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AI artwork featuring #Yowane Haku, #Vocaloid and #Kagamine Len
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Yowane Haku, Kagamine Len

#Yowane Haku#Vocaloid#Kagamine Len
Avatar image of Empress Force
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Empress Force

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character: yowane_haku, kagamine_len 2girls, kagamine len, yowane haku, on a boat, heading toward an island, boat, small wooden rowboat, open sea, island in distance, from behind, over-shoulder composition, from above, high angle, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, long hair, grey hair, very long hair, low ponytail, ahoge, striped bow, headphones, headset, grey shirt, crop top, bare shoulders, purple necktie, nail polish, leaning forward, looking at another, outstretched arm, pointing at viewer, wind, hair blowing, ripples, wake, sunlight, cumulus clouds, blue sky, teal sea, warm afternoon light, cinematic wide shot, adventure, quiet anticipation The camera sits high behind the two of them, looking down over their shoulders toward the horizon: a small wooden rowboat fills the lower third of the frame, its weathered planks running diagonally from bottom-left to center, and the two figures are seen from behind and slightly above, so their faces are turned away toward the island ahead. On the right thwart, Kagamine Len kneels half-upright with one knee braced against the seat, weight on his left leg, torso twisted a little to the right; his white long-sleeved shirt is rolled at the forearms and a loose ouji-style collar sits open at his throat, his shorts dark against the pale wood, and his right arm is flung out toward the distance, index finger pointing at the low island on the horizon while his left hand hooks the gunwale for balance. His short blonde hair blows forward across his temples and he leans into the wind, chin lifted, eyes narrowed against the spray, clearly grinning though the camera only catches the corner of his jaw and cheek. Beside him, seated on the near thwart with her back three-quarters to the lens, Yowane Haku has both hands curled around the oar handle across her lap, elbows loose, her long grey hair gathered in a low ponytail that streams sideways and back over her shoulder, her ahoge whipping; a striped bow sits at the base of the ponytail, headphones rest around her neck over bare shoulders, and the purple necktie of her grey crop top lifts and flutters toward the bow of the boat. She tips her head slightly toward Len's outstretched arm, so the line of her gaze runs along it to the island, and her shoulders are drawn up a little against the cold wind; her painted nails show where her fingers grip the oar. The oar's blade disappears into the water on the left, and behind the boat the sea fans into a widening V of wake, foam only on the churned crests, the water flattening into long teal swells toward the horizon. The island lies small and dark-green dead ahead, a pale sand notch at its shore, a few low clouds stacked above it. Sunlight comes from the upper right and slightly behind them, so their hair and shoulders catch a warm rim of light while their fronts fall into soft shade, and the boat casts a hard-edged shadow onto the water to the lower left. The palette is held to teal sea, warm blond and pale wood, grey and violet accents, and bleached white cloud. Late-afternoon clarity, salt and motion, quiet anticipation.
Show Parameters
Original Prompt
鏡音レンと弱音ハクが船で島に向かう。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

