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AI art "もうすぐ紅葉の時期到来。" featuring #Lycoris Recoil, #Nishikigi Chisato and #Inoue Takina
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もうすぐ紅葉の時期到来。

#Lycoris Recoil#Nishikigi Chisato#Inoue Takina
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character: inoue_takina, nishikigi_chisato, copyright: lycoris_recoil 2girls, walking side by side, walking towards viewer, holding hands, interlocked fingers, cinematic close-up, cowboy shot cropped from the joined hands upward, faces in upper frame, from front, slightly low angle, chisato nishikigi, blonde hair, short hair, bob cut, red eyes, takina inoue, long black hair, purple eyes, hair down, autumn forest, red maple foliage, momiji, countless red leaves, autumn sunlight, clear sky, dappled light, autumn casual clothes, expensive tasteful outfits, high-quality knitwear, hands in full detail, radiant healthy expression, flushed cheeks from chilly air, breath visible, gentle smiles, looking at each other, romantic movie still mood, depth of field, 35mm film look, warm palette, red and gold leaves, cream and charcoal and camel autumn knitwear The camera sits low and close, slightly under the two faces, cropping the frame from their joined hands upward: the clasped hands enter at the bottom edge of the image, fingers laced and hanging between the two bodies, and the shot rises across the fronts of their coats to the two faces near the top, a narrow band of red maple canopy visible between and above their heads. Chisato is on the left of frame, Takina on the right, walking toward the viewer side by side, their shoulders nearly touching and their hips swinging in opposite phase mid-stride — Chisato's weight on her forward right leg, Takina's on her forward left, their linked arms stretched slightly taut between them so the hands ride a little low. Chisato's chin is tilted up and her shoulder-length blonde bob lifts at the ends with the walk, a thin red hair ribbon tied at the back of her crown fluttering against the leaves behind; she grins wide and open-mouthed, red eyes bright, looking at Takina. Takina's long black hair sweeps back off her face and slides forward over one shoulder with the step, her lips curved in a small closed smile, eyes creased at the corners, glancing back at Chisato through the gap between their heads. A faint cold flush reddens both sets of cheeks and the tips of their noses, and the coolest breath of the morning shows as a thin wisp of white vapour at their mouths. Both wear autumn knitwear of conspicuous quality. Chisato: a cream cable-knit turtleneck under a fitted camel wool short coat, high-waisted charcoal wide-leg trousers, hands bare, a small leather-strap watch on her left wrist. Takina: a soft oatmeal ribbed sweater under a long camel-brown coat, a deep burgundy pleated skirt falling to mid-calf, dark tights and low ankle boots, a thin silk scarf at her throat. Their clasped hands are the sharpest detail in the frame — Takina's slender fingers wrapped over Chisato's knuckles, Chisato's thumb hooked across the outside, the wool cuffs of both coats breaking against the wrists, and a clear cold-weather sheen on the skin of their fingers. The setting is a maple-lined path in full autumn colour: the trunks recede in soft-focus ranks behind them, and a deep drift of fallen red-and-orange leaves lies across the ground, scuffed up into little kicked arcs around their moving boots, a few dry leaves stuck to the hem of Takina's coat and caught in Chisato's hair. Clear autumn sunshine pours in from the upper right, so the light strikes the sunward sides of their faces, lights a translucent red glow through the maple leaves overhead, and lays long soft shadows down-left across the leaf litter; the shadowed sides of their faces fall into clean cool shade filled by bounce from the red carpet under them. High thin clouds give the blue sky its clarity, and between the trunks the sunlight makes visible the shafts of falling leaves drifting down. The palette is all cream, camel, oatmeal and burgundy against the saturated red and gold of the maple, with the sky a cold clear blue behind the canopy. Moderate shallow depth of field holds the faces and hands crisp and lets the trees soften into red bokeh, rendered as a warm cinematic still with fine film grain and naturalistic light. Tender, effortless romance.
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Original Prompt
リコリスリコイルの錦木千束と井ノ上たきなが紅葉を観に、紅葉林に入って並んで歩いてこちらへ向かっている。秋の私服、結構な額のセンスのいい服をそれぞれ着こんで手をつないで歩いている。天気は秋晴れ。そこら中に赤く染まった紅葉がある。二人の表情は少し肌寒い気候で健康的に輝いている。二人の手から上をアップで。映画の恋人同士のワンシーンのようなショットで。
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

