season hero costume, black bodysuit, orange x-chest harness straps, silver grenadier bracers, armored knee guards, armored boots, duct tape, duct tape bindings, arms bound, biceps bound, thighs bound, knees bound, ankles bound, hips bound, crotch tape, tape creased, tape pulled taut, hands behind back, hands pinned under body, lying on back, on floor, dark floor, writhing, twisting body, struggling, arching back, spine arch, bent knees, kicking, shoulders digging into floor, rocking, gagged, tape gag, thick layered duct tape around head, lips sealed, mouth bulge, stuffed mouth, red eyes, glaring, looking up, angry, scowl, furrowed brows, defiant, sweat, sweaty face, sweat drops, spiked hair, messy hair, ash-blond hair, from side, low angle, floor level, dramatic shadows, single spotlight, harsh overhead light, high contrast, chiaroscuro, clenched teeth under tape, straining muscles, veins on arms, motion lines, restrained, furious, noir Low side-angle shot skimming the floor: the camera sits almost at ground level on Dynamight's right side, looking slightly up across the dark floor at him, so the boards of the floor recede in a hard diagonal from the bottom-left corner toward the upper right and his body lies along that diagonal, head at the upper-right of the frame, bound ankles toward the lower left. He is flat on his back, one enormous shoulder blade and the point of the other shoulder jammed into the black floor, his spine bowed up off the ground in a taut arch that lifts his black-costumed chest and the orange X of the harness straps clear of the floor, the straps digging into the pectorals and pulled crooked by the twist of his torso. His knees are bent up, one armored knee guard higher than the other, both armored boots braced and kicking so that one heel drags a smear across the floor and the other boot hovers a hand's width above it. His hips roll and his torso counter-twists the other way, and the wide band of silvery duct tape cinched around his hips and crotch stretches and creases along the pull, its wrinkles radiating from the hip bones; more wide bands of the same silvery tape are wrapped around both upper arms and across the biceps, around both thighs above the knee guards, around both knees and around both booted ankles, each band taut enough to compress the muscle beneath and each band creased in fine longitudinal wrinkles where the muscle swells against it. Both gloved hands are trapped behind his back, pinned flat under the small of his body, only the edge of one silver-capped wrist and the bunched fingers visible past his hip. His head is wrenched back and turned up toward the lens, chin lifted, spiked ash-blond hair crushed and messy against the floor, several thick layers of silvery duct tape wound right around his head and jaw, sealing his lips flat, and a clear round bulge pushes the tape outward at the centre of his mouth, the tape stretched glossy and thin over it; his red eyes glare straight up into the spotlight, brows crushed down into a defiant scowl, sweat beading and running down his temple and jaw, a few drops flung off in the thrash. The single hard spotlight sits directly above him and slightly behind the camera's line, its cone cutting down through absolute darkness so that the light strikes the top surfaces of his body -- the arch of his chest, the crown of his shoulder, the upraised bent knee, the taped bulge of his gag, the crest of his hair -- while beneath and behind him the shadow is solid black and his own cast shadow is crushed flat into the floor around his silhouette, pooled at his hips and under his arched spine so he seems to float on a dark island of light. Beyond the rim of that pool the room does not exist; the darkness is total. Palette: the black of the suit and the surrounding dark, the dull silver of the tape and bracers, a single hot orange band across his chest, the red of his eyes, and the pale ash-blond of his hair and his sweat-slick skin as the only bright notes against the noir field. Sharp, crisp linework, deep chiaroscuro, cinematic widescreen composition with his straining face at the upper right and the kicked boot at the lower left, sharp pooled shadow under the arch of his spine. Furious, claustrophobic.
