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AI art "felicia's friends" featuring #Felicia and #Darkstalkers
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felicia's friends

#Felicia#Darkstalkers
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3 girls,myltiple girls,1girl,Yellow Hair, Medium Hair, Green Eyes, Ponytail, Big Breast, scary pose, High Quality, High Resolution, High Definition. dress like a chinese vampire, boold on her hands and face,hsienko cosplay,lei-lei cosplay, sporca di sangue,full body, full figure,in a cemetery some many tombstone around her, scary smile,a orange full moon inthe sky,masterpice, expressive eyes,natural big boobs,((4k,8k,Ultra HD)),((Masterpiece :1.2)),((Best quality :1.2)),((Detailed :1.5)),((Detailed background ,(Masterpiece :1.2),(best_quality :1.2),(HD_eyes :1.2),(ultra_quality :1.2),(Detailed :1.2),(scenery :1.2),(cinematic_lighting :1.2),(depth :1.2),(detailed hands :1.2),(colorful masterpiece :1.2),(high-definition_eyes :1.2),1girl,feliciads, long hair, slit eyes, cat ears, claws, fur, cat girl, 1girl,felicia hardy, long hair, blue eyes,btiflgrlsnrv4, a skull in right hand,bat on their left shoulder
Show Parameters
Size
1024 x 1024
Sampling Steps
20
Sampling Method
DPM++ 2M Karras
CFG Scale
6
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

Model & LoRA used

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Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, light brown hair, very long hair, long ponytail, red eyes, sunglasses, dark tinted sunglasses, vampire costume, gothic gown, black velvet gown, red satin, large breasts, curvy figure, wide hips, thick thighs, mature female, aged up, adult, from below, cowboy shot, dutch angle, standing with weight on one leg, hip cocked, hand on hip, leaning back slightly, head tilted down, looking down at viewer, over the sunglasses, half-closed eyes, smug, lopsided smirk, night, fog, gothic cemetery, full moon, moonlight, rim light, deep blue and crimson palette, billowing cape The camera sits low and off-axis, tilted a few degrees, looking up at a single adult woman who dominates the frame from an oblique angle. Her light brown hair is pulled up high into one very long ponytail that falls past her hips and swings off to her right shoulder, its tail lifted and drifting in the night wind. Sunglasses with dark tinted lenses sit low on her nose; she tips her chin down so her red eyes look over the top rim straight into the lens, lids half-lowered, one brow arched above the frame, her mouth pulled into a lopsided smirk with one corner higher than the other. She stands with her weight loaded onto her left leg, right hip cocked out to exaggerate the curve of her waist, right hand planted flat on that hip with the fingers spread over black velvet, left arm hanging loose with the fingers of that hand just brushing the flared hem of the gown. She is dressed as a vampire: a floor-length black velvet gown that hugs her full bust and the curve of her wide hips before falling in heavy folds, a narrow waist between them, a deep red satin panel running down the front and red satin lining the sleeves, a stiff high collar framing her throat, and a long black cape hung from her shoulders that bellies out behind her in the wind. The gown's skirt pools and drags across the grass, its hem darkened and weighed down with damp. She stands on an old gravel path between leaning headstones in a fog-bound cemetery, the fog banked to her knees and thinning upward so her head and shoulders cut clear of it; behind her a broken stone cross leans at an angle and a dead tree's bare branches cross the sky. A full moon sits high behind her right shoulder, and it is the only real light: cold blue-white rim light traces the edge of her ponytail, her cheek, the collar and the outside of her left arm, while her front and the hollow of her throat fall into shadow, and the faint red bounce off the satin panel catches under her jaw. Everything beyond the moon's reach sinks into near-black blue. The palette is narrow -- black velvet, oxblood red, cold moonlit blue, and the pale light-brown of her hair -- with the red confined to her eyes, her lips, the satin panel and the cape's lining. Moonlight glints on the wet gravel between the headstones but not on the matte velvet. Still, imperious, calmly predatory.
Kylee Violette (Kiy Chan)

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