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AI artwork
Avatar image of Empress Force
character: yowane_haku, kagamine_len 2girls, kagamine len, yowane haku, on a boat, heading toward an island, boat, small wooden rowboat, open sea, island in distance, from behind, over-shoulder composition, from above, high angle, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, long hair, grey hair, very long hair, low ponytail, ahoge, striped bow, headphones, headset, grey shirt, crop top, bare shoulders, purple necktie, nail polish, leaning forward, looking at another, outstretched arm, pointing at viewer, wind, hair blowing, ripples, wake, sunlight, cumulus clouds, blue sky, teal sea, warm afternoon light, cinematic wide shot, adventure, quiet anticipation The camera sits high behind the two of them, looking down over their shoulders toward the horizon: a small wooden rowboat fills the lower third of the frame, its weathered planks running diagonally from bottom-left to center, and the two figures are seen from behind and slightly above, so their faces are turned away toward the island ahead. On the right thwart, Kagamine Len kneels half-upright with one knee braced against the seat, weight on his left leg, torso twisted a little to the right; his white long-sleeved shirt is rolled at the forearms and a loose ouji-style collar sits open at his throat, his shorts dark against the pale wood, and his right arm is flung out toward the distance, index finger pointing at the low island on the horizon while his left hand hooks the gunwale for balance. His short blonde hair blows forward across his temples and he leans into the wind, chin lifted, eyes narrowed against the spray, clearly grinning though the camera only catches the corner of his jaw and cheek. Beside him, seated on the near thwart with her back three-quarters to the lens, Yowane Haku has both hands curled around the oar handle across her lap, elbows loose, her long grey hair gathered in a low ponytail that streams sideways and back over her shoulder, her ahoge whipping; a striped bow sits at the base of the ponytail, headphones rest around her neck over bare shoulders, and the purple necktie of her grey crop top lifts and flutters toward the bow of the boat. She tips her head slightly toward Len's outstretched arm, so the line of her gaze runs along it to the island, and her shoulders are drawn up a little against the cold wind; her painted nails show where her fingers grip the oar. The oar's blade disappears into the water on the left, and behind the boat the sea fans into a widening V of wake, foam only on the churned crests, the water flattening into long teal swells toward the horizon. The island lies small and dark-green dead ahead, a pale sand notch at its shore, a few low clouds stacked above it. Sunlight comes from the upper right and slightly behind them, so their hair and shoulders catch a warm rim of light while their fronts fall into soft shade, and the boat casts a hard-edged shadow onto the water to the lower left. The palette is held to teal sea, warm blond and pale wood, grey and violet accents, and bleached white cloud. Late-afternoon clarity, salt and motion, quiet anticipation.
Empress Force
AI artwork
Avatar image of Empress Force
character: yowane_haku, kagamine_len 2girls, kagamine len, yowane haku, on a boat, heading toward an island, boat, small wooden rowboat, open sea, island in distance, from behind, over-shoulder composition, from above, high angle, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, long hair, grey hair, very long hair, low ponytail, ahoge, striped bow, headphones, headset, grey shirt, crop top, bare shoulders, purple necktie, nail polish, leaning forward, looking at another, outstretched arm, pointing at viewer, wind, hair blowing, ripples, wake, sunlight, cumulus clouds, blue sky, teal sea, warm afternoon light, cinematic wide shot, adventure, quiet anticipation The camera sits high behind the two of them, looking down over their shoulders toward the horizon: a small wooden rowboat fills the lower third of the frame, its weathered planks running diagonally from bottom-left to center, and the two figures are seen from behind and slightly above, so their faces are turned away toward the island ahead. On the right thwart, Kagamine Len kneels half-upright with one knee braced against the seat, weight on his left leg, torso twisted a little to the right; his white long-sleeved shirt is rolled at the forearms and a loose ouji-style collar sits open at his throat, his shorts dark against the pale wood, and his right arm is flung out toward the distance, index finger pointing at the low island on the horizon while his left hand hooks the gunwale for balance. His short blonde hair blows forward across his temples and he leans into the wind, chin lifted, eyes narrowed against the spray, clearly grinning though the camera only catches the corner of his jaw and cheek. Beside him, seated on the near thwart with her back three-quarters to the lens, Yowane Haku has both hands curled around the oar handle across her lap, elbows loose, her long grey hair gathered in a low ponytail that streams sideways and back over her shoulder, her ahoge whipping; a striped bow sits at the base of the ponytail, headphones rest around her neck over bare shoulders, and the purple necktie of her grey crop top lifts and flutters toward the bow of the boat. She tips her head slightly toward Len's outstretched arm, so the line of her gaze runs along it to the island, and her shoulders are drawn up a little against the cold wind; her painted nails show where her fingers grip the oar. The oar's blade disappears into the water on the left, and behind the boat the sea fans into a widening V of wake, foam only on the churned crests, the water flattening into long teal swells toward the horizon. The island lies small and dark-green dead ahead, a pale sand notch at its shore, a few low clouds stacked above it. Sunlight comes from the upper right and slightly behind them, so their hair and shoulders catch a warm rim of light while their fronts fall into soft shade, and the boat casts a hard-edged shadow onto the water to the lower left. The palette is held to teal sea, warm blond and pale wood, grey and violet accents, and bleached white cloud. Late-afternoon clarity, salt and motion, quiet anticipation.
Empress Force
AI artwork
fe
character: yowane_haku, kagamine_len 2girls, 1boy, kagamine len, yowane haku, apology venue, bowing, deep bow, apologizing, apology stage, from side, cowboy shot, dutch angle, full body, head down, eyes downcast, closed eyes, blonde short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, ahoge, striped hair bow, headphones around neck, grey crop top shirt, bare shoulders, purple necktie, nail polish, standing on stage, hands at sides, hands pressed to thighs, microphone stand, wooden podium, red curtain backdrop, banner, speech bubble, "申し訳ございませんでした", stage lights, spotlight from above, dramatic shadow, solemn The camera sits low and off-axis in a slight dutch tilt, looking up from stage-left at a shallow angle, so the two figures are seen mostly in profile against the deep red curtain that hangs behind them. On the left, the boy with short blonde hair and blue eyes bows deeply from the waist, spine folded forward, his white long-sleeved shirt pulling taut across his shoulders and the cuffs sliding back from his wrists; both arms hang straight, palms pressed flat against the outside of his thighs just above the shorts, heels together and toes slightly apart, the weight carried on the balls of his feet. On the right, a little farther back and a half-step behind, the girl with very long grey hair bows just as deep; her hair, gathered in a low ponytail, slides forward over her shoulder and hangs down past her face, the striped bow at the nape showing, the short ahoge at her crown still springing up against gravity; her bare shoulders catch the light above the grey crop-top, the purple necktie swinging free of her chest, and her polished fingertips rest on her knees. Both faces are angled down and away from the lens, eyes closed or fixed on the stage floor, chins tucked. The stage floor is dark varnished wood, scuffed and faintly reflective, and a single microphone stand on a weighted base stands between them, tipped slightly forward as if nudged. Above and behind, a wide horizontal banner is stretched across the curtain, its fabric rippling so the lettering on it curves with the folds; there is no legible text on it, only a soft blurred band of pale glyph shapes. A hard spotlight from high above and slightly front-left cuts a bright ellipse on the boards around the two bowed figures, throwing their long doubled shadows backward onto the curtain and leaving everything beyond the ellipse — the wings, the upper curtain, the back of the stage — in near-blackness; the lamp is the only source, its beam warming the blonde hair to gold, cooling the grey hair to silver, and glinting off the varnished floor where the light rakes across it. Palette: deep crimson curtain, near-black shadow, warm tungsten white on skin, the purple of the necktie the one cool accent, blond and grey the two hair notes. A speech bubble rises from the bowed pair, its tail pointing down between them, and inside it reads "申し訳ございませんでした" in clean rounded lettering. The whole frame is held in a hushed, formal, faintly absurd solemnity.
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