Matty Murray
AI artwork
m2
character: bakugou_katsuki 1boy, solo, muscular, bakugou katsuki, blonde short spiked hair, red eyes, final season hero suit, black and orange hero costume, black pants, gloves, sitting, chair, dark closet, bound to chair, ankles taped together, knees taped together, thighs taped, arms taped, wrists taped, elbows taped, shoulders taped, torso taped, chest taped, silver duct tape, large orange ballgag, ball gag, open mouth, blush, angry, glaring, furrowed brow, sweat, from above, dutch angle, medium shot, cramped interior, crack of light, low key lighting, dramatic shadow, clenched fists, tense muscles, straining against tape, half-closed eyes. The camera looks down from above and slightly to the right, through the narrow gap of a closet door that is almost closed; the chair sits low in the frame and the figure fills it. He is a heavy-set young man with short, spiked ash-blond hair that stands up in stiff tufts, a broad chest and thick shoulders, wearing his dark hero costume: a black jacket with orange accents and high collar, black pants and gloves. He is forced into a wooden chair in a closet no wider than his shoulders, the back of the chair pressed against the back wall, his spine pushed straight. Both ankles are wound together with overlapping strips of silver duct tape; below them his boots rest flat on the closet floor. His knees are bound to each other with several tight wraps of the same tape, pulling his thighs parallel and slightly apart, and more strips loop around each thigh, cinching the fabric of his pants. His upper arms are pinned to his sides with tape wound around them and his torso, crossing his chest in a tight band; his forearms are taped at the wrists and elbows in front of his stomach, hands curled into fists that press into his taped chest. His shoulders are bound back against the chair, and the tape across his chest compresses the costume. A very large orange ball gag fills his mouth, its strap running behind his head; his jaw is stretched around it, lips pulled back, and a thin string of saliva glistens at the corner of his mouth. His cheeks are deeply flushed, ears red, and his brow is drawn down hard, one eye narrowed, nostrils flared, sweat beading at his temple. He glares toward the crack of light. The closet is a dark box of hanging coats and a shelf, mostly black; a single narrow blade of pale light enters through the gap between the door and frame and falls diagonally across his left cheek, shoulder and taped chest, the only illuminated surfaces, with the rest of the closet in near-total darkness. The tape's glossy surface catches that thin light while the surrounding cloth stays matte. Palette is black, silver and a single saturated orange at the gag and the costume accents. Tense, claustrophobic.
mmurray28
AI artwork
character: bakugou_katsuki 1boy, solo, muscular male, spiked blonde hair, red eyes, full hero suit, black and orange hero costume, dark arm gauntlets, kneeling, face to floor, forehead pressed against ground, prostrate, arms behind back, arms bound, arms stretched back, elbows tied, rope, rope around arms, shibari, tape, black tape, bound wrists, bound knees, knees tied, knees taped, bound ankles, ankles tied, thighs tied, white cloth gag, over-the-nose gag, mouth covered, gagged, head down, eyes looking down, tense brow, gritted teeth under cloth, straining muscles, sweat, from above, high angle, close-up, dramatic lighting, reddish ambient light, bound, restrained, submission, From a high three-quarter overhead angle looking down, one muscular man kneels alone at the center of a bare dark concrete floor, forehead and face pressed flat against the ground so his spiked blonde hair fans down toward the camera and his red eyes glare forward-down along the floor with a tense furrowed brow. His upper body is bowed forward, weight resting on his knees and forehead, his black and orange hero suit — dark arm gauntlets, orange chest panels, dark pants with orange knee plates — pulled taut over straining shoulders and back. Both arms are wrenched straight back behind him and stretched out, thick rope coiled in tight repeated loops around his elbows and forearms, black tape wound over the rope in crossing bands, forearms nearly meeting behind his back; the stretch draws his shoulder blades sharply together. His knees are wrapped in rope and taped, his thighs cinched with rope bands, and his ankles bound tight so the feet sit close together behind him. A white cloth is stretched over his nose and mouth, pulling his lower face down and covering his jaw. The light comes from a single overhead source, casting hard short shadows beneath his thighs and arms and leaving the far corners of the floor deep in shadow; the palette stays dull grey concrete and his costume's black and orange. The scene is a tight overhead composition, only his bound body filling the frame against the concrete, tense and helpless.
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