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きのこ

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Comments

1girl, solo, hayuru himekawa, masou gakuen hxh, school uniform, white jacket, red trim, red necktie, collared shirt, off shoulder, long sleeves, blue skirt, miniskirt, pleated skirt, garter straps, thighhighs, navy thighhighs, shoes, loafers, three-quarter view, smile, hands behind back, beautiful blue sky, anime official art, anime, black hair, long hair, twin braids, red hair ribbons, ahoge, purple eyes, large breasts
Show Parameters
Original Prompt
school uniform,white jacket,red trim,red necktie,collared shirt,off shoulder,long sleeves,blue skirt,miniskirt,pleated skirt,garter straps,thighhighs,navy thighhighs,shoes,loafers 斜め前からの視点 微笑み 両手を背中で組む 美しい青空
Quality Tag
masterpiece, best quality, ultra detailed, highly detailed face, beautiful detailed eyes, ﹝Prompts﹞
Size
960 x 1280
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
7
Negative
worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,

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AI artwork
Avatar image of きのこ
character: himekawa_hayuru 1girl, solo, (tv anime screenshot:1.3), (anime scene frame:1.2), 2d animation style, sharp crisp lineart, 2d cell shading, flat colors, full body, standing, front view, facing viewer, precise likeness, long dark hair, single ahoge, twin side braids, red hair ribbons, purplish blue eyes, indigo eyes, detailed sharp anime eyes, precise eye highlights, gradient eye iris, gentle smile, large breasts, white zipped crop jacket, red and gold trimmed collar, short red necktie, bare shoulders, detached white sleeves, red cuffs with gold patterns, dark navy blue pleated miniskirt, double white stripes on skirt hem, red garter straps, dark navy blue thigh-high stockings, red side stripes on stockings, dark navy loafers with white soles, feet clearly visible, plain white background, simple background, no text, no logo, no watermark, accurate anatomy, weight on one leg, hand at the hem of her jacket, looking at viewer A full-body front view, camera at chest height and dead level with her, so the whole figure from the top of her head to the soles of both loafers sits inside the frame with a margin of plain white above and below. She stands with her weight carried on her left leg, the left loafer flat and angled slightly outward, the right knee bent and the right toe turned in so its white sole lifts just clear of the ground; her right hip is pushed out and her left shoulder drops a little, which throws one side of the jacket open over her ribs. Her right hand rests at the hem of the white zipped crop jacket, fingers curled in the fabric, and her left arm hangs relaxed with the loose detached sleeve slipping a centimetre down her upper arm so a sliver of bare skin shows at the very top. The crop jacket stops above her waist, its red and gold trimmed collar turning up around the back of her neck, the zip run closed to mid-chest and open above it; the short red necktie lies flat on her sternum before the jacket's edge cuts across it. Both shoulders are bare, the sleeve tops sitting away from the shoulder line, and the red cuffs with gold patterns band her forearms above her wrists. The dark navy pleated miniskirt breaks into crisp vertical pleats, its double white bottom stripes running parallel a finger's width above the hem; below it the red garter straps pull taut and clip to the dark navy thigh-high stockings, whose red side stripes run in unbroken lines down the outside of each leg into the loafers. Her hair is long and dark, falling behind and in front of her shoulders, with the two side braids hanging forward over her collarbones and their red hair ribbons tied at the top of each, and a single ahoge lifting and curling off the crown. Her face is turned square to the viewer, chin level, eyes on the lens: purplish blue deepening to indigo at the outer iris in a smooth gradient, sharp dark lash lines at the upper lid, one small precise highlight high in each iris, lower lids slightly softened; the smile is gentle, closed-lipped, the corners lifting only a little while the eyes stay wide and warm. Even, shadowless key light from straight in front of her, the kind that leaves a faint cool shading only under the chin, along the inner side of the thigh-high stockings' top edge and beneath the pleats, with small hard shadows under both loafers grounding the feet on the white field. The background is a flat, unbroken white with nothing in it, no horizon line, no props, no cast shadow beyond the shoes, and no lettering of any kind anywhere in the frame. The palette is entirely local colour — white, red, gold, dark navy and the indigo of her eyes — held flat and clean; quiet, poised, gently bright.
きのこ

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