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AI art "Girl Car Bikini" featuring #zetaCollab
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Girl Car Bikini

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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Madis&Tõnis Tuulik

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character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny walks away from the burning wreck, seen in three-quarter front view at eye level, caught mid-stride on the open concrete with the car burning well behind her. Her weight is forward on one clean white sneaker, the other just lifting, the stride long and easy, hips swinging, shoulders back, chest lifted. Her head is turned toward the camera, sapphire-blue eyes on the lens with a slow, heavy-lidded, satisfied gaze, one brow arched, lips parted in a smirk, her chest rising and falling. Her black hair with bold purple stripes is in its sleek low ponytail, the tail swinging with her stride. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the movement of her stride emphasising her hips and bust. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the purple bikini bra and matching purple thong bikini bottoms, fully covering her, and clean white sneakers. One hand swings loosely at her side; the other is lifted, fingers brushing her own hair back from her temple. Details to hold: the stride caught mid-step, the swing of her ponytail, the firelight rimming the back of her body and the outside of her trailing leg, the orange glow warming the floor behind her while cool daylight lights her front, the long distance she has put between herself and the car, her fingers at her temple, her unhurried satisfaction. The burning wreck in the background: flames rising from the buckled hood and through the smashed windows, thick black smoke climbing toward the ceiling, the dented bodywork glowing dull orange, the puddle throwing back firelight across the concrete. Setting: open concrete bay, pale floor stretching between her and the fire, cinder-block walls lit shifting orange, smoke haze under the ceiling, cool daylight from the open roller door. Camera: three-quarter front angle at eye level, full-body shot with Anny sharp in the foreground and the burning wreck soft in the background. Shallow depth of field. Visual focus is her mid-stride walk away from the flames and her glance back at the lens. Subtle film grain.
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Original Prompt
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny walks away from the burning wreck, seen in three-quarter front view at eye level, caught mid-stride on the open concrete with the car burning well behind her. Her weight is forward on one clean white sneaker, the other just lifting, the stride long and easy, hips swinging, shoulders back, chest lifted. Her head is turned toward the camera, sapphire-blue eyes on the lens with a slow, heavy-lidded, satisfied gaze, one brow arched, lips parted in a smirk, her chest rising and falling. Her black hair with bold purple stripes is in its sleek low ponytail, the tail swinging with her stride. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the movement of her stride emphasising her hips and bust. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the purple bikini bra and matching purple thong bikini bottoms, fully covering her, and clean white sneakers. One hand swings loosely at her side; the other is lifted, fingers brushing her own hair back from her temple. Details to hold: the stride caught mid-step, the swing of her ponytail, the firelight rimming the back of her body and the outside of her trailing leg, the orange glow warming the floor behind her while cool daylight lights her front, the long distance she has put between herself and the car, her fingers at her temple, her unhurried satisfaction. The burning wreck in the background: flames rising from the buckled hood and through the smashed windows, thick black smoke climbing toward the ceiling, the dented bodywork glowing dull orange, the puddle throwing back firelight across the concrete. Setting: open concrete bay, pale floor stretching between her and the fire, cinder-block walls lit shifting orange, smoke haze under the ceiling, cool daylight from the open roller door. Camera: three-quarter front angle at eye level, full-body shot with Anny sharp in the foreground and the burning wreck soft in the background. Shallow depth of field. Visual focus is her mid-stride walk away from the flames and her glance back at the lens. Subtle film grain.
Mode
ultra
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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