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AI artwork
ヤ
character: kohinata_miku, tachibana_hibiki_(symphogear) 2girls, full body shot, eye-level view, walking side by side, from down the path, tachibana_hibiki_(symphogear) on the left, kohinata_miku on the right, short hair, brown hair, orange eyes, orange-red duffel coat, yellow knit sweater, dark shorts, brown tights, red sneakers, chunky muffler, huge open smile, open mouth, talking, cheerful, arms swinging, mid-stride, short hair, black hair, green eyes, cream cardigan, white blouse, long pleated purple skirt, brown ankle boots, light scarf, gentle smile, light smile, closed mouth, listening, head tilted toward companion, sideways glance, autumn, tree-lined avenue, ginkgo trees, maple trees, crimson foliage, golden foliage, falling leaves, swirling leaves, leaf-covered path, dappled light, long shadows, late afternoon, sunlight through branches, soft bokeh background, warm colors, clean lineart, nostalgic The camera sits at eye level on the avenue itself, looking straight down the path so the tree rows converge behind the two girls and the ground between camera and subjects is a carpet of ginkgo and maple leaves. The two walk side by side on the left-right axis of the frame, Hibiki on the left third and Miku on the right third, a small gap of dappled light visible between their shoulders, both full body in frame from the top of their hair to the soles of their shoes on the leaf-strewn pavement with a margin of path below. Hibiki is caught mid-stride with her weight on her right leg, her left leg trailing and lifted slightly off the leaves, her torso turned a quarter toward Miku so her orange-red duffel coat swings open over the yellow sweater and the toggle-buttons pull taut on the leading edge and the chunky muffler bounces against her collarbone. Her arms are swinging, one flung forward and one flung back, sleeves riding back from her wrists, her chin up and her mouth wide open and happy mid-word, her brows lifted, her gaze aimed at Miku's face. Because her head is up and in motion, the small clip in her short brown hair is visible at the side of her head, catching a spot of sun. Miku walks on her own quiet stride with her weight on her left foot, her shoulders level and relaxed, her head tilted a few degrees toward Hibiki and her green eyes on her friend's face, her lips closed in a soft warm smile, a faint blush bridging her nose. Her right hand holds the strap of a small bag at her hip; her left hand rests lightly against the pleats of the long purple skirt where it swings with her step, and the hem of the skirt brushes and lifts with the motion while her brown ankle boots settle onto the leaves. The light scarf around her neck lies smooth over the cream cardigan, and one end lifts a little in the breeze while her breath shows in her steady pace. The light comes from low behind the tree row at the far end of the avenue, orange-gold, filtering in shafts through the branches and breaking into dappled patches that cross the leaf carpet and the girls' legs and faces. The lamps of light leave long soft dark shadows stretched from the two figures toward the camera, and where the sun meets the leaves in the air the drifting foliage glows at its edges. The background beyond them falls off into soft round bokeh, warm discs of light scattered among out-of-focus trunks, while the two of them stay crisp and sharp against that haze. The palette runs on warm oranges, crimsons and golds in the trees and on the ground, with the cool anchor of Miku's purple skirt and the black of her hair so the eye travels between the two figures; the crimson and gold fire of the ginkgo and maple leaves fills the upper frame and the lower frame alike. The breeze shows itself in the leaves spinning lazily down around them, a few coming to rest on their shoulders and sleeves and one caught on the brim of the leaf-strewn path. Clean crisp lineart, vivid warm color, official anime look, a nostalgic late-afternoon hush.
ヤマダ太郎

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