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あやね
semi-realistic, colored lineart, soft pencil sketch, painterly rendering, rim lighting, soft blended shading, a young man with a slender and sharp but smooth jawline, very fair and pale ivory skin, smooth and clean complexion. Languid eyes that are long and slightly downturned, dark brown or grey-brown pupils, a dreamy gaze as if half-asleep, looking slightly to the side rather than directly at the camera. Thick and delicate eyelashes, with very faint redness and shadows under the eyes for a tired and decadent atmosphere. Thin, black, naturally curved eyebrows. A small, straight nose with a sharp but not overly pointed tip. Lips of natural thickness, with the lower lip slightly fuller than the upper, colored in a mix of dried rose and light brown, with a loose expression as if the mouth is slightly open. A calm, languid, and non-smiling expression, overall cold, elegant, and slightly decadent.
Short black male hair with a white lace towel wrapped around the head (not long hair, not reaching the neck or below the ears). The overall length is short, but the bangs are long and lightly flowing, covering parts of the eyebrows and eyes without reaching the chin or neck. The back is short and does not cover the neckline, and the sides are trimmed short around the ears so the ears are visible. A voluminous, naturally messy layered short cut on top with some spiked stray hairs; very dark black-brown hair with faint brown highlights. Texture is slightly moist and clumped like wet hair, with thin, sharp ends.
A long, thin neck and a slender build with narrow shoulders. Wearing a classic maid-style outfit with strong black and white contrast: a black shirt or top inside with a very large, sharp white shirt collar and a black tie or ribbon-like decoration at the center of the neck. A wide white apron-like cloth covers the upper body with large, voluminous white ruffles on both shoulders. The sleeves are a mix of black and white with soft folds and many wrinkles. The fabric has a natural, slightly wrinkled texture rather than being brand new; black fabric has a subtle satin-like sheen, and white fabric is a soft, thick ivory tone.
The man is leaning diagonally against a classic sofa, body tilted comfortably to the side with one shoulder slightly lowered. His right elbow rests on the armrest or backrest of the sofa, with his right hand lightly supporting his temple, fingers naturally curved without pressure. The head is slightly tilted toward the hand. A vertical close-up composition from the head to the chest, with the face positioned slightly to the right of the center and the shoulder and white clothing visible on the left. 3/4 view of the face.
The background is an interior of a luxurious old European aristocratic mansion or a vintage hotel parlor. Behind the man is an old fabric sofa in dark olive green and khaki with blurred floral and tapestry-like vintage patterns. Above and behind his head is an old Western painting in a thick gold frame with carved decorations and aged gold leaf; the painting inside is dark and blurry in dark brown and dark green. The walls are cream and beige with faded classic molding and decorative patterns. To the right, a teal and dark green decorative wall is partially visible. The entire background has an aged, weathered texture.
The overall atmosphere is elegant, languid, dreamy, slightly decadent, and classically aristocratic, like a vintage Gothic romantic pictorial. Low saturation color palette centered on olive green, khaki, cream white, beige, faded gold, and brown. A thin brown and olive filter over the entire screen.
Lighting is soft natural light coming from one side, touching only the center of the face, tip of the nose, cheeks, and lips, with deep and soft shadows on the hair and edges of the face. Pale skin with visible texture, very faint blush on the cheeks and eyes, and a very slight moist gloss on the lips. Shadows are a mix of dark greenish-brown and brown.
The finish is between a real photo and semi-realistic digital illustration. Realistic three-dimensional face and skin, with delicate but slightly painterly brushstrokes on the hair and clothes. No thick comic-like outlines. Soft textures like an old oil painting on the background and clothing. Fine film grain, weak vintage noise, and a slight soft focus, with only the eyes and lips being the sharpest. Slight vignetting at the edges. Medium-high contrast but soft.
jj_summer_manhwa, warm sunlight, golden hour, soft painterly rendering, korean illustration style, clean lineart, soft color blending, natural lighting, dreamy atmosphere, lush green background, sparkling water, high detail, Illustration, Soft color palette with vivid saturation, detailed clothing, beautiful eyes, slender, clean lineart.
앙
Black mushroom short hair, very short hair, black eyes, looking at viewer, straight-on, crossed long bangs, 11 years old, androgynous, one person, young, light gray solid background, handsome, very cute, pale skin, slender, high quality, one hand held forward, translucent, refined face, well-featured face, upper body, dark green antique maid outfit, selfie pose, expressionless, dead eyes, delicate lineart, fine lineart, anime illustration, smooth shading, painterly, delicate soft translucent anime rendering, sharp_lineart, modern_artstyle, flat_shading, cel_shading, minimalist_color
zehu
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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