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AI artwork featuring #Fate/hollow ataraxia, #Fate series and #Luviagelita Edelfelt
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Luviagelita Edelfelt, Fate/hollow ataraxia

#Fate/hollow ataraxia#Fate series#Luviagelita Edelfelt
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Ni Ke (Nike)

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character: luviagelita_edelfelt 1girl, solo, 18 years old, full body, standing, western-style guest room, blue cross-laced long dress, white tights, petticoat, thighhighs, (((Gigantic breasts:2))), (thick thighs, wide hips:1.5), blonde hair, long hair, drill hair, ringlets, curtained hair, hair ribbon, ribbon, blue ribbon, hair bow, bow, hair ornament, brown eyes, model figure, (8k, best quality, masterpiece:1.2), looking at viewer, hand on own chest, head tilt, from below, slightly from the side, warm indoor light The camera sits low in a medium-wide full-body shot and slightly to her left, looking up so the tall Western-style guest room rises behind her: a high plaster ceiling with a molded cornice, a panelled wall in deep cream holding a gilt-framed landscape, a tall sash window swagged with heavy crimson drapery on the right, and a marble-topped console beneath it. She stands in the middle of the carpeted floor, weight settled onto her right leg with the left knee bent and eased forward, the left toe turned out through the white tights, her hips canted so the wide curve of her hip and the long fall of the dress read as a single S-line from waist to hem. The blue cross-laced long dress closes up the bodice with a ladder of taut blue lacing and small metal eyelets running from the waist to the collarbone; at the hem the skirt breaks open as she shifts her weight, letting the white petticoat show in a stiff, scalloped froth of lace above the white tights that sheath both legs from toe to thigh, with the thighhighs' elastic band faintly visible as a soft bite line beneath the tights' fabric. Her right hand rests flat over her own sternum, fingers spread just below the lacing; her left hand catches the skirt at the side seam and lifts it a hand's width, so the cloth hangs in a heavy vertical fold beside the petticoat. Her blonde hair is enormous and long, falling past her hips, the outer lengths rolled into tight cylindrical drill curls that hang in weighted spirals and swing a half-beat behind her shoulders as she tilts her head; blue ribbons and a bow are tied into the mass at her crown and one more blue hair ribbon trails loose beside her cheek, the whole arrangement of hair ornaments just off-centre. Her brown eyes look straight at the lens under a lifted brow, chin dipped in a composed, faint closed-lip smile, one corner pulled a fraction higher than the other. Warm daylight comes in through the sash window from the right, laying a bright panel across the right side of her face, the right shoulder and the sheen of the tights, and throwing a long soft shadow of her drill curls across the panelling to the left; dusty air in the beam makes the light visible as a wedge. The palette is held to deep blue, crisp white, warm cream plaster, crimson drapery and pale gold hair. Painterly cel shading with clean edges on the drapery folds and fine lacework detail on the petticoat; quietly opulent.
Show Parameters
Original Prompt
(8k, best quality, masterpiece:1.2),solo girls,18years old, full body,standing,the Western-style guest rooms. blue cross-laced long dress,white tights,Petticoat, luviagelita edelfelt ={blonde hair, long hair, drill hair, ribbon,thighhighs, brown eyes, hair ribbon,bow,hair bow, hair ornament,a model figure,((Gigantic breasts:2)),(thick thighs,wide hips:1.5),} ,
Mode
ultra
Quality Tag
﹝Prompts﹞
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
nk
character: luviagelita_edelfelt 1girl, solo, 18 years old, full body, standing, western-style guest room, blue cross-laced long dress, white tights, petticoat, thighhighs, (((Gigantic breasts:2))), (thick thighs, wide hips:1.5), blonde hair, long hair, drill hair, ringlets, curtained hair, hair ribbon, ribbon, blue ribbon, hair bow, bow, hair ornament, brown eyes, model figure, (8k, best quality, masterpiece:1.2), looking at viewer, hand on own chest, head tilt, from below, slightly from the side, warm indoor light The camera sits low in a medium-wide full-body shot and slightly to her left, looking up so the tall Western-style guest room rises behind her: a high plaster ceiling with a molded cornice, a panelled wall in deep cream holding a gilt-framed landscape, a tall sash window swagged with heavy crimson drapery on the right, and a marble-topped console beneath it. She stands in the middle of the carpeted floor, weight settled onto her right leg with the left knee bent and eased forward, the left toe turned out through the white tights, her hips canted so the wide curve of her hip and the long fall of the dress read as a single S-line from waist to hem. The blue cross-laced long dress closes up the bodice with a ladder of taut blue lacing and small metal eyelets running from the waist to the collarbone; at the hem the skirt breaks open as she shifts her weight, letting the white petticoat show in a stiff, scalloped froth of lace above the white tights that sheath both legs from toe to thigh, with the thighhighs' elastic band faintly visible as a soft bite line beneath the tights' fabric. Her right hand rests flat over her own sternum, fingers spread just below the lacing; her left hand catches the skirt at the side seam and lifts it a hand's width, so the cloth hangs in a heavy vertical fold beside the petticoat. Her blonde hair is enormous and long, falling past her hips, the outer lengths rolled into tight cylindrical drill curls that hang in weighted spirals and swing a half-beat behind her shoulders as she tilts her head; blue ribbons and a bow are tied into the mass at her crown and one more blue hair ribbon trails loose beside her cheek, the whole arrangement of hair ornaments just off-centre. Her brown eyes look straight at the lens under a lifted brow, chin dipped in a composed, faint closed-lip smile, one corner pulled a fraction higher than the other. Warm daylight comes in through the sash window from the right, laying a bright panel across the right side of her face, the right shoulder and the sheen of the tights, and throwing a long soft shadow of her drill curls across the panelling to the left; dusty air in the beam makes the light visible as a wedge. The palette is held to deep blue, crisp white, warm cream plaster, crimson drapery and pale gold hair. Painterly cel shading with clean edges on the drapery folds and fine lacework detail on the petticoat; quietly opulent.
Ni Ke (Nike)
AI artwork
nk
character: luviagelita_edelfelt 1girl, solo, 18 years old, full body, standing, western-style guest room, blue cross-laced long dress, white tights, petticoat, thighhighs, (((Gigantic breasts:2))), (thick thighs, wide hips:1.5), blonde hair, long hair, drill hair, ringlets, curtained hair, hair ribbon, ribbon, blue ribbon, hair bow, bow, hair ornament, brown eyes, model figure, (8k, best quality, masterpiece:1.2), looking at viewer, hand on own chest, head tilt, from below, slightly from the side, warm indoor light The camera sits low in a medium-wide full-body shot and slightly to her left, looking up so the tall Western-style guest room rises behind her: a high plaster ceiling with a molded cornice, a panelled wall in deep cream holding a gilt-framed landscape, a tall sash window swagged with heavy crimson drapery on the right, and a marble-topped console beneath it. She stands in the middle of the carpeted floor, weight settled onto her right leg with the left knee bent and eased forward, the left toe turned out through the white tights, her hips canted so the wide curve of her hip and the long fall of the dress read as a single S-line from waist to hem. The blue cross-laced long dress closes up the bodice with a ladder of taut blue lacing and small metal eyelets running from the waist to the collarbone; at the hem the skirt breaks open as she shifts her weight, letting the white petticoat show in a stiff, scalloped froth of lace above the white tights that sheath both legs from toe to thigh, with the thighhighs' elastic band faintly visible as a soft bite line beneath the tights' fabric. Her right hand rests flat over her own sternum, fingers spread just below the lacing; her left hand catches the skirt at the side seam and lifts it a hand's width, so the cloth hangs in a heavy vertical fold beside the petticoat. Her blonde hair is enormous and long, falling past her hips, the outer lengths rolled into tight cylindrical drill curls that hang in weighted spirals and swing a half-beat behind her shoulders as she tilts her head; blue ribbons and a bow are tied into the mass at her crown and one more blue hair ribbon trails loose beside her cheek, the whole arrangement of hair ornaments just off-centre. Her brown eyes look straight at the lens under a lifted brow, chin dipped in a composed, faint closed-lip smile, one corner pulled a fraction higher than the other. Warm daylight comes in through the sash window from the right, laying a bright panel across the right side of her face, the right shoulder and the sheen of the tights, and throwing a long soft shadow of her drill curls across the panelling to the left; dusty air in the beam makes the light visible as a wedge. The palette is held to deep blue, crisp white, warm cream plaster, crimson drapery and pale gold hair. Painterly cel shading with clean edges on the drapery folds and fine lacework detail on the petticoat; quietly opulent.
Ni Ke (Nike)
AI artwork
nk
character: luviagelita_edelfelt 1girl, solo, 18 years old, full body, standing, western-style guest room, blue cross-laced long dress, white tights, petticoat, thighhighs, (((Gigantic breasts:2))), (thick thighs, wide hips:1.5), blonde hair, long hair, drill hair, ringlets, curtained hair, hair ribbon, ribbon, blue ribbon, hair bow, bow, hair ornament, brown eyes, model figure, (8k, best quality, masterpiece:1.2), looking at viewer, hand on own chest, head tilt, from below, slightly from the side, warm indoor light The camera sits low in a medium-wide full-body shot and slightly to her left, looking up so the tall Western-style guest room rises behind her: a high plaster ceiling with a molded cornice, a panelled wall in deep cream holding a gilt-framed landscape, a tall sash window swagged with heavy crimson drapery on the right, and a marble-topped console beneath it. She stands in the middle of the carpeted floor, weight settled onto her right leg with the left knee bent and eased forward, the left toe turned out through the white tights, her hips canted so the wide curve of her hip and the long fall of the dress read as a single S-line from waist to hem. The blue cross-laced long dress closes up the bodice with a ladder of taut blue lacing and small metal eyelets running from the waist to the collarbone; at the hem the skirt breaks open as she shifts her weight, letting the white petticoat show in a stiff, scalloped froth of lace above the white tights that sheath both legs from toe to thigh, with the thighhighs' elastic band faintly visible as a soft bite line beneath the tights' fabric. Her right hand rests flat over her own sternum, fingers spread just below the lacing; her left hand catches the skirt at the side seam and lifts it a hand's width, so the cloth hangs in a heavy vertical fold beside the petticoat. Her blonde hair is enormous and long, falling past her hips, the outer lengths rolled into tight cylindrical drill curls that hang in weighted spirals and swing a half-beat behind her shoulders as she tilts her head; blue ribbons and a bow are tied into the mass at her crown and one more blue hair ribbon trails loose beside her cheek, the whole arrangement of hair ornaments just off-centre. Her brown eyes look straight at the lens under a lifted brow, chin dipped in a composed, faint closed-lip smile, one corner pulled a fraction higher than the other. Warm daylight comes in through the sash window from the right, laying a bright panel across the right side of her face, the right shoulder and the sheen of the tights, and throwing a long soft shadow of her drill curls across the panelling to the left; dusty air in the beam makes the light visible as a wedge. The palette is held to deep blue, crisp white, warm cream plaster, crimson drapery and pale gold hair. Painterly cel shading with clean edges on the drapery folds and fine lacework detail on the petticoat; quietly opulent.
Ni Ke (Nike)
AI artwork
nk
character: luviagelita_edelfelt (8k, best quality, masterpiece:1.2), solo, 1girl, 18 years old, adult woman, full body, standing, western-style guest room interior, cross-laced dress, white tights, petticoat, thighhighs, blonde hair, long hair, drill hair, ringlets, hair ribbon, hair bow, hair ornament, blue ribbon, brown eyes, ((Gigantic breasts:2)), (thick thighs, wide hips:1.5), model figure, from side, looking out window, head tilt, hand on own hip, curtained hair, parted lips, soft light smile, The camera sits at a three-quarter side view at hip height, holding the whole figure inside the frame from the crown of her head to her shoe heels. She stands beside a tall arched window of a Western-style guest room, angled toward the glass rather than to the lens, weight settled on her left leg with the right knee slightly bent and the hip cocked outward, so the S-curve of her stance reads clean in silhouette. Her left hand rests flat on her own waist above the corset lacing, fingertips pressing a small crease into the fabric; her right arm hangs loosely with the back of the hand brushing the window sill's edge. Her chin lifts a touch toward the daylight, eyes turned out through the panes to the distant garden, lips parted faintly on a breath, one brow lifted in lazy appraisal — she is being admired by no one, which is precisely the point. The dress is drawn as a fitted bodice with lacing running in a tight crisscross down the front through metal eyelets, each cord crossing the others at a shallow X, disappearing under the wide flared skirt. Beneath the skirt's hem a layered white petticoat pushes the volume out and hangs in a crisp ruffled edge below the outer fabric, and beneath that her white tights climb from slim ankles to the thighhighs' band, the knit faintly translucent over her calves and tightening across the fullness of her thighs and wide hips. Her hair is immense: two heavy blonde drill curls spiral from temple height down past the bust, each ringlet wound tight and glossy, while a blue hair ribbon ties a bow at the crown with a second bow pinned at one side, and loose strands of curtained hair frame her face. Brown eyes catch the window light with a single wet highlight in each iris. The room behind her is furnished as a period guest chamber: a tall wooden wardrobe with a carved cornice stands to the left, a canopied bed with heavy drapery sits deeper in the frame to the right, and a short runner rug leads along the polished floorboards from the bottom of the frame toward the bed. The window is the only light source — a broad cool-white shaft through the glass that lays a bright parallelogram of light across her dress front, her cheek, and the floor at her feet, while everything behind her shoulder and beyond the wardrobe dissolves into a deep warm shadow in which the drapery and wood are only readable as darker masses. Her cast shadow stretches away from the window and shortens as it reaches the bed, and the polished floorboards return a soft, dimmer, blurred reflection of her skirt hem and shoes. Palette held to cream, blonde gold, oxblood-red drapery, dark chestnut wood and the cool white of glass light; nothing else admitted. Fabric detail is spent on the corset lacing, the petticoat ruffle and the spiral structure of the drill curls, the room simplified into shape and shadow. Suspended, opulent stillness.
Ni Ke (Nike